At the center of Okrent's riveting story are four remarkable individuals: tycoon John D. Rockefeller, his ambitious son Nelson Rockefeller, real estate genius John R. Todd, and visionary skyscraper architect Raymond Hood. In the tradition of David McCullough's The Great Bridge, Ron Chernow's Titan, and Robert Caro's The Power Broker, Great Fortune is a stunning tribute to an American landmark that captures the heart and spirit of New York at its apotheosis.

    Eric Jaffe captures the progress of people and culture along the road through four centuries, from its earliest days as the king of England’s “best highway” to the current era. Centuries before the telephone, radio, or Internet, the Boston Post Road was the primary conduit of America’s prosperity and growth. News, rumor, political intrigue, financial transactions, and personal missives traveled with increasing rapidity, as did people from every walk of life.From post riders bearing the alarms of revolution, to coaches carrying George Washington on his first presidential tour, to railroads transporting soldiers to the Civil War, the Boston Post Road has been essential to the political, economic, and social development of the United States. Continuously raised, improved, rerouted, and widened for faster and heavier traffic, the road played a key role in the advent of newspapers, stagecoach travel, textiles, mass-produced bicycles and guns,  commuter railroads, automobiles—even Manhattan’s modern grid. Many famous Americans traveled the highway, and it drew the keen attention of such diverse personages as Benjamin Franklin, Franklin D. Roosevelt, P. T. Barnum, J. P. Morgan, and Robert Moses. Eric Jaffe weaves this entertaining narrative with a historian’s eye for detail and a journalist’s flair for storytelling. A cast of historical figures, celebrated and unknown alike, tells the lost tale of this road.Revolutionary printer William Goddard created a postal network that united the colonies against the throne. General Washington struggled to hold the highway during the battle for Manhattan. Levi Pease convinced Americans to travel by stagecoach until, half a century later, Nathan Hale convinced them to go by train. Abe Lincoln, still a dark-horse candidate in early 1860, embarked on a railroad speaking tour along the route that clinched the presidency. Bomb builder Lester Barlow, inspired by the Post Road’s notorious traffic, nearly sold Congress on a national system of expressways twenty-five years before the Interstate Highway Act of 1956. Based on extensive travels of the highway, interviews with people living up and down the road, and primary sources unearthed from the great libraries between New York City and Boston—including letters, maps, contemporaneous newspapers, and long-forgotten government documents—The King’s Best Highway is a delightful read for American history buffs and lovers of narrative everywhere.

    The author, an award-winning CBS producer, traces the history of American textile manufacturing back to the ingenuity of Francis Cabot Lodge. The early mills were an experiment in benevolent enlightened social responsibility on the part of the wealthy owners, who belonged to many of Boston's finest families. But the fledgling industry's ever-increasing profits were inextricably bound to the issues of slavery, immigration, and workers' rights.William Moran brings a newsman's eye for the telling detail to this fascinating saga that is equally compelling when dealing with rags and when dealing with riches. In part a microcosm of America's social development during the period, The Belles of New England casts a new and finer light on this rich tapestry of vast wealth, greed, discrimination, and courage.

    Beginning in 1905, with Franklin and Eleanor's honeymoon, it covers FDR's years as New York state senator, assistant secretary of the Navy, his early struggle to overcome the ravages of polio and ends with his election as governor of New York in 1928. Ward not only traces the development of Roosevelt's "first-class temperament" but provides dimensional characterizations of friends, enemies and family members, gallantly defending FDR's often-maligned mother, Sara, and revealing the effect on the Roosevelt children of the tensions between Franklin and Eleanor. FDR's jaunty, fun-loving nature and his "breezy duplicity" are brought into focus in the early sections, but the tone deepens in the moving account of the future president's valiant but hopeless attempt to regain the use of his legs. Going against the accepted legend, Ward maintains that "the Roosevelt who could not walk was in most respects very like the one who could."

    . . and has never been convicted of racketeering, drug-trafficking or murder.Prize-winning journalists John Cummings and Ernest Volkman's shocking true account of the brutal and meteoric rise of John "Johhny Boy" Gotti from Brooklyn "bone-breaker" to lord of the Gambino Family -- a riveting exploration into the the bloody machinery of La Cosa Nostra operating on the dark side of the American dream.

    It elucidates the hopes and the yearnings of the immigrants that propelled them out of their native environments to chance the hazards of the New World. It traces the profound imprint they made upon this world and how they, in turn, were changed by it.When first published, The Uprooted won the Pulitzer Prize for history. This second edition is enlarged by a supplemental chapter, in which the author examines the meaning of the immigrant experience in light of more recent decades, and by a brilliant bibliographic essay.

