Vinay Sitapati's Jugalbandi provides this backstory to his current dominance in Indian politics. It begins with the creation of Hindu nationalism as a response to British-induced elections in the 1920s, moves on to the formation of the Bharatiya Janata Party (BJP) in 1980, and ends with its first national government, from 1998 to 2004. And it follows this journey through the entangled lives of its founding jugalbandi: Atal Bihari Vajpayee and Lal Krishna Advani.Over their six-decade-long relationship, Vajpayee and Advani worked as a team despite differences in personality and beliefs. What kept them together was fraternal love and professional synergy, of course, but also, above all, an ideology that stressed on unity. Their partnership explains what the BJP before Modi was, and why it won.In supporting roles are a cast of characters-from the warden's wife who made room for Vajpayee in her family to the billionaire grandson of Pakistan's founder who happened to be a major early funder of the BJP. Based on private papers, party documents, newspapers and over two hundred interviews, this is a must-read for those interested in the ideology that now rules India.

    

    It became one of the largest empires on the planet with an army of almost one million men at arms and an economy that was stronger than any other at the time. The Mughal Empire developed new art and architecture, and some of the things created during this empire are still regarded as iconic representations of India.Although most of its conquests were achieved through the application of military power, this was also a relatively liberal, pluralist empire which successfully assimilated people from varied cultural and religious background into a total population of over one hundred and fifty million. Perhaps that is surprising given that this empire originated with an invasion by nomadic Mongols from the north; the very first Mughal emperor was a direct descendent of both Genghis Khan and Tamerlane.Then, just when the Mughal Empire seemed to have become invincible, it disintegrated in an astonishingly short space of time. This book tells the story of how the Mughal Empire was able to achieve almost unimaginable power and wealth and how within the nature of that success were the elements which eventually tore the empire apart. This is the complex, exciting story of the rapid rise and even more rapid collapse of the mighty, colorful, vibrant, and complex Mughal Empire.

    The Mahabharata is obsessed with the elusive notion of dharma - in essence, doing the right thing. When a hero falters, the action stops and everyone weighs in with a different and often contradictory take on dharma. The epic's characters are flawed, but their incoherent experiences throw light on our familiar dilemmas. Gurcharan Das's best-selling book India Unbound examined the classical aim of artha, material well being. This, his first book in seven years, dwells on the goal of dharma, moral well being. It addresses the central problem of how to live our lives in an examined way - holding a mirror up to us and forcing us to confront the many ways in which we deceive ourselves and others. What emerges is a doctrine of dharma that we can apply to our business decisions, political strategies and interpersonal relationships - in effect, to life itself.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    Veerappan responded in a soft voice: 'It has been many years since I killed elephants. But no one believes me if I say so.'

    The book explains that the river, its very existence, and its course have been discussed and speculated over for years. The magnificence of the Sarasvati has been detailed in scriptures like the Rig Veda. Historians and archaeologists could not understand how it mysteriously ceased to exist. Some of the even deem the river a myth.This book attempts the deduce facts from fable and makes a strong case for the existence of the river. It goes over the upheavals that the Indian subcontinent went through thousands of years ago, explaining the dry weather, erosion, and tectonic events that changed the terrain, altered river courses, and may have made the Sarasvati disappear. The book then chronicles explorations into the river started, which began around the early nineteenth century, when it was rediscovered by British officials doing topographic explorations.The book also explains the culture around that time, shedding light on the Indus valley civilisation and the rich and flourishing culture of Harappa. The book goes on the show the results of explorations into the river’s origins and course using modern technology like satellite imagery and isotope analysis. The author has also used his proof of the existence of the river to bolster his theory that Aryans were indigenous to India and not foreign invaders.The Lost River was published in 2010 by Penguin India and is available in paperback.Key Features: The book presents evidence for the existence and information about the course and demise of the Sarasvati from various fields of investigation. It contains an extensive appendix with further information and a vast number of footnotes.

    Women and Sabarimala is a rare book and is written from a woman’s perspective, explaining the nature of the temple through India’s traditional knowledge systems, such as Ayurveda, Chakras, Tantra and Agama Shastra. At the same time, the author’s personal experiences simplify the understanding of these deep sciences, providing a glimpse into how temples impact the human physiology and, in particular, women’s menstrual cycles. This book will change the way Hindu temples, especially Sabarimala, are perceived and experienced.

