"All Out of Pretty" is a gripping, thoughtful look at one girl's journey to figuring out what really matters to her and how to take care of herself in a world where there are no responsible adults for her to rely on. Do you use your looks or your brains? Your stubbornness or flexibility? How do you survive a drug-addict mother and her dealer boyfriend? Andrea's voice will pull you along from the first sentence of this emotional roller-coaster of a book.

    He has glimpsed his neighbors—beautiful manicurist Rayleen, lonely old Ms. Hinman, bigoted and angry Mr. Lafferty, kind-hearted Felipe, and 9-year-old Grace and her former addict mother Eileen. But most of them have never seen Billy. Not until Grace begins to sit outside on the building’s front stoop for hours every day, inches from Billy’s patio. Troubled by this change in the natural order, Billy makes it far enough out onto his porch to ask Grace why she doesn’t sit inside where it’s safe. Her answer: “If I sit inside, then nobody will know I’m in trouble. And then nobody will help me.” Her answer changes everything.

    As a child, Thanh embraced evangelical religion, only to rebel against it and her equally rigid parents, cutting herself, smoking, and shoplifting. At fifteen, the honour-roll runaway develops a taste for drugs and alcohol. After a stint in jail at sixteen, feeling utterly abandoned by her family, school, and society, Thanh meets the man who would become her pimp and falls in love.The next chapter of her life takes Thanh to the streets of Vancouver, where she endures beatings, arrests, crack cocaine, and an unwanted pregnancy. The act of writing ultimately becomes a solace from her suffering. Leaving the sex trade, but refusing to settle on any one thing, Thanh forges a new life for herself, from dealing drugs in four languages to motherhood and a complicated marriage, and emerges as a successful writer.But even as publication and awards bolster her, she remains haunted by her past.

    How she wished her hair was straight and smooth like Amma’s and Appa’s and her brother Avnish’s. Their parents had adopted the two of them when she was three-and-a-half years old and Avnish a six-month-old baby. Avantika often wonders if their birth mother had curly hair.There are so many questions in her head, the school year has started with hair-raising troubles and Amma is busy at work. Avantika finds a confidante in the mysterious paati she meets in the park.

    Violence has shattered their family and left Libby nearly unable to cope. And while Carrie once took comfort in her beloved sister, Emma, her mother has now forbidden even the mention of her name.   When Carrie meets Ruth, Honor, and Cricket Chaplin, these three generations of warmhearted women seem to have the loving home Carrie has always dreamed of. But as Carrie and Cricket become fast friends, neither can escape the pull of their families’ secrets—and uncovering the truth will transform the Chaplins and the Parkers forever.   Look for special features inside. Join the Circle for author chats and more.

    Twelve years later, she petitions the family court for visitation with her daughters, Alexis and Christa.Her attorney tells Jennie that, ordinarily, she could not imagine that some type of visitation would not be granted. But, she warns, the situation is hardly ordinary.True, Jennie suffered from a bipolar disorder when she began to drink heavily, abandoned her family, and moved in with another man. True, she has turned her life around: leaving her boyfriend, returning to school, entering therapy, taking medication, finding a job, and joining a church. But she pressed no claim for her children when her husband divorced her, and she has made no attempt to contact them in any way since then. Her daughters, now sixteen and fourteen, live four hundred miles away. They have busy lives that do not include her, lives that will be totally disrupted by the visitation that she requests. Their father is engaged to be married to a woman who has taken the role of their mother for a decade. Alexis remembers nothing good about Jennie. Christa recalls nothing at all. Conflict ensues as soon as Jennie’s petition is served: her former husband does not want to share his children with the woman who deserted him; her children have no interest in knowing the mother who abandoned them, and her father insists that she is being timid and ought to demand full custody, not simply visitation. As court convenes, Jennie’s past is dredged up− the desertion, the men, her drinking, her mental health − and paraded before the judge. Her claim to be a different person, now, is attacked. The judge hesitates to grant Jennie’s request, but reluctantly agrees to order three trial visits.If persuading the judge to let her see her children was difficult, convincing them to allow her to be a part of their lives seems to be almost impossible. She struggles through two visits and is almost. What happens next tests her confidence in herself, her love for her children, and, ultimately, threatens her life, itself.

