Singleton never spoke a word in her own defense throughout a brief trial that ended with a jury finding her guilty of first-degree murder. Ten years later, having accepted her fate, she sits on death row in a maximum-security penitentiary, just six months away from her execution date. Seemingly out of the blue, she is visited by Marlene Dixon, a high-powered Philadelphia attorney who is also the mother of the woman Noa was imprisoned for killing. Marlene tells Noa that she has changed her mind about the death penalty and Noa’s sentence, and will do everything in her considerable power to convince the governor to commute the sentence to life in prison, in return for the one thing Noa is unwilling to trade: her story.      Marlene desperately wants Noa to reveal the events that led to her daughter’s death—events that Noa has never shared with a soul. With death looming, Marlene believes that Noa may finally give her the answers she needs, though Noa is far from convinced that Marlene deserves the salvation she alone can deliver. Inextricably linked by murder but with very different goals, Noa and Marlene wrestle with the sentences life itself can impose while they confront the best and worst of what makes us human in this haunting tale of love, anguish, and deception.

    Pointing them out now no longer applies to the current edition.Tom Reed is a crime reporter with The San Francisco Star, whose superb journalistic skills earned him a Pulitzer nomination. But years later Reed’s life is coming apart. His editor wants him fired. His wife has left him to wrestle with his demons. Alone, Reed is tormented by the fear he may have caused the suicide of an innocent man suspected of murdering a two-year-old girl.Reed’s friend on the case is legendary San Francisco Homicide Inspector, Walt Sydowski, who has one of California’s highest clearance rates. He is also a lonely widower haunted by the fact he cannot solve the girl's heartbreaking death.Both men grapple with the past while they race the clock to learn the truth behind a several new abductions that have anguished the Bay Area, in this acclaimed thriller set in the late 1990s.

    Inspector Drake is called to the scene and quickly discovers a message left by the killer - traffic cones in the shape of a No 4.The killer starts sending the Wales Police Service lyrics from famous rock songs. Are they messages or is there some hidden meaning in them?Does it all mean more killings are likely? When a politician is killed Drake has his answer. And then the killer sends more song lyrics. Now Drake has to face the possibility of more deaths but with numbers dominating the case Drake has to face his own rituals and obsessions.Finally when the killer threatens Drake and his family he faces his greatest challenge in finding the killer before he strikes again.

    TURNS OUT, SHE'S NOT THE ONLY ONE. Private investigator Alexandra Lovell uses computer skills and cunning to help clients drop off the radar and begin new lives in safety. Melanie Bess, desperate to escape her abusive cop husband, was one of those clients. But when Melanie vanishes for real, Alex fears the worst, and sets out to discover what happened. Using every resource she can get her hands on -- including an elite team of forensic scientists known as the Tracers, and a jaded, sexy Austin PD detective -- Alex embarks on a mission to uncover the truth. As far as homicide cop Nathan Deveraux is concerned, no body means no case. But as much as he wants to believe that Alex's hunch about Melanie's murder is wrong, his instincts -- and their visceral attraction -- won't let him walk away. As a grim picture of what really happened begins to emerge, Nathan realizes this investigation runs deeper than they could ever have guessed. And each step nearer the truth puts Alex in danger of being the next to disappear....

    Alban's new priest, fits like a square peg in the conservative Episcopal parish at Millers Kill, New York. She is not just a "lady," she's a tough ex-Army chopper pilot and nobody's fool. Then a newborn infant left at the church door brings her together with the town's Police Chief, Russ Van Alstyne, who's also ex-Army and a cynical good shepherd for the stray sheep of his hometown. Their search for the baby's mother quickly leads them into the secrets that shadow Millers Kill like the ever-present Adirondacks. What they discover is a world of trouble, an attraction to each other--and murder...

    He can read jurors' expressions, feel their emotions, know their thoughts. With this remarkable ability, Sloane gets juries to believe the unbelievable, excuse the inexcusable, and return the most astonishing verdicts. The only barrier to Sloane's professional success is his conscience -- until he gets a call from a man later found dead, and his life rockets out of control.

    Fiercely intelligent and ambitious, she sees an opportunity to make her name by trying a mentally disturbed drifter accused of beating a woman to death in her home. It’s not the kind of case that makes headlines, but peaceful Howard county doesn’t see many homicides.As Lu prepares for the trial, the case dredges up painful memories, reminding her small but tight-knit family of the night when her brother, AJ, saved his best friend at the cost of another man’s life. Only eighteen, AJ was cleared by a grand jury. Now, Lu wonders if the events of 1980 happened as she remembers them. What details might have been withheld from her when she was a child? The more she learns about the case, the more questions arise. What does it mean to be a man or woman of one’s times? Why do we ask our heroes of the past to conform to the present’s standards? Is that fair? Is it right? Propelled into the past, she discovers that the legal system, the bedrock of her entire life, does not have all the answers. Lu realizes that even if she could learn the whole truth, she probably wouldn’t want to.