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    A riveting first draft of modern Indian history, Anticipating India interprets everything from the successes and failings of Atal Bihari Vajpayee and Manmohan Singh to the ascent of Rahul Gandhi, Narendra Modi and Arvind Kejriwal, from the forces that have deepened Indian federalism and constitutionalism to the public mood that keeps a check on excesses in the use of political power.Each chapter in Anticipating India, in its questioning of power, its use and abuse, carries within it ideas of India that challenge conventional wisdom, shatter stereotypes and, in the end, question our long-held assumptions of who we are as a nation and a people.

    Jawaharlal Nehru, Gandhi’s protégé and the political leader of India, believed Indians were an inherently nonviolent, peaceful people. Pakistan’s founder, Mohammad Ali Jinnah, was a secular lawyer, not a firebrand. But in August 1946, exactly a year before Independence, Calcutta erupted in riots. A cycle of street-fighting — targeting Hindus, then Muslims, then Sikhs — spun out of control. As the summer of 1947 approached, all three groups were heavily armed and on edge, and the British rushed to leave. Hell let loose. Trains carried Muslims west and Hindus east to their slaughter. Some of the most brutal and widespread ethnic cleansing in modern history erupted on both sides of the new border, searing a divide between India and Pakistan that remains a root cause of many evils. From jihadi terrorism to nuclear proliferation, the searing tale told in Midnight’s Furies explains all too many of the headlines we read today.

    The man himself emerges as one of history’s most remarkable self-creations, a prosperous lawyer who became an ascetic in a loincloth wholly dedicated to political and social action. Lelyveld leads us step-by-step through the heroic—and tragic—last months of this selfless leader’s long campaign when his nonviolent efforts culminated in the partition of India, the creation of Pakistan, and a bloodbath of ethnic cleansing that ended only with his own assassination. India and its politicians were ready to place Gandhi on a pedestal as “Father of the Nation” but were less inclined to embrace his teachings. Muslim support, crucial in his rise to leadership, soon waned, and the oppressed untouchables—for whom Gandhi spoke to Hindus as a whole—produced their own leaders. Here is a vital, brilliant reconsideration of Gandhi’s extraordinary struggles on two continents, of his fierce but, finally, unfulfilled hopes, and of his ever-evolving legacy, which more than six decades after his death still ensures his place as India’s social conscience—and not just India’s.

    The book, The Brink and Back, is an account of the events leading to the path-breaking economic liberalisation unveiled by Rao’s government with Manmohan Singh as the Union finance minister

    But how are lawyers and the judicial system in India perceived today? It is no secret that the very thought of facing the courts in India leaves the common man with a sense of dread and despair; cases drag on interminably, and justice sometimes seems like an afterthought. Who or what is responsible for this situation? Where have we lost our way? It is at times good to see ourselves as others see us, and the picture is not a very flattering one, argues Fali S. Nariman, renowned constitutional expert, practising lawyer and president of the Bar Association of India. In this frank and thought-provoking book, he realistically appraises the performance of those in the profession and what they need to do in the years ahead, and addresses some home truths about our country's legal system.

    . . [will] take a place on my shelves beside the stories of Narayan — Graham GreeneThis volume presents two celebrated novels by Manoj Das, one of India’s most illustrious authors, who has been writing in English and Oriya (Odia)for over six decades.In A Tiger at Twilight the erstwhile raja of Samargarh returns to his abandoned palace in Nijanpur, after years of self-exile, with his sick daughter and his supposed half-sister, and immediately assumes the responsibility of killing a man-eating tiger. Assisting him are a few noted men of the valley including Dev the owner and manager of a resort. But as the hunt intensifies Dev realizes that things aren’t as they seem: Heera, the raja’s sister, has an inexplicable power over the men in the hunting party and a strange connection with the tiger. As the men get closer to killing the beast, bizarre things begin to happen, hinting at the influence of the supernatural.Cyclones is set in Kusumpur, a small coastal village, during the struggle for Independence. The village is devastated by a cyclone and Sandip, the scion of the zamindar (land-lord) family, helps restore it. The war-time colonial government, though, wants to turn the sleepy hamlet into a busy port town. They plan to fill up the river that flows by it, in the process angering all the villagers, including Sandip. But when the contractor for the project is found murdered, Sandip is accused of the crime, forcing him to flee from the authorities. This is the start of a series of adventures that take him from a remote ashram in a forest to the city where communal violence is rife. Cyclones is a powerful novel about the metaphorical storms that gripped the nation during the most turbulent period of its modern history.