    Feeling ill at ease with her family and in her own skin, she runs away repeatedly, gradually disappearing into a life of addiction and sex work. Meanwhile, her sister, Beth, escapes her own troubles with food and a rediscovered talent for magic tricks. Though both girls struggle through darkness and pain, they eventually find their way to a moment of illumination and healing.This powerful YA novel is rooted in the tragic life of the author’s sister, Sarah, a victim of serial killer Robert Pickton and the subject of Maggie de Vries’s Governor General’s Literary Award–nominated memoir for adults, Missing Sarah. Sarah’s tragic experiences inspired the character Kaya, as well as an adult sex worker she meets on the streets. Vancouver’s missing women form a chilling backdrop for the story.

    Instead, shows them how to reclaim their power, balance, happiness...and lives. When kids turn to substance abuse, parents also become vicims as they watch their children transform into irrational and antisocial individuals. This harrowing scenario finds parents buckling beneath the stress--often with catastrophoric consequences: Divorce, career upsets, breakdowns and worse. "Don't Let Your Kids Kill You" is a landmark work that dares focus on the plight of the confused, distressed parent and not the erring child. It sets aside any preconceived ideas that parents are to blame for what is essentially a full-blown global crisis. Drawing on interviews with parents who've survived the heartbreak of kids on drugs, combined with his own experience, Charles Rubin provides practical advice on how parents can help themselves and their families by first attending to their own needs. Liberation begins when you open this book.

    To others, her family and her relationship with Eric is perfect. But she knows the truth. She lives it.After a fire takes her grandma's life and kills her horse, Hannah's immaculate life spirals out of control. Her father disapproves of her decision to run her grandma’s ranch instead of focusing solely on learning the family business; Animal Control brings her Argus, a mistreated horse that she can't turn away even though she's not ready for another horse; and her boyfriend, Eric Bennett, a world famous polo player, becomes possessive and authoritarian. Despite her best efforts to disguise it, Hannah grows wary of him.Then, Leonardo Fernandes struts onto the polo scene. A cocky rookie with a messy life of his own, he’s drawn to Hannah and isn’t afraid of showing it, even when Eric makes it clear she is his and he’ll do whatever it takes to keep it that way. Hannah suffers for Eric’s jealousy. The abuse only gets worse when Leo steals the title of best polo player in the world from Eric.But the title isn’t enough for Leo. He wants Hannah too, and she can’t deny her attraction to him either. Somehow, she must find a way to break free from abusive Eric before he breaks every bone in her body.Author's note: this book contains scenes of domestic violence, mentions of animal cruelty, strong language, sex scenes (no rape!), and a HEA.The Breaking Series:Breaking Free (Book 1)Breaking Away (Book 2)Breaking Through (Book 3)Breaking Down (Book 4)*All books are standalone and can be read out of order.

    Now the truth about why Jasper abandoned her as a child will be buried forever. Escaping to the secluded beach house she’s inherited, June hopes to spend time bonding with her two little daughters, away from her hectic job and failing marriage.On the wild shores of the Pacific Northwest, her father’s hideaway leaves June breathless. But it’s his oil paintings decorating every wall that surprise her most. How could someone paint other people so beautifully, but reject those closest to him? And why is every drawer in her father’s workshop locked? June hopes her new neighbor—her father’s apprentice Caleb—will provide the answers. But Caleb won’t talk about the past.Then, hidden in her father’s workshop, June discovers a box of newspaper clippings that reveal the shocking reason why her father left years ago—and uncovers Caleb’s own devastating secret…When her old life comes calling, June has an impossible decision to make. Unsure what’s best for her girls, and if she can trust Caleb, will digging deeper into her father’s dark past heal or destroy her precious family?An absolutely heartbreaking and emotional page-turner about the incredible strength of family bonds, how we can hurt those closest to us, and the healing power of love. Fans of Diane Chamberlain, Kerry Lonsdale and Kerry Fisher will devour this powerful read from award-winning author Melissa Wiesner.

