Each sign is given a lengthy description of its characteristics, as well its creation myth. Greene then expands upon the sign's shadowy side, and finally explicates the fine points of the individual sign as a lover. Astrology for Lovers will teach readers not only critical aspects of their own motivations, but also provide invaluable insight into the inner workings of their lovers.

    Foreign phrases are translated; poems and quotations presented in full; historical figures and events fleshed out; subtle allusions–and there are many–noted. From the origins of the Arabic drink qahveh to a recipe for quince paste, from the medical uses of ants and alum, to Zacco, Zenobia, and Zoroaster, this easy-to-use A-to-Z reference richly illuminates the intricacies of the complex and far-flung Renaissance world Dorothy Dunnett’s creations so colorfully inhabit.

    Be on time, don’t miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images.For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin–Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically encouraged. Making Comics is the follow-up to Barry's bestselling Syllabus, and this time she shares all her comics-making exercises. In a new hand-drawn syllabus detailing her creative curriculum, Barry has students drawing themselves as monsters and superheroes, convincing students who think they can’t draw that they can, and, most important, encouraging them to understand that a daily journal can be anything so long as it is hand drawn.Barry teaches all students and believes everyone and anyone can be creative. At the core of Making Comics is her certainty that creativity is vital to processing the world around us.

    In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.

    This anthology offers a broad selection of its poetry, and includes a wide range of works by the great poets of the age - notably Sir Philip Sidney, Edmund Sepnser, John Donne, William Shakespeare and John Milton. Poems by less well-known writers also feature prominently - among them significant female poets such as Lady Mary Wroth and Katherine Philips. Compelling and exhilarating, this landmark collection illuminates a time of astonishing innovation, imagination and diversity.Selected and with an introduction by David Norbrook, and edited by H.R. Woudhuysen.

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    Whether she is writing about George Eliot or Sylvia Plath; Victorian spiritual malaise or Toni Morrison; mythic strands in the novels of Iris Murdoch and Saul Bellow; politics behind the popularity of Barbara Pym or the ambitions that underlie her own fiction, Byatt manages to be challenging, entertaining, and unflinchingly committed to the alliance of literature and life.

    It was there, on the edge of the dramatic landscape of the Yorkshire Moors, that they produced some of the most memorable, influential and best-loved novels in the English language. Ann Dinsdale paints a detailed picture of everyday life at Haworth in the 1840s, recounting the Brontë family history and describing the local village and surrounding countryside. She goes on to consider the Brontës' poetry and novels in the context of their socio-historic background. This book provides fascinating insight into the lives of the authors of The Tenant of Wildfell Hall, Jane Eyre and Wuthering Heights and will be a must for both literature students and Brontë admirers. It is illustrated with numerous rarely seen images from the Haworth archives, including drawings by Charlotte and Emily, together with evocative pictures by local photographer Simon Warner.

    In A Fine Brush on Ivory, Richard Jenkyns takes us on an amiable tour of Austen's fictional world, opening a window on some of the great works of world literature. Focusing largely on Pride and Prejudice, Mansfield Park, and Emma, but with many diverting side trips to Austen's other novels, Jenkyns shines a loving light on the exquisite craftsmanship and profound moral imagination that informs her writing. Readers will find, for instance, a wonderful discussion of characterization in Austen. Jenkyns's insight into figures such as Mr. Bennett or Mrs. Norris is brilliant--particularly his portrait of the amusing, clever, always ironic Mr. Bennett, whose humor (Jenkyns shows) arises out of a deeply unhappy and disappointing marriage. The author pays due homage to Austen's unmatched skill with complex plotting--the beauty with which the primary plot and the various subplots are woven together--highlighting the infinite care she took to make each plot detail as natural and as plausible as possible. Perhaps most important, Jenkyns illuminates the heart of Austen's moral imagination: she is constantly aware, throughout her works, of the nearness of evil to the comfortable social surface. She knows that the socially acceptable sins may be truly cruel and vicious, knows that society can be red in tooth and claw, and yet she allows the pleasures of comedy and celebration to subordinate them. Insightful and highly entertaining, A Fine Brush on Ivory captures the spirit and originality of Jane Austen's work. It will be a cherished keepsake or gift for her many fans.

