Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.

    In this intriguing novel full of drama and plot twists, one family tries to hold on to their “perfect” life before their secrets, lies, and scandals are exposed.On the outside, the Joneses seem like the ideal family: Royce Jones, a funeral home mogul, and his wife, Lexi, are parents to Charity, Hope, and Lovie—and everybody wants to be them. But it’s true that money can’t buy happiness, and the Joneses are harboring secrets that can’t stay hidden forever… The funeral home business has been slow lately, and Royce is in serious trouble. When Lexi learns of their financial strain, she vows to hold on to her status by any means necessary—even if it means going behind her husband’s back. Lovie, seeing his beloved mother so stressed, will do whatever it takes to put a smile back on her face. And sibling rivalries tense up when Charity and Hope both fall for the same guy. On top of this, they all have secrets they’re hiding not only from people outside their family—but from each other. It’s only a matter of time before the Joneses’ perfect life goes spinning out of control and they’re revealed for who they truly are.

    They started a forbidden love that was frowned upon and as a result of that a life was created. Flash forward two years and things have changed. Drew is now a mother to Aamil's child while Aamil is adjusting to being home from prison and learning he has a daughter. Aamil wants to move on with Drew and his child. He is now running his family's lucrative drug business while also trying to pursue a life with Drew. Drew has secrets that can keep her from her happily ever after with Aamil. Her biggest one being Kadar. Kadar is anxious to build a relationship with his brothers while also being with Drew. Only Drew leaves him the minute Aamil is released and Kadar is forced to pick up the pieces all while still actively seeing Olivia. The result of loving the people that has their hearts have them fighting hard to hold onto the love that they don't want to let go. Drew wants nothing more than to be with Aamil but can he forgive her for doing the unthinkable while Kadar struggles to be with Olivia. His mind is telling him to be with her but his heart is conflicted. Will Drew get Aamil and the perfect family that she feels she deserves or will he choose to be with someone that he feels has always been down for him? Will Kadar get it together in time to be with Olivia or will his indecisiveness push her away? In part one you will be taken in an emotional journey as you read just how hard it can sometimes be loving a person.

    Now, on the anniversary of that ominous night, a girl-child ripens into the heritage of lost power. But before she can even comprehend her terrible new gift, the Dark Lord dispatches his winged monsters to capture her and bring him the embryonic magic she embodies.Fleeing the minions of darkness, Elena is swept toward certain doom-and into the company of unexpected allies. Aided by a one-armed warrior and a strange seer, she forms a band of the hunted and the cursed, the outcasts and the outlaws, to battle the unstoppable forces of evil and rescue a once-glorious empire...

    Forced by events that leave her to fend for herself as a teenager, she evolves into a money-hungry vixen as an adult. Using her physical attributes to lead a suspect lifestyle, Honey treats men like toys—good for a while, but always disposable.That is until she meets handsome and charismatic Khalil Graves, an up-and-coming filmmaker who's desperately trying to escape the demons of his painful childhood. Already engaged, Khalil can't seem to shake his attraction to Honey. What he doesn't realize is that he's a pawn in Honey's plan for revenge.Honey's attempt at vengeance quickly unravels, complicated by her possible involvement in a murder and a devious plot to score a payday lucrative enough to free her from her unsavory lifestyle.In A Taste of Honey, Essence bestselling author Darren Coleman delivers another sizzling, drama-filled tale that is sure to take his reputation for delivering page-turners to another level.

    But things take a dramatic turn when they become acquainted with the well known, rich, and sexy Quintons, TQ, Lendsey, Britain, and Rhys. The four boys, along with their parents and sister run the infamous Quinton Crime Family, committing all types of crimes from green card fraud to importing illegal drugs. Life is smooth sailing for both sets of people, that is until their worlds start to become one. With drama at every corner, and haters lurking in the shadows, will these unions be able to build a strong bond? Or will the brothers prove to be just another disappointment for the girls?

    Gibson. The pages explore hurt, healing, love, forgiveness, self-discovery and the journey towards becoming a woman. Written in four chapters each piece encourages healing and the journeying of self.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

    

    THE SINGING KNIVES, originally published in 1971 by Broughton's Mill Mountain Press, is Frank Sanford's first collection of poetry. Reprinted by his own press, Lost Roads Publisher, after his death, THE SINGING KNIVES, debuts the work of a twenty-something year old boy way ahead of his time and in a state of unrest, capturing "poetry's more primal and mysterious possibilities"-David Clewell. "It is astonishing to me that I was not even aware of this superbly accomplished and moving poet. There is a great deal of pain in the poems, but it is a pain that makes sense, a tragic pain whose meaning rises from the way the poems are so firmly molded and formed from within"- James Wright.

    In the singular landscape of Matthew Rohrer's first book of poems, the weather, the food, even the household appliances come to life. "A few pages into this book," says the Minneapolis City Pages, "and you'll start glancing sideways at the terrain, which . . . looks suddenly vital." These quirky poems entertain and delicately point to truth. Rohrer illuminates a land of skewed realities where the impossible seems familiar, the sacher torte is afraid to be eaten, and it's always dusk in the forest.

    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.

    It is an epic journey not only affirming that “there is a difference between sadness and suffering;” but that Schomburg is one of the most unusual poets writing today, pushing his work beyond our familiarity. These poems have a thirst for blood, but they don't yet know exactly what to do with their hands. The Book of Joshua calls out in hunger and loneliness, “I didn’t feel like living in anything not shaped like me anymore.”