    call is the first time Lexie Vidler has heard her sister’s voice in years. Annie is a drug addict, a thief, a liar—and in trouble, again. Lexie has always bailed Annie out, given her money, a place to sleep, sent her to every kind of rehab. But this time, she’s not just strung out—she’s pregnant and in premature labor. If she goes to the hospital, she’ll lose custody of her baby—maybe even go to prison. But the alternative is unthinkable.As weeks unfold, Lexie finds herself caring for her fragile newborn niece while her carefully ordered life is collapsing around her. She’s in danger of losing her job, and her fiancé only has so much patience for Annie’s drama. In court-ordered rehab, Annie attempts to halt her downward spiral by confronting long-buried secrets from the sisters’ childhood, ghosts that Lexie doesn’t want to face. But will the journey heal Annie, or lead her down a darker path?Both candid and compassionate, Before I Let You Go explores a hotly divisive topic and asks how far the ties of family love can be stretched before they finally break.

    You keep lying to cover your tracks. The lie grows. It becomes huge. Savage. Hungry.’Gabbie likes her life just the way it is. She has a cool best friend and parents she can tell anything, and she’s just met the perfect guy.But there are some things you can’t control. When her best friend starts to go off the rails, Gabbie finds it harder and harder to share the truth with her parents. Her family is changing, and that may become the biggest problem of all . . ."Losing It" was shortlisted for the Young Adult Fiction Prize in the Victorian Premier’s Literary Awards, 2006.

    Except by mean girls who tweet about her ragged appearance. All she wants to do is indulge in her love of science, protect her vulnerable younger brother, and steer clear of her unstable mother.Then a school competition calls for a biome. Layla chooses her own home, a hostile ecosystem of indoor fungi and secret shame. With a borrowed video camera, she captures it all. The mushrooms growing in her brother’s dresser. The black mold blooming up the apartment walls. The unmentionable things living in the dead fridge. All the inevitable exotic toxins that are Layla’s life. Then the video goes viral.When Child Protective Services comes to call, Layla loses her family and her home. Defiant, she must face her bullies and friends alike, on her own. Unafraid at last of being seen, Layla accepts the mortifying reality of visibility. Now she has to figure out how to stay whole and stand behind the truth she has shown the world.

    Laurel’s new life is going well, with a new best friend, a place on the cheerleading squad and T-Boom, co-captain of the basketball team, for a boyfriend. Yet Laurel is haunted by voices and memories from her past. When T-Boom introduces Laurel to meth, she immediately falls under its spell, loving the way it erases, even if only briefly, her past. But as she becomes alienated from her friends and family, she becomes a shell of her former self, and longs to be whole again. With help from an artist named Moses and her friend Kaylee, she’s able to begin to rewrite her story and start to move on from her addiction.Incorporating Laurel’s bittersweet memories of life before and during the hurricane, this is a stunning novel by one of our finest writers. Jacqueline Woodson’s haunting—but ultimately hopeful—story is beautifully told and one readers will not want to miss.

    I’ve always been too much and yet not enough. Sugar Legowski-Gracia wasn’t always fat, but fat is what she is now at age seventeen. Not as fat as her mama, who is so big she hasn’t gotten out of bed in months. Not as heavy as her brother, Skunk, who has more meanness in him than fat, which is saying something. But she’s large enough to be the object of ridicule wherever she is: at the grocery store, walking down the street, at school. Sugar’s life is dictated by taking care of Mama in their run-down home—cooking, shopping, and, well, eating. A lot of eating, which Sugar hates as much as she loves.When Sugar meets Even (not Evan—his nearly illiterate father misspelled his name on the birth certificate), she has the new experience of someone seeing her and not her body. As their unlikely friendship builds, Sugar allows herself to think about the future for the first time, a future not weighed down by her body or her mother.Soon Sugar will have to decide whether to become the girl that Even helps her see within herself or to sink into the darkness of the skin-deep role her family and her life have created for her.