draws on personal stories infused with humor and wisdom to extract impactful life lessons. He walks us through some of his most career-defining moments to emphasize the importance of living life with the punchline in mind. With a comedian's cadence and a dependable friend's outstretched hand, Michael Jr. addresses provocative issues including race, policing in America, forgiveness, socio-economics, and faith with gritty familiarity. While you will find yourself laughing out loud, at its core, FUNNY HOW LIFE WORKS reveals that if you pay close attention, the obstacles you face day to day are part of a much bigger plan that can help you realize and fulfill your life's mission. Like many of us, Michael Jr. wrestled with several moments of uncertainty, from living in his car to being held up by officers, but he never lost sight of the bigger picture. In this inspiring and self-reflective book, he implores us to do the same.

    For family members with someone in a cult, the book explains to the reader, step-by-step, the process of getting drawn into a cult environment, what it's like to be there and why and how terribly difficult it is to leave. For those who have had a cult experience, the author illuminates what the journey of cult recovery may look like and how to heal, and in fact thrive, after a cult experience.

    His father died when he was seven, and at seventeen he left his mother and sister behind and headed for New York City, place of limitless possibilities. He arrived penniless with the idea of becoming a poet; ten years later he was a pivotal voice of the age of punk, starting such seminal bands as Television, the Heartbreakers, and Richard Hell and the Voidoids—whose song "Blank Generation" remains the defining anthem of the era. Hell was significantly responsible for creating CBGB as punk ground zero; his Voidoids toured notoriously with the Clash, and Malcolm McLaren would credit Hell as inspiration for the Sex Pistols. There were kinetic nights in New York's club demi-monde, descent into drug addiction, and an ever-present yearning for redemption through poetry, music, and art."We lived in the suburbs in America in the fifties," Hell writes. "My roots are shallow. I'm a little jealous of people with strong ethnic and cultural roots. Lucky Martin Scorsese or Art Spiegelman or Dave Chappelle. I came from Hopalong Cassidy and Bugs Bunny and first grade at ordinary Maxwell Elementary." How this legendary downtown artist went from a prosaic childhood in the idyllic Kentucky foothills to igniting a movement that would take over New York's and London's restless youth cultures—and spawn the careers of not only Hell himself, but a cohort of friends such as Tom Verlaine, Patti Smith, the Ramones, and Debbie Harry—is just part of the fascinating story Hell tells. With stunning powers of observation, he delves into the details of both the world that shaped him and the world he shaped.An acutely rendered, unforgettable coming-of-age story, I Dreamed I Was a Very Clean Tramp evokes with feeling, clarity, and piercing intelligence that classic journey: the life of one who comes from the hinterlands into the city in search of art and passion.

    He first came to international prominence in 1979, when he was recruited from the cult metal band Quiet Riot to play with Ozzy Osbourne, who had been fired from Black Sabbath for his drink and drug addictions and was in urgent need of a co-writer to kickstart a solo career. How and why Ozzy and Randy went on to find enormous success is one of the key themes of Crazy Train, named after the first and most famous Osbourne/Rhoads co-composition. It was Randy's pioneering combination of neo-classical soloing, catchy riffage and unforgettable songwriting which propelled Ozzy. The two albums that Randy recorded with Quiet Riot and the two with Ozzy showcase the young guitarist's immense ability, although the full extent of his talent may never have been revealed. In 1982 he died in an air crash. The parallels between Crazy Train and the author's best-selling To Live Is To Die: The Life And Death Of Metallica's Cliff Burton (Jawbone 2009) are intentional and obvious. Both books deal with a musical prodigy who died tragically in his mid-20s; both men have a vast following and a profile which has risen in the years since their deaths; and both men have a large coterie of friends, family and associates prepared to tell their stories for the very first time.

    Part of Audible’s rapidly expanding Words + Music series, blending storytelling, music, and performance to create exceptional listening experiences, Crow’s session is marked by gorgeously stripped-down versions of the songs that made her a household name (exclusively recorded for these sessions). The tunes punctuate rich storytelling, as she dives deep into the history of her career, reexamining the personal experiences and relationships that impacted her artistic journey.“My journey is my own”, Crow says. “I mean, it's definitely not without some detours and definitely not without some hard lessons”. True to form, Crow leads us through her winding road to success - maybe more accurately defined as a series of jolting roller-coaster rides, as she recounts all the fits and starts, the feverish highs and lows, that have come to define a career now in its fourth decade. Featuring stunningly crisp, yet lo-fi renditions of eight songs including, “If It Makes You Happy”, “All I Wanna Do”, “Leaving Las Vegas”, “Strong Enough”, “My Favorite Mistake”, and George Harrison’s soulful “Beware of Darkness”, Sheryl Crow lays herself bare. From her early days in small-town Missouri where she sought salvation from her melancholy by turning to mystical rockers (Stevie Nicks and Zeppelin, most notably); to pursuing her dreams, and in quick fashion landing the spectacular gig as one of Michael Jackson’s featured solo vocalists on tour. (A career catapult that quickly became a cautionary tale.)From the crushing weight of perfectionism and loneliness, to the joys of finally finding kindred musical spirits - only to have it all crumble, just as the music was skyrocketing, the toll of her volatile ascent to stardom comes into focus. In a particularly fascinating section, she revisits the total sense of peer disconnect during the height of her records’ success as her style was painfully incongruent with the greater musical landscape at the time. This, subsequently leading to an “adoption” of sorts by an older, more simpatico class of musicians - luckily for her, they doubled as her heroes: Nicks, Keith Richards, and Dylan among them. In another poignant moment, Sheryl lets listeners in on the dysfunction and emotional reckoning that came after her well-publicized romances with Eric Clapton and a few years later Lance Armstrong.In just an hour and a half, Sheryl Crow manages to transform before our ears: from a well-known artist to human being we now know pretty damn well. That’s not easy to accomplish. And perhaps most extraordinarily, we are left with a lasting gift: beautiful songs we entered knowing become beautiful songs we now understand.

