But there’s more to Paris than ballet—especially when a charming French boy, Louis, wants to be her tour guide—and the pair discover the city has a few mysteries up its sleeve.In the vein of romances like Love and Gelato, this is the perfect summer adventure for anyone looking to get swept away in the City of Love.

    Books & Moore, the musty bookstore her family has owned for generations, is where she feels most herself. Nothing is going to stop her from coming back after college to take over the store from her beloved aunt.Nothing, that is—until a chain bookstore called Prologue opens across the street and threatens to shut them down.Madeline sets out to demolish the competition, but Jasper, the guy who works over at Prologue, seems intent on ruining her life. Not only is he taking her customers, he has the unbelievable audacity to be… extremely cute.But that doesn’t matter. Jasper is the enemy and he will be destroyed. After all—all’s fair in love and (book) wars.

    In a quest for independence, her neglected art, and no-strings-attached hookups, she signs up for a guided tour of Central America—the wrong one. Middle-aged tourists with fanny packs are hardly the key to self-rediscovery. When Bria meets Rowan, devoted backpacker and dive instructor, and his outspokenly humanitarian sister Starling, she seizes the chance to ditch her group and join them off the beaten path.Bria's a good girl trying to go bad. Rowan's a bad boy trying to stay good. As they travel across a panorama of Mayan villages, remote Belizean islands, and hostels plagued with jungle beasties, they discover what they've got in common: both seek to leave behind the old versions of themselves. And the secret to escaping the past, Rowan’s found, is to keep moving forward.But Bria comes to realize she can't run forever, no matter what Rowan says. If she ever wants the courage to fall for someone worthwhile, she has to start looking back.Kirsten Hubbard lends her artistry to this ultimate backpacker novel, weaving her drawings into the text. Her career as a travel writer and her experiences as a real-life vagabond backpacking Central America are deeply seeded in this inspiring story.

    At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?

    For once, she will just get to be. No summer classes, none of Granddad’s intense expectations to live up to the family name. For generations, the Milbourn women have lead extraordinary lives—and died young and tragically. Granddad calls it a legacy, but Ivy considers it a curse. Why else would her mother have run off and abandoned her as a child?But when her mother unexpectedly returns home with two young daughters in tow, all of the stories Ivy wove to protect her heart start to unravel. The very people she once trusted now speak in lies. And all of Ivy’s ambition and determination cannot defend her against the secrets of the Milbourn past….

    Her parents have decided to move the family from Chicago back to their hometown of Boston in the middle of Emily's senior year. Only Emily's first real boyfriend, Sean, is in Chicago, and so is her shot at class valedictorian and early admission to the Ivy League. What's a nice girl to do? Then Sean dumps Emily on moving day and her father announces he's staying behind in Chicago "to tie up loose ends," and Emily decides that what a nice girl needs to do is to stop being nice. She reconnects with her best friends in Boston, Josie and Lucy, only to discover that they too have been on the receiving end of some glaring Guy Don'ts. So when the girls have to come up with something to put in the senior class time capsule, they know exactly what to do. They'll create a not-so-nice reference guide for future generations of guys -- an instruction book that teaches them the right way to treat girls. But when her friends draft Emily to test out their tips on Luke Preston -- the hottest, most popular guy in school, who just broke up with Josie by email -- Emily soon finds that Luke is the trickiest of test subjects . . . and that even a nice girl like Emily has a few things to learn about love.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.