Her ghost still inhabits the place and takes over the wife's body, goes to Hollywood, and tries to re-enter films. The couple meets a film buff, living in Vilma Banky's old home, and he has prints of all the lost films including the complete Greed.

    So begins a journey that will take them down a circuitous path fraught with the unknown—and danger. Why do the Rockwells, expecting their first child, seem at once welcomed and repelled? What does it mean when Margaret starts to dream of the family that built the house in 1910? For her the house comes alive with its own sounds, sights, thoughts, and intentions. How could the death of a child ninety years before impact their lives? And why?

    But when she meets the compelling, sinister Joshua she discovers another side to herself. In a sense which horrifies her, she has found herself.

    Cover by Robert Foster,