Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?

    I am writing my most hazardous book, says George Konrad. I have been sentenced to examine myself. The result is a rich, poetic story of a man, a family, and a country--a vital and sensuous story from the president of International PEN."

    His grandmother guards the family dead with fierce determination, arranging and re-arranging their photographs in a special cabinet, talking to them and arguing with them. The cabinet is an extension of heaven, with its own purgatory and hell: their place in his grandmother's favour is marked by their proximity to a statue of the Blessed Virgin. But, one image is always next to the Virgin: Marcel, who died young, far away and for whom there is no grave. How did he die? His laughing eyes, staring out from a face already obliterated by the sun, give nothing away. Only when the boy uncovers letters that hint at a hidden past, does he decide to learn who Marcel was, and why the circumstances of his death remain so painful.

    Noa is studying photography in Jerusalem and Amir is a psychology student in Tel Aviv. They choose a small apartment in a village in the hills, midway between the two cities. Originally called El-Kastel, the village was emptied of its Arab inhabitants in 1948 and is now the home of Jewish immigrants from Kurdistan. Not far from the apartment lives a family grieving for their eldest son who was killed in Lebanon. The younger brother left behind, Yotam, forgotten by his parents, turns to Amir for support. Further down the street, Saddiq watches the house while he works at a building site. He knows that this house is the one from which his family was driven by the Jews when he was a boy, and to which his mother still has a rusty key. Despite friendships that develop and lives that become entwined, tensions among this melting pot of characters seem to be rising to the surface.This enchanting and irresistible novel offers us windows into the characters’ lives. Each comes from somewhere different but we gradually see that there’s much about them that’s the same. Homesick is a beautiful and moving story about history, love, family and the true meaning of home.

    In months Europe will be Hitler's, and Badenheim, a resort town vaguely in the orbit of Vienna, is preparing for its annual summer season. Soon the vacationers arrive, as they always have, a sample of Jewish middle-class life. The story unfolds as a matter-of-factly as a Chekhov play, its characters so deeply held by their defensive trivia that they manage to misconstrue every signal of their fate, until these signals take on the lineaments of disaster."The writing flows seamlessly...a small masterpiece." Irving Howe, NEW YORK TIMES BOOK REVIEW"As real as Kafka's unnamed Prague...imbued with a Watteau-like melancholy." Gabriel Annan, NEW YORK REVIEW OF BOOKS"Magical...gliding from a kind of romantic realism into universal allegory." Peter Prescott, NEWSWEEK"The sorcery of Badenheim 1939 [lies in] the success with which the author has concocted a drab narrative involving rather ordinary characters and made their experienced profoundly symbolic yet never hollow." Christopher Lehmann-Haupt, NEW YORK TIMES

    What begins as a story of a young married woman's turbulent affair with an older man rapidly devolves into a feverish, lyrical crash course in the anatomy of obsession. When Yaara meets Aryeh, her father's boyhood friend, she is instantly drawn to his impassive and archly assured presence. It is not long before she forsakes her devoted and well-meaning husband for the powerful, mysterious older man who seems to embody all that she lacks: will, strength, and the key to her parents' inaccessible pasts. They embark on a heated affair that soon spirals toward the destructive as Yaara finds that the things in Aryeh that attract her also repel her with equal intensity. With shocking immediacy, Shalev lays bare Yaara's struggle to navigate extreme terrain ranging from the sublime to the grotesque, the sacred to the profane, the liberating to the all-consuming. Love Life is cerebral, seductive, provocative, and profound.

    His clear and honest writing blasts right through the clichés and the politically correct surface to touch the chaotic and ambiguous core of the Israeli identity.” —Etgar Keret“In a dazzling display of empathy, Gavron creates two equally compelling narrators, the bomber and his victim. This is a virtuoso work; a pitch-perfect rendering of real Israeli life in all its chaos, energy, humor and terror. I couldn’t put it down.” — Geraldine BrooksPolitically incorrect, provocative, and steeped in wit and irony, Almost Dead is a fast-paced tragicomic novel about the perfectly ordinary madness in today’s Middle East.