    In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.

    Lawrence's inner life and his historically significant actions. Extensive research provides the basis for Mack's sensitive investigation of the psychological dimensions of Lawrence's personality and with the history, sociology, and politics of his time. 27 photos.

    Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review“Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times“This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post"Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist“Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly"Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book ReviewWhen asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom.“Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark DotyBob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

    Mike Davis shows us where the city's money comes from and who controls it while also exposing the brutal ongoing struggle between L.A.'s haves and have-nots.

    It also left a residue of disruption and disillusion that spawned an even more ruinous conflict scarcely a generation later.Over Here is the single-most comprehensive discussion of the impact of World War I on American society. This 25th anniversary edition includes a new afterword from Pulitzer Prize-winning author David M. Kennedy, that explains his reasons for writing the original edition as well as his opinions onthe legacy of Wilsonian idealism, most recently reflected in President George W. Bush's national security strategy. More than a chronicle of the war years, Over Here uses the record of America's experience in the Great War as a prism through which to view early twentieth century American society.The ways in which America mobilized for the war, chose to fight it, and then went about the business of enshrining it in memory all indicate important aspects of enduring American character. An American history classic, Over Here reflects on a society's struggle with the pains of war, and offerstrenchant insights into the birth of modern America.

    Hughes his reputation as one of the foremost historians of technology of our age and a finalist for the Pulitzer Prize in 1990, American Genesis tells the sweeping story of America's technological revolution. Unlike other histories of technology, which focus on particular inventions like the light bulb or the automobile, American Genesis makes these inventions characters in a broad chronicle, both shaped by and shaping a culture. By weaving scientific and technological advancement into other cultural trends, Hughes demonstrates here the myriad ways in which the two are inexorably linked, and in a new preface, he recounts his earlier missteps in predicting the future of technology and follows its move into the information age.

    But I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak." Thus did Harriet Beecher Stowe announce her decision to begin work on what would become one of the most influential novels ever written. The subject she had hesitated to "meddle with" was slavery, and the novel, of course, was Uncle Tom's Cabin. Still debated today for its portrayal of African Americans and its unresolved place in the literary canon, Stowe's best-known work was first published in weekly installments from June 5, 1851 to April 1, 1852. It caused such a stir in both the North and South, and even in Great Britain, that when Stowe met President Lincoln in 1862 he is said to have greeted her with the words, "So you are the little woman who wrote the book that created this great war!" In this landmark book, the first full-scale biography of Harriet Beecher Stowe in over fifty years, Joan D. Hedrick tells the absorbing story of this gifted, complex, and contradictory woman. Hedrick takes readers into the multi-layered world of nineteenth-century morals and mores, exploring the influence of then-popular ideas of "true womanhood" on Stowe's upbringing as a member of the outspoken Beecher clan, and her eventful life as a writer and shaper of public opinion who was also a mother of seven. It offers a lively record of the flourishing parlor societies that launched and sustained Stowe throughout the 44 years of her career, and the harsh physical realities that governed so many women's lives. The epidemics, high infant mortality, and often disastrous medicalpractices of the day are portrayed in moving detail, against the backdrop of western expansion, the great social upheaval accompanying the abolitionist movement, and the entry of women into public life. Here are Stowe's public triumphs, both before and after the Civil War, and t

    It's difficult for us to imagine what he saw, but for more than a decade, landscape ecologist Eric Sanderson has been working to do just that. Mannahatta: A Natural History of New York City is the astounding result of those efforts, reconstructing, in words and images, the wild island that millions of New Yorkers now call home.By geographically matching an 18th-century map of Manhattan's landscape to the modern cityscape, combing through historical and archaeological records, and applying modern principles of ecology and computer modeling, Sanderson is able to re-create the forests of Times Square, the meadows of Harlem, and the wetlands of downtown. Filled with breathtaking illustrations that show what Manhattan looked like 400 years ago, Mannahatta is a groundbreaking work that gives readers not only a window into the past, but inspiration for green cities and wild places of the future

    He lived life on an epic scale, presenting to the world a character as compelling as the fiction he created. But behind it all lurked an insecure, troubled man. In this immensely powerful and revealing study, Kenneth S. Lynn explores the many tragic facets that both nurtured Hemingway's work and eroded his life. Masterfully written, Hemingway brings to life the writer whose desperate struggle to exorcise his demons produced some of the greatest American fiction of this century.