Featuring Newford fiddler Geordie Riddell, it's a gentle story of love, loss and the bonds of friendship.First published in Post Mortem edited by Paul F.Olson and David B. Silva, 1989; also appears in Dreams Underfoot and The Very Best of Charles de Lint.Timeskip is where Newford began: "Newford was not planned out in advance. It started (unbeknownst to me) with“Timeskip,” a short story that I wrote for an anthology. I wanted to set the story somewhere other than the Ottawa area where most of my stories had taken place, but I didn’t feel comfortable writing about a city that I couldn’t physically visit. So I decided to use various aspects of large urban centers that I had visited, and create a fictitious setting."–Charles de Lint, from an interview with FairyRoom.com"I can never recapture the feeling of first arriving in Newford and meeting the people and seeing the sights as a newcomer. However, part of the beauty of Newford is the sense that it has always been there, that de Lint is a reporter who occasionally files stories from a reality stranger and more beautiful than ours. De Lint also manages to keep each new Newford story fresh and captivating because he is so generous and loving in his depiction of the characters. Yes, there are a group of core characters whose stories recur most often, but a city like Newford has so many intriguing people in it, so many diverse stories to tell, so much pain and triumph to chronicle."— Challenging DestinyCharles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better.— Alice HoffmanCharles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best.— Holly BlackDe Lint is probably the finest contemporary author of fantasy– Booklist, American Library AssociationUnlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it’s just damned fine writing.– Quill QuireDe Lint’s evocative images, both ordinary and fantastic, jolt the imagination.– Publishers WeeklyIt is hard to imagine urban fantasy done with greater skill– Booklist, American Library Association

    The same two ghosts who have now approached him on the school playground, ghosts who look older and actually smell bad. Paavo's cry for help brings the authorities, a few lawyers, and Retrieval Artist Miles Flint, who learns some secrets about the ghosts--and about Paavo's parents. This short stand-alone science fiction novel in the Retrieval Artist series received a Special Mention from the prestigious international UPC contest.This stand-alone short novel fits after the full novel Duplicate Effort in the timeline.

    Genetic manipulation and artificial intelligence shape an astounding destiny for our species. With these wondrous changes come unexpected new truths of heart and mind that challenge the very definition of human—and that threaten not only our existence but the universe itself as our surprising powers—both miraculous and monstrous—evolve through the centuries.

    Hunting, farming, raising children--it all required the special spells only a powerful shoonoo could cast. But when prophesies of the end of the world send the natives of Kwannon swarming, it may also be the end for the Terrans. The natives, it seems, actually want the end of the world--for the promised afterlife will be far, far better. And who can argue with the shoonoon and their prophetic dreams? It's up to Miles Gilbert, reporter for the Kwannon Planetwide News Service, to save the day. For only he can turn the natives from the course with the special magic of Earth, the machine-giving Oomphel!

    Kinney"A Collective Pseudonym and an Expanding Universe: A Conversation with James S.A. Corey" by Chris Urie"Another Word: Dystopias Are Not Enough" by Kelly Robson"Editor’s Desk: Stomp Stomp Stomp" by Neil Clarke