[Penguin Readers Level 6]

    

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    Their short honeymoon results in a baby, but on the birth of her daughter, Joy, Esther's world falls apart. Esther's dying mother confesses to a dark secret that she has kept to herself for twenty years: Esther is not her natural daughter but the result of an exchange of babies after her own child was stillborn. Esther's real mother was being forced to give up her baby to an orphanage by her furious family who were incensed about the unsuitability of their daughter's lover, and Joy's birth makes the reason clear. Harshly rejected by Monty, and with the man Esther believed was her father breathing fire and damnation, she takes her precious baby and leaves everything and everyone she's ever known, determined to fend for herself and her child. But her fight is just beginning . . .

    Her novels and short stories speak to women and men about their most intense relationships and heartfelt feelings.In this collection of five short stories and a novella, Ms. Godwin is at her best. In the title novella, "Mr. Bedford," a young would-be writer spends time in England under the strange and watchful eye of a rather unusual elderly couple; in "Amanuensis," a charming college student cares for a famous but blocked novelist, with unpredictable results; and in "The Angry Year," a rebellious student is drawn to two different kinds of men until she discovers what she has been running to and from.

    Jekyll and Mr. Hyde --The Suicide Club --The bottle imp --The body-snatcher --Olalla.

     London 1880 A dying Irish girl clutching her new-born baby drags herself to the sanctuary of an East End orphanage and throws herself on the mercy of the Sisters of Clemency. The nuns raise little Ettie O’Reilly as their own and provide her with the love and education she might never have had. But the lives of the nuns and orphans are soon crushed by a powerful and greedy bishop. The heart-breaking outcome separates Ettie from her friends and family, luring her into a world of male dominance and the fickle nature of intimate relationships. In her naivety, with her faith in the goodness of human nature severely tested, she doesn’t know who to trust. And when the boy who has promised his undying love and loyalty betrays her, Ettie’s world starts to crumble. She must finally accept the hard-hitting truth - happiness comes at a cost! Does she have the courage and wisdom to face the demons she long ago learned about from the Sisters of Clemency? Will the resolution of an undiscovered and painful secret be her making - or breaking? ’A gripping page turner' - LEAH FLEMING 'Surely one of the best saga writers of her time' – ROSIE CLARKE 'Brings the East End to life - family loyalties, warring characters and broken dreams. Superb' - ELIZABETH GILL 'Carol Rivers has captured the true spirit and resilient characters of East London' - JEAN FULLERTON What readers are saying about Carol Rivers’ books: 5***** star Amazon reviews Beautiful, page by page … Carol Rivers is a new author to me and I will certainly be reading more of her books. I would like to extend my thanks to her for a terrific read. I love nothing more than to curl up with a nice cup of hot chocolate and a book by my favourite author. Keep up the good work Carol. One amazing author - Carol Rivers is number 1 xxxxx Was so much more than I expected, I didn't want to put the book down! Really would like a sequel to this. The author has a wonderful talent for conveying an authentic sense of time and place, and creating realistic characters. I became so immersed in this fantastic read. Thank you Carol Rivers for always providing the perfect read that keeps you gripped throughout and your imagination alight. The queen of sagas has done it again! Omg what a brilliant read! Been waiting for this! Another fabulous story by the equally fabulous Carol Rivers. Whether you are new to sagas or have read them for many years (like me), you will never be disappointed reading one of Carol's books. They are utterly addictive and beautifully written, leaving you with a mixture of emotions. You will be laughing one minute and crying the next, my description of a brilliant saga writer. I've read all Carol's books now, sometimes twice. I have never been disappointed What an amazing book, such a great read.

    In Places To Stay In The Night, the lives of two families are irrevocably altered by heartbreaking tragedies. "Ann Hood's big book, her 'breakthrough'".--Booklist.

    Boxed set collecting Poetry For The Beat Generation (1959), Blues and Haikus (1959), and Readings By Jack Kerouac On The Beat Generation (1960), remastered with bonus tracks.

    . . a real page turner' Sheila Newberry 1860s London Orphaned at a young age, Rosa has always looked out for her younger sister, Grace, protecting her from the dangers and bullies of the workhouse.So when Grace is suddenly faced with a world without Rosa, she finds herself alone and forced to make difficult decisions about her future. Can she really walk away from everything she has built to protect the children Rosa has left behind?Returning to the gang-ruled streets of south-east London, Grace is determined to build a better future for herself and for the children of Bell Lane - no matter what the cost . . .

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    Marriage and motherhood have changed her identity and challenged her previous beliefs about love and romance. The demands of family and career have buried the truths she once knew beneath a mountain of resentment, dirty laundry, and endless bas of groceries. Then, on one of her late-night excursions to the supermarket, Christine runs into Joe again... and everything changes.

    So, with great resourcefulness, she advertised for a companion and eventually staked out a corner of her own—one with a view. Mildred Walker's skill as a storyteller never falters in this portrayal of an elderly woman who won't give up.

     I mean, it took more than a year before anybody looked up from their smartphones long enough to wonder why so many of their neighbors were infected. Why so many were dying. The vaccination riots came and went. The grocery store shelves emptied out. The spigots eventually ran dry. That was around the time I moved underground and sealed the hatch on my backyard bunker. That was a couple of years ago. Now, my radio hasn't picked up a signal from the world up top since I can't remember when. My exterior camera died in a storm last spring. And the loneliness has set in, gnawing at me, making me think crazy thoughts, including the one that'll change everything. I have to leave the bunker and see if anyone is left alive.

    0 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of The Guide. This detailed literature summary also contains Topics for Discussion and a Free Quiz on The Guide by R. K. Narayan.