This new book by one of our finest critics explains--historically, in depth, and with interviews with the celebrated creators themselves--how the art of must-see/binge-watch television evolved. Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way. In tracing the evolutionary history of our progress toward a Platinum Age of Television--our age, the era of The Sopranos and Breaking Bad and Mad Men and The Wire and Homeland and Girls--he focuses on the development of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the western, the animated series and the late night talk show. In each genre, he selects five key examples of the form, tracing its continuities and its dramatic departures and drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history.Television has triumphantly come of age artistically; David Bianculli's book is the first to date to examine, in depth and in detail and with a keen critical and historical sense, how this inspiring development came about.

    From the call of the wild to the vagaries of love to the art of curing a hangover, this is a veritable aurora borealis of Chris's own recollections, speculations, dreams, and philosophies.

    As told by Jeri Taylor, co-creator and executive producer of Star Trek: Voyager, this is an in-depth look into the mind and soul of Star Trek's newest captain.Deep in the unexplored reaches of the Delta Quadrant, a surprise attack by a fierce Kazon sect leaves Captain Janeway fighting a desperate battle on two fronts: while she duels the Kazon warship in the gaseous mists of a murky nebula, an Away Team led by Lt. Tuvok is trapped on the surface of a wilderness planet.

    And like his uniquely blessed comrades, he's on a mission for the good of humankind. But another challenge awaits him: saving the love of his life from an unspeakable death. Charlene "Charlie" Andrews is the big-hearted, small-town beauty whose sunny smile and sweet soul knocked the shy Hiro head over heels. But when Charlie's young life is snuffed out by a grisly serial killer, their budding romance is brutally cut short.Or is it? Thanks to his astounding new-found skill, Hiro has the means to do what no tragedy-stricken lover in history ever could-turn back time. And no matter how raw his abilities, or how many twists of circumstance conspire to foil him, he vows to deliver Charlie from the evil poised to claim her. He will be her hero. But what possible consequences might changing the past visit upon the future? How could saving one cherished life affect millions of others? And what ultimate choice will Hiro make when the power of fate rests in his hands? Saving Charlie is an official tie-in novel for the US TV show Heroes that was published in 2007, in the gap between the show's second and third seasons (although it relates to the events of the first season). It is the only official tie-in novel that was published for the show, although other tie-in webcomics and graphic novels were also published. The novel revolves around an event in the show's tenth episode in which Hiro Nakamura accidentally travels too far into the past in an attempt to save the life of Charlie Andrews, a waitress who is killed by Sylar, one of the series' main antagonists. It extends the time that Hiro spends in the past as he searches for a way to avoid her death and travels back and forth in time, searching for clues, and further develops his relationship with Charlie.“Save the cheerleader, save the world” are the defining words of Heroes, the phenomenal series that transformed television drama. They are also the cryptic marching orders for the show’s cross section of ordinary individuals united by an extraordinary bond. Each possesses a superhuman ability, and together they must prevent the course of history from taking a terrifying turn. Now, in this original novel based on the TV phenomenon, in a thrilling story that will captivate even those who haven’t seen the show, one of these unexpected saviors steps center stage on a deeply personal quest that will test the limits of his gift, the depth of his love, and the ultimate strength of his will..

    But why should Claudia be interested in a servant's sweetheart? Jenny reckons without Claudia's vicious nature; using a wily trick she seduces Frank, who, overcome with shame, departs for a new life in Blackburn. Losing her sweetheart is just the first of many disasters that leave Jenny struggling to cope alone. When Claudia gives birth to Frank's baby girl she cruelly disowns the helpless infant and relies on Jenny to care for little Katie and love her as her own. Always afraid for the beloved child who has come to depend on her, Jenny is constantly called upon to show courage and fortitude to fight for all she holds dear. In her heart she yearns for Frank, believing that one day they must be reunited. When Fate takes a hand, it seems as though Jenny may see her dreams come true.

    The 1998 and 2005 versions of this book garnered rave reviews among readers and this new Guide to Colorado Backroads & 4 Wheel Trails is certain to receive plaudits for its updates and other improvements. Suggest with confidence.

    Created by Oscar-winning writer Julian Fellowes, the first season delighted viewers and critics alike with stellar performances, ravishing costumes, and a gripping plot. Set in a grand country house during the late Edwardian era, season one of Downton Abbey follows the lives of the Crawley family upstairs and their servants downstairs as they approach the announcement of the First World War. Fellowes succeeds in not only entertaining his audience with a combination of sustained storylines and sharp one-liners but also in delivering a social commentary of British life. The scripts from season one give readers the opportunity to read the work in more detail and to study the characters, pace, and themes in depth. With extended commentary from Fellowes, highlighting key historical or dramatic details, this book gives invaluable insight, particularly for would-be screenwriters, into how Fellowes researched and crafted the world of Downton Abbey.Featuring full-color photographs

    The perplexing plotlines and bewildering array of characters on the Emmy and Golden Globe award-winning television program "Lost" are analyzed and pieced together in this in-depth exploration.