    Set in Vienna in the 1920s, this is the story of the tortured marriage of Gurdweill, a Jewish intellectual, and Thea, an Austrian baroness, set against the backdrop of a city whose empire had collapsed during World War I.

    With Holocaust survivors for parents and few other 'real' relatives alive, relationships operated under a 'law of compression' in which tenuous connections turned friends into uncles, cousins and grandparents.

    The plight of Anna (a lively and charismatic woman) and her much younger second husband Waldemar (an immigrant from the Dutch colony of Suriname), and the fate of their only child, Waldy, after his parents are murdered in the Nazi concentration camp for the crime of harboring Jews in their boarding house is unforgettable.Waldemar is unique as a biracial young man in post WWII Netherlands—and his search for his own path in life is sure to engage even the hardest hearts.

    Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion.Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man.Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderline) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.”

    Amin Jaafari, an Arab-Israeli citizen, is a surgeon at a hospital in Tel Aviv. Dedicated to his work, respected and admired by his colleagues and community, he represents integration at its most successful. He has learned to live with the violence and chaos that plague his city, and on the night of a deadly bombing in a local restaurant, he works tirelessly to help the shocked and shattered patients brought to the emergency room. But this night of turmoil and death takes a horrifyingly personal turn. His wife's body is found among the dead, with massive injuries, the police coldly announce, typical of those found on the bodies of fundamentalist suicide bombers. As evidence mounts that his wife, Sihem, was responsible for the catastrophic bombing, Dr. Jaafari is torn between cherished memories of their years together and the inescapable realization that the beautiful, intelligent, thoroughly modern woman he loved had a life far removed from the comfortable, assimilated existence they shared. From the graphic, beautifully rendered description of the bombing that opens the novel to the searing conclusion, The Attack portrays the reality of terrorism and its incalculable spiritual costs. Intense and humane, devoid of political bias, hatred, and polemics, it probes deep inside the Muslim world and gives readers a profound understanding of what seems impossible to understand.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    Once there, he was to copy a three-thousand-year-old cuneiform inscription—an order of the first king of Persia—as a means of freeing himself from his emotional confinement. For the remainder of his life, Aga Akbar used these cuneiform characters to fill a notebook with writings only he could understand. Years later, his son, Ishmael—a political dissident in exile—is attempting to translate the notebook . . . and in the process tells his father's story, his own, and the story of twentieth-century Iran.A stunning and ambitious novel by a singular literary talent, My Father's Notebook is at once a masterful chronicle of a culture's troubled voyage into modernity and the poignant, timeless tale of a son's enduring love.

    Swords kill only those who stand before them, stories decide who will live and die in generations to come.Shlom'am, a young man from the tribe of Ephraim, has grown up in the shadow of several secrets. He wonders why his father is deathly afraid of the King's soldiers, and why his mother has lied to him about the identities of those closest to him. Knowing his parents won't divulge more than they have to, Shlom'am sets out on his own to unearth his mysterious past.At the height of his journey, Shlom'am encounters the Crazed Princess. Princess Michal, daughter of the ill-fated King Saul and discarded wife of the illustrious, dangerous King David, seems doomed by the annals of history; hellbent on seizing the throne, David wiped out her father's line and left her isolated...and plotting. Only Michal knows the shocking circumstances of Shlom'am's birth. Only she can set into motion his destiny to become Jerobaam, the fourth king of Israel.The Secret Book of Kings is a sweeping biblical epic filled with court intrigue, romance, and rebellion. It engages with the canonized stories of the Israel's foundation and turns them on their heads. Brandes, known for her profound familiarity with Jewish sources, uncovers vibrant, adversarial men and woman buried deep in the scriptures and asks the loaded question: to what extent can we really know our past when history is written by the victors?