Some claimed she had been arrested for masterminding the murder of the grand Mullah, her uncle. Others echoed her words, and passed her poems from hand to hand. Everyone spoke of her beauty, and her dazzling intelligence. But most alarming to the Shah and the court was how the poetess could read. As her warnings and predictions became prophecies fulfilled, about the assassination of the Shah, the hanging of the Mayor, and the murder of the Grand Vazir, many wondered whether she was not only reading history but writing it as well. Was she herself guilty of the crimes she was foretelling?Set in the world of the Qajar monarchs, mayors, ministers, and mullahs, this book explores the dangerous and at the same time luminous legacy left by a remarkable person. Bahiyyih Nakhjavani offers a gripping tale that is at once a compelling history of a pioneering woman, a story of nineteenth century Iran told from the street level up, and a work that is universally relevant to our times.

    With the confict coming to an end, Michiel comes of age and learns of the stark difference between adventure fantasy and the ugly realities of war.This children’s classic is a thrilling and powerful adventure story that has left its mark on generations of children in the Netherlands but has been unavailable in the UK since the Seventies. ‘This exciting book has long been considered a classic inHolland. And anyone who has read this moving, powerfulstory can understand why’ Stiftung Lesen

    But a man like Monsieur?" -- from THE DIARY OF A CHAMBERMAIDThe famous anarchist and art critic Octave Mirbeau (1848-1917) inspired three film versions (Jean Renoir, Bunuel and Benoit Jacquot) with his often forgotten classic THE DIARY OF A CHAMBERMAID. Telling the story of Celestine R., an amoral fisherman's daughter whose motto is live and let live (if you can survive), Mirbeau reveals that "when one tears away the veils and shows them naked, people's souls give off such a pungent smell of decay."Badly subtitled by the publisher as part of "The Naughty French Novel Series," it is not erotic fiction at all, but rather a literary accomplishment. Series editor John Baxter, the author of WE'LL ALWAYS HAVE PARIS, contributed a thoughtful introduction.

    "When I was in the camp," her father's stories always begin. Although she lives in the everyday world of school and friends, a daughter is compelled by love to enter her father's harrowing world of hunger, death, and survival in the concentration camp. In a moving Afterword, the author sets the historical context for the novel and speaks directly about her own father, upon whom the novel is based. "An extraordinary novel written with passion, lucidity, and restraint" (The Forward).

    At 30, he sees no point in getting a job, finding a wife or stopping the endless round of parties. Golan had always considered life to be about marrying well and attaining money, but after a blind date with his best friend's quirky sister, he begins to question such beliefs. Golan then begins a personal journey that has him challenge everything he has ever believed, about himself, about love and about the nature of life in contemporary Israel.

    Surrounded by jealous & hateful enemies, Süß helps the Duke create a corrupt state that involves them both in immense wealth & power.

    It is in this idyllic setting that Melanie meets Patrick, and they soon find themselves becoming closer to one another.

    Anton stands on the banks of his beloved river years later, on the wintry eve of Holland's liberation, and mourns a lost world. David, his Jewish teammate and quiet obsession from that magical summer, has disappeared, and the boathouse is now derelict and deserted. Spare, lyrical, and nuanced, On the Water is quietly enormous, capturing a moment so precise and exact it is as if caught in amber -- a rowing club in Amsterdam and two of its competitors from very different backgrounds, set against the backdrop of the oncoming war. The menace of tragedy to come is subtly woven into the story of the two boys whose only concerns are practices, races, and themselves. In the end, all that is left for Anton is the memory of his supreme happiness that summer.

    Jews are evacuated, guns are fired, shells explode. In this novel Böll paints war as a series of idiocies, senseless accidents, and bizarre coincidences related only through death.

    Through the predecessors of four modern men and women, we experience the entire colorful history of the Jews, including the life of the early Hebrews and their persecutions, the impact of Christianity, the Crusades, and the Spanish Inquisition, all the way to the founding of present-day Israel and the Middle-East conflict."A sweeping chronology filled with excitement."THE PHILADELPHIA INQUIRER

    It was a time when publishing was still a private affair - a scattered family of small houses here and in Europe - a time of gatherings in fabled apartments, parties into the night. It is a world in which to immerse himself, a world of intimate connections and surprising triumphs. But the deal that Philip cannot seem to close is love: one marriage goes bad; another fails to happen; and, finally, he meets a woman who enthralls, then betrays him, setting him on a course he could never have imagined for himself. Written with Salter's signature economy of prose, All That Is fiercely, fluidly explores a life unfolding in a world on the brink of change: a dazzling, sometimes devastating labyrinth of love and ambition, of the small shocks and grand pleasures of being alive.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    Her loving parents, both fervent radicals, fill her with the fiercely bright hope of a new and better world. But as the deprivations of war and depression take a ruthless toll, Davita unexpectedly turns to the Jewish faith that her mother had long ago abandoned, finding there both a solace for her questioning inner pain and a test of her budding spirit of independence.From the Paperback edition.

    . . Rufin maintains a perfect balance between impatient detachment and compassionate curiosity. "The Abyssinian," like Thackeray's " Vanity Fair," carries the weight of history with good-humoured finesse' "The Times "'An ambitious first novel, dashing, abundant and, when necessary, vividly theatrical' "Times Literary Supplement"'[A] remarkably assured first novel . . . Rufin's writing is elegantly readable' "Independent"'It is old-fashioned enough to be delightful, and new enough to be moving' "Glasgow Herald "'Rufin offers the reader at least three different novels in the space of a single book: a tale of diplomatic intrigue, a voyage of discovery to a virtually unknown civilisation, and a chronicle of the adventures and loves of his irrepressible hero' "Daily Telegraph"

    His new novel features his trademark character-driven narrative and intimate domestic setting that first made him an international sensation. When Signora A first enters the narrator’s home, his wife, Nora, is experiencing a difficult pregnancy. First as their maid and nanny, then their confidante, this older woman begins to help her employers negotiate married life, quickly becoming the glue in their small household. She is the steady, maternal influence for both husband and wife, and their son, Emanuele, whom she protects from his parents’ expectations and disappointments. But the family’s delicate fabric comes undone when Signora A is diagnosed with cancer. Moving seamlessly between the past and present, Giordano highlights with remarkable precision the joy of youth and the fleeting nature of time. An elegiac, heartrending, and deeply personal portrait of marriage and the people we choose to call family, this is a jewel of a novel—short, intense, and unforgettable.