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    and Paramount Pictures, each launched their own broadcast television network with the hope of becoming the fifth major player in an industry long dominated by ABC, CBS, NBC, and, more recently, Fox. Despite the odds against them, the WB and UPN went on to alter the landscape of primetime television, only to then merge as the CW network in 2006—each a casualty of conflicting personalities, relentless competition, and a basic failure to anticipate the future of the entertainment business.Unfolding amid this backdrop of high-stakes business ventures, fanatical creative struggles, and corporate power plays, Season Finale traces the parallel stories of the WB and UPN from their prosperous beginnings to their precipitous demise. Following the big money, big egos, and big risks of network television, Susanne Daniels, a television executive with the WB for most of its life, and Cynthia Littleton, a longtime television reporter for Variety, expose the difficult reality of trying to launch not one but two traditional broadcast networks at the moment when cable television and the Internet were ending the dominance of network television.Through in-depth reportage and firsthand accounts, Daniels and Littleton expertly re-create the creative and business climate that gave birth to the WB and UPN, illustrating how the race to find suitable programming spawned a heated rivalry between the two but also created shows that became icons of American youth culture. Offering insider stories and never-before-published details about shows such as Buffy the Vampire Slayer, Dawson's Creek, 7th Heaven, Gilmore Girls, Smallville, Felicity, Girlfriends, Everybody Hates Chris, and America's Next Top Model, Daniels and Littleton provide an exhaustive account of the two creative teams that ushered these groundbreaking programs into the hearts, minds, and living rooms of Americans across the country.But in spite of these successes, the WB and UPN unraveled, and here the authors elucidate the corporate miscalculations that led to their undoing, examining the management missteps and industry upheaval that brought about their rapid decline and the surprising teamwork that united them as the CW. The result is a cautionary and compelling entertainment saga that skillfully captures a precarious moment in television history, when the dramatic transformation of the broadcast networks signaled an inevitable shift for all pop culture.

    By turns poignant and hilarious, Hammond takes readers from the set of Saturday Night Live, where he was the show’s longest-tenured cast member, to the drug-ridden streets of Harlem and into the twisting corridors of his own unflaggingly humorous consciousness. Mingling behind-the-scenes stories from television’s best-loved comedy series with a dark look inside a world-class funnyman, God If You’re Not Up There,I’m F*cked is a book sure to resonate with anyone who shares a talent for performance, a love of comedy, or a desire to know how an artist can climb from the deepest despair to the very top of his profession.

    

    This timeless truth is showcased in Three Little Words, a charming compilation of short stories written by a trio of popular LDS romance novelists. Readers are invited to follow the journeys of three young women as they encounter love where they least expect it.Rescuing Bailey by Jennie HansenFor as long as she can remember, Bailey has loved the boy next door. But despite her feelings, his schedule and his little brother keep getting in the way. Will her childhood crush finally blossom into something real, or will she discover that true love is waiting just around the corner? Three Little Words by K.C. GrantThe bet is simple: Elizabeth, a speech therapist, has three days to teach a country bumpkin with a drawl as thick as molasses how to speak like a gentleman. But as she gets to know her charming student, it soon becomes clear that there may be more to him than meets the ear. A Crying Shame by Aubrey MaceCassidy is in love with the idea of love, though after her most recent breakup, the possibility of finding Mr. Right seems hopeless. But when she meets a handsome classmate in her painting class, she may end up learning more about chemistry than about art.

    Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues - drugs, prostitution, sexual violence and justice -albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics. It looks at many of the films, the networks and names behind them, and also specific genres - everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week!

    Knowing the book will cause a sensation, they decide they must publish it. Now you can read what the hype is about.To find herself…she might lose everything.By all appearances, Kate Carmichael had the perfect life: two adorable daughters, a pre-war town house on the Upper East Side, and a husband who ran one of the most successful publishing companies in New York. But when Kate attends the wedding of two of her oldest friends and reconnects with successful classmates from graduate school, she suddenly sees her life in a different light: the career she didn’t pursue, the dreams she’s locked away, the empty veneer of her privilege.When the wedding weekend ends, instead of heading home to her husband and family, Kate gets on a plane and flies halfway around the world. She claims it’s just going to be for a week—two max—so she can clear her head, make headway with her writing, and shake free of the feeling that time is passing her by.But just like Kate’s life, the adventure doesn’t go quite as planned. When it’s time to return, she finds herself trapped between wanting to be a good mother and partner and needing to find herself again.This provocative and gripping novel asks: is a wife and mother allowed to have a midlife crisis? And, if she does, can she ever be forgiven? Marriage Vacation is for anyone who has ever fantasized about what it would be like to run away from it all.