    The killer has left behind a clue connecting the two cases to First Date, a popular online dating service, and Flann McIlroy, an eccentric, publicity-seeking homicide detective, is convinced that only Ellie can help him pursue his terrifying theory: someone is using the lure of the Internet and the promise of love to launch a killing spree against the women of New York City.   To catch the killer, Ellie must enter a high-tech world of stolen identities where no one is who they appear to be. And for her, the investigation quickly becomes personal: she fits the profile of the victims, and she knows firsthand what pursuing a sociopath can do to a cop--back home in Wichita, Kansas, her father lost his life trying to catch a notorious serial murderer.   When the First Date killer begins to mimic the monster who destroyed her father, Ellie knows the game has become personal for him, too. Both hunter and prey, she must find the killer before he claims his next victim--who could very well be her.   Expertly plotted and perfectly paced, Dead Connection advances Alafair Burke to the front ranks of American thriller writers.

    Several days later, Alison’s body is found in a remote spot on a nearby cay, and two local men – employees at the resort - are arrested. But the evidence is slim, the timeline against it, and the men are soon released. The story turns into national tabloid news, a lurid mystery that will go unsolved. For Claire and her parents, there is only the return home to broken lives.Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with Clive Richardson, one of the men originally suspected of murdering her sister. It is a moment that sets Claire on an obsessive pursuit of the truth - not only to find out what happened the night of Alison’s death but also to answer the elusive question: Who exactly was her sister? At seven, Claire had been barely old enough to know her: a beautiful, changeable, provocative girl of eighteen at a turbulent moment of identity formation.As Claire doggedly shadows Clive, hoping to gain his trust, waiting for the slip that will reveal the truth, an unlikely attachment develops between them, two people whose lives were forever marked by the same tragedy.

    They’ve intercepted several major drug stashes being smuggled through Atlanta’s airport. But their newfound celebrity has also garnered some unwanted attention.When Creed and one of his dogs are called in to search a commercial fishing vessel, they discover a secret compartment. But the Colombian cartel's latest shipment isn’t drugs. This time, its cargo is human. To make matters worse, Creed helps one of the cartel’s drug mules escape—a fourteen-year-old girl who reminds him of his younger sister who disappeared fifteen years ago.Meanwhile, FBI agent Maggie O’Dell is investigating a series of murders — the victims tortured, killed, and dumped in the Potomac River. She suspects it’s the work of a cunning and brutal assassin, but her politically motivated boss has been putting up roadblocks.By the time she uncovers a hit list with Creed’s name on it, it might be too late. The cartel has already sent someone to destroy Creed and everyone close to him.But Creed and his dogs have a few surprises in store on their compound in Florida. Will it be enough to stop a ruthless cartel determined to remove the thorn in its side once and for all?

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    . . First-year detective Kathleen Doyle and Chief Inspector Michael Sinclair, Lord Acton, are a most unlikely pair. An Irish redhead of humble beginnings and modest means, Doyle is the antithesis of Acton, the British lord who has established himself as a brilliant but enigmatic figure with a knack for solving London's most high profile homicides. But Acton senses something exceptional beneath Doyle's awkward naivete and taps her to help him with his investigations. And her spot-on intuition is just what he needs to solve a chilling string of murders. . .When a horse trainer is found dead at a racetrack, Doyle and Acton begin interviewing witnesses and the victim's associates, but the killer continues to strike and they're left with more questions than answers. Their investigation is further muddled by their colleagues at CID Headquarters, whose career-driven jealousies and workplace blunders could jeopardize the case--and their nosing into the nature of Doyle and Acton's after hours relationship could lay bare the most classified information of all. . .Perhaps the trainer was the target of a jilted lover on a killing spree. Or maybe the victims were collateral damage in a political coup gone awry. As the murders pile up, Doyle and Acton uncover something far more sadistic than they could have imagined, and now that they know too much, they'll find themselves squarely in the crosshairs of a cold-blooded killer. . .

    Harvey Burdell in his lower Manhattan home made front-page news across the United States in 1857. "Who killed Dr. Burdell?" was a question that gripped the nation. 31 Bond Street, a debut novel by Ellen Horan, interweaves fiction with actual events in a clever historical narrative that blends romance, politics, greed and sexual intrigue in a suspenseful drama. The story opens when an errand boy discovers Burdell's body in the bedroom of his posh Bond Street home. The novel's central characters are Dr. Harvey Burdell, a dentist and unscrupulous businessman; his lover, the ambitious, Brooklyn-born Emma Cunningham; the District Attorney, Abraham Oakey Hall (later to become mayor of New York); and Henry Clinton, a prominent defense lawyer. The enigmatic relationship between Emma and Dr. Burdell makes her the prime suspect, and her trial is nothing less than sensational. During the trial, the two lawyers fight for truth, justice and their careers. This novel is set against the background of bustling, corrupt New York City, just four years before the Civil War. The author intertwines two main narratives: the trial through the perspective of the defense attorney Henry Clinton, and the story of the lovely young widow Emma Cunningham whose search for a husband brings her into the arms and home of Dr. Burdell.

    Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    She’s finally created a life with her daughter and is a well-respected attorney. She’s moving on. But when a new rash of homicides has her ex-husband, Eddie, written all over them—the nightmares of her past come back to life.The FBI asks Jessica to get involved in the hunt for this copycat killer—which means visiting her ex and collaborating with the man who tore her life apart.As the copycat’s motives become clearer, the new life Jessica created for herself gets darker. She must ask herself who she can trust and if she’s capable of stopping the killer—a man whose every crime is a bloody valentine from a twisted mastermind she’s afraid she may never escape.