    And everybody knows not to mess with us. But there's something else, something we've got more of than any other state-we've got a whole lot of...weirdness. Yep, the Lone Star State has a vast amount of strange people and unusual sites, and they burst forth from every page of the biggest, most bizarre collection of Texas stories ever assembled: Weird TexasOur weird quotient is so high that it took three expert chroniclers of the weird to put this book together. With notepads and cameras in hand and steeds of one sort or another at the ready, Wesley Treat, Heather Shade, and Rob Riggs traveled the highways, byways, back roads, and all roads in between in search of the odd and the offbeat. They tracked down impossible-to-believe tales only to discover an odd grain of truth that gives the stories just enough credibility to make one feel a little...uncomfortable. Whether it's a goatman, a mystery airship, haunted cemeteries, or bouncing ghost lights, our authors have researched and chronicled the stories and present them here for you, fellow admirers of the weird.So turn the pages and visit the Munster Mansion, chat with the Big Thicket Wild Man, coast up Austin's Gravity Hill, and drive down Demon's Road (after that road trip, see if mysterious handprints appear on the outside of your car). Check out the Lonely Ghost of Old Greenhouse Road, lean against the Leaning Tower of Texas, motor on out to Cadillac Ranch, enter the cave of the White Shaman, get healed in Sour Lake, and travel across, if you dare, the Screaming Bridge.A brand-new entry in the best-selling Weird series, Weird Texas is packed with all the good stuff your history teacher never taught you. So join Wesley, Shady, and Rob on their great adventure. You won't regret it. And that's a Texas-style promise.

    "The best (and the best written) book about Austen that has appeared in the last three decades."—Nina Auerbach, Journal of English and Germanic Philology"By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement

    His is the tale of a disordered pilgrimage to H. Roivas (Heavenly Savior) in which the deranged responses of individuals point up the outer madness from which they derive in a more imaginative way that social protest generally allows.Like Camus, Kenneth Patchen is anti-cool, anti-hip, anti-beat.

    Even if you already know your Hunter S Thompson from your Jim Thompson, you''ll still find it hard to resist a book which tells you which cult novel has been implicated in assassinations, which world famous novelist offered to throw himself off a train to prove his devotion to his literary idol and which cult poet and prose stylist inspired a Broadway musical and the Velvet Underground. There''s a critical guide to over 150 cult authors - from Kathy Acker to Yevgeny Zamyatin, including potted biographies, their must reads, and their surprising influences. Reviews of 100 cult novels - seminal works by authors who never quite achieved cult status themselves but still produced one classic work. Finally, there''s a cult collection - a feast of literary trivia which categorises writers by the diseases they suffered for their art, reveals 12 literary giants who wrote standing up, and pores over the little known fictional epics of Sarah Bernhardt and Benito Mussolini.

    Organized by such themes as Art, Choices, Families, Growing Old, Growing Up, Places and Homes, Power, and Work, this reference book presents classic and contemporary works, from Lady Nijo's thirteenth-century diaries to books by authors including Toni Morrison, Alice Hoffman, Nadine Gordimer, and Isabel Allende. With annotated entries that capture the flavor of each book and seven cross-referenced indexes, 500 Great Books by Women is a one-of-a-kind guide for all readers and book lovers that celebrates and recommends some of the very best writing by women.

    Vampires rule with terror and the darkly-seductive promise of life eternal for the lucky few. Edmund Cordery, member of the cabal pledged to penetrate the mysteries of the vampires and destroy them, strike the first blow. But it will fall to his son. Noell, to carry on the crusade of human against inhuman. And it will fall to those who come after Noell to keep the struggle alive for over three centuries--from England to Malta to modern-day America, where destiny will decide finally whether the forces of horror or humanity will hold sway over all....