    Patricia Hampl visits the homes of historic exemplars of ease who made repose a goal, even an art form. She begins with two celebrated eighteenth-century Irish ladies who ran off to live a life of "retirement" in rural Wales. Her search then leads to Moravia to consider the monk-geneticist, Gregor Mendel, and finally to Bordeaux for Michel Montaigne—the hero of this book—who retreated from court life to sit in his chateau tower and write about whatever passed through his mind, thus inventing the personal essay.Hampl's own life winds through these pilgrimages, from childhood days lazing under a neighbor's beechnut tree, to a fascination with monastic life, and then to love—and the loss of that love which forms this book's silver thread of inquiry. Finally, a remembered journey down the Mississippi near home in an old cabin cruiser with her husband turns out, after all her international quests, to be the great adventure of her life.The real job of being human, Hampl finds, is getting lost in thought, something only leisure can provide. The Art of the Wasted Day is a compelling celebration of the purpose and appeal of letting go.

    The next, he was lying facedown in an alley after being ambushed and shot in the back of the head by a mobster over a dispute.Russell miraculously healed, and rather than press charges, he maintained his cover. Soon he had a stroke of good luck when he saved a man from an attack by two street thugs. The man he saved turned out to be Andy Gerardo, one of the ranking captains of the Genovese crime family. Quickly earning the trust of his new friend, Russell would orchestrate one of the biggest Mafia takedowns of all time.Urged by his police handlers, Russell used his cover story---an ex-cop fired for excessive force who now made his living from an oil-delivery business---and street skills to assimilate into the Genovese crime family in New Jersey, ultimately leading to more than fifty arrests of mobsters, corrupt prison officials, and even a state senator. Straddling the thin line between collecting evidence and participating in the very crimes he was leaking to the cops, Russell consistently placed himself at risk—especially when his police handlers disregarded his wishes and his well-being, conducting premature raids on the gangsters. With his marriage suffering and his family in danger, Russell took extraordinary steps to ensure his financial security and safety, demanding better terms from the police and allowing a film crew to document the final moments of the epic bust for a documentary that was later sold to HBO.A real-life version of The Sopranos, Undercover Cop immerses readers in the colorful yet harrowing trials of a standout cop who faced the mob on his own terms, crippled organized crime in New Jersey, and forever redefined undercover law enforcement.

    the real Hugh Hefner BOY GEORGE Tony created the concept of the boutique hotel. PAUL OAKENFOLD Roguish and very appealing. I like ebullient, charming characters. GRACE JONES I found extraordinary peace at Pikes, and Tony Pike is the best host... the number one ! JOAN BAEZ There's no place like Pikes. You arrive... then a few days later you come round again without fully knowing quite what happened... but you know it was great. KYLE SIMMONS (BASTILLE) I have never seen a man so happy in a leopard skin thong as Tony ! SHIRLEY KEMP (WHAM) Thanks for a fab time, Tony FREDDIE MERCURY

    Linnea Smith went to Peru on an ecotourism vacation. She was so moved that she abandoned her thriving medical practice in Wisconsin to serve the Yagua Indians in the deepest part of the Amazon rainforest of Peru-alone.Taken straight from the pages of Dr. Smith’s journal, La Doctora offers readers a rare glimpse into the suspense and drama of practicing medicine in a culture far removed from the sophisticated supplies and supports of 20th-century medicine.Learn how Dr. Smith evolved from a “strange white woman” to an adopted member of the indigenous community. Her story of adventure, self-discovery and service creates inspiring testimony to one person’s power to make a lasting difference.

    The band themselves have assisted in this official illustrated record, contributing over 400 photographs (many never seen outside the pages of this book), press cuttings, album sleeves and posters. The Who: Maximum R&B also features complete UK and US discographies, including solo work by the individual members.First published in 1982 and now in its fifth edition, The Who: Maximum R&B is a colourful pictorial joyride widely accepted as the best book on the Who. Updated to detail the creative tensions and the chemistry that allowed the group to reform for one more time on their 2002 tour, it describes the untimely death of bassist John Entwistle on that same tour and features an Introduction by songwriter/guitarist Townshend on the loss of his friend and his own recent legal problems.

    She documents her early days in the Democratic Party and the Democratic Alliance, at a time when the party was locked in a no-holds-barred factional conflict. And she chronicles the intense political battles to become mayor of Cape Town, leader of the DA and premier of the Western Cape, in the face of dirty tricks from the ANC and infighting within her own party.This is a story about political intrigue and treachery, floor-crossing and unlikely coalitions, phone tapping and intimidation, false criminal charges and judicial commissions. It documents Zille’s courageous fight against corruption and state capture and her efforts to realign politics and entrench accountability. And it describes a mother’s battle to raise children in the pressured world of South African politics.This book is as frank, honest and unflinching as Helen Zille herself, and will appeal to anyone interested in the story of South African politics over the past fifty years.