As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Isa’s father, a scientist and professor, and an orphan, is haunted by the war in which he served as a South Korean soldier and by a painful secret that he keeps from his wife. Still mourning the death of Isa’s younger brother her parents are traditional enough to prize their dead son over their living daughter; to them, Isa only half exists. Recommended for older teens and adults.A brilliant novel from an exciting new writer. Isadora Myung Hee Sohn—Isa—worships her mother, an exceptional beauty, born in Seoul and sheltered in a harem of sisters inside the wealthy family’s compound. Isa’s father, a scientist and professor, an orphan, is haunted by the war in which he served as a South Korean soldier and by a painful secret that he keeps from his wife. Still mourning the death of Isa’s younger brother, Stephen, her parents are traditional enough to prize their dead son over their living daughter; to them, Isa only half exists. But unlike many Asian American daughters, Isa is neither meek nor a quiet victim of tradition. Despite her parents’ success and sophistication—they’ve achieved the American dream—she repudiates their values, embarks on her own sexual education, and runs away with an albino boy, Hero. At the same time, Isa suspects that despite her mother’s strict adherence to Korean traditional values, she is involved with another man, and Isa determines to make the affair known. What begins as a child’s unthinking fury at her mother soon leads to more deadly consequences. A daring, haunting, inspired debut.

      Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.Lulu --Hotline girl --New fruit --Field notes on a marriage --Flying machine --On the street where you live --Shanghai murmur --Land of big numbers --Beautiful country --Gubeikou spirit

    In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.

    She lives modestly in a small apartment, with only her aging dog, a rescue named Deadweight, to keep her company. There are expectations for people her age--that she'll retire and live out the rest of her days quietly. But Hornclaw is not like other people. She is an assassin.Double-crossers, corporate enemies, cheating spouses--for the past four decades, Hornclaw has killed them all with ruthless efficiency, and the less she's known about her targets, the better. But now, nearing the end of her career, she has just slipped up. An injury leads her to an unexpected connection with a doctor and his family. But emotions, for an assassin, are a dangerous proposition. As Hornclaw's world closes in, this final chapter in her career may also mark her own bloody end.A sensation in South Korea, and now translated into English for the first time by Chi-Young Kim, The Old Woman with the Knife is an electrifying, singular, mordantly funny novel about the expectations imposed on aging bodies and the dramatic ways in which one woman chooses to reclaim her agency.

    In an instant, their fates are connected—and from this encounter unfolds a saga that spans half a century.In the aftermath, a young girl named Jade is sold by her family to Miss Silver’s courtesan school, an act of desperation that will cement her place in the lowest social status. When she befriends an orphan boy named JungHo, who scrapes together a living begging on the streets of Seoul, they form a deep friendship. As they come of age, JungHo is swept up in the revolutionary fight for independence, and Jade becomes a sought-after performer with a new romantic prospect of noble birth. Soon Jade must decide whether she will risk everything for the one who would do the same for her.From the perfumed chambers of a courtesan school in Pyongyang to the glamorous cafes of a modernizing Seoul and the boreal forests of Manchuria, where battles rage, Juhea Kim’s unforgettable characters forge their own destinies as they wager their nation’s. Immersive and elegant, Beasts of a Little Land unveils a world where friends become enemies, enemies become saviors, heroes are persecuted, and beasts take many shapes.

    At the center of the tale are two teenage girls—Hyun Jin and Sookie, a teenage prostitute kept by an American soldier—who form a makeshift family with Lobetto, a lost boy who scrapes together a living running errands and pimping for neighborhood girls. Both horrifying and moving, Fox Girl at once reveals another layer of war's human detritus and the fierce love between a mother and daughter.

    Winner of most of Japan’s top literary prizes for fiction, Kono Taeko writes with a disquieting and strange beauty, always foregrounding what Choice called "the great power of serious, indeed shocking events." In the title story, the protagonist loathes young girls, but she compulsively buys expensive clothes for little boys so that she can watch them dress and undress. The impersonal gaze Kono Taeko turns on this behavior transfixes the reader with a fatal question: What are we hunting for? And why? Now available in paperback for the first time, Toddler-Hunting Other Stories should fascinate any reader interested in Japanese literature––or in the growing world of transgressive fiction.

    He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste.But everything is about to change.Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape and Tokue's dark secret is revealed, with devastating consequences.Sweet Bean Paste is a moving novel about the burden of the past and the redemptive power of friendship. Translated into English for the first time, Durian Sukegawa's beautiful prose is capturing hearts all over the world.

    Six years ago, she was recruited by DB Entertainment—one of Seoul’s largest K-pop labels, known for churning out some of the world’s most popular stars. The rules are simple: Train 24/7. Be perfect. Don’t date. Easy right?Not so much. As the dark scandals of an industry bent on controlling and commodifying beautiful girls begin to bubble up, Rachel wonders if she’s strong enough to be a winner, or if she’ll end up crushed… Especially when she begins to develop feelings for K-pop star and DB golden boy Jason Lee. It’s not just that he’s charming, sexy, and ridiculously talented. He’s also the first person who really understands how badly she wants her star to rise.

    Next to him a piece of paper unfolds like the wings of a butterfly, and on it is an image that Jia Jia can't forget.Profoundly troubled by what she has seen, even while she is abruptly released from a marriage that had constrained her, Jia Jia embarks on a journey to discover the truth of the sketch. Starting at her neighbourhood bar, with its brandy and vinyl, and fuelled by anger, bewilderment, curiosity and love, Jia Jia travels deep into her past in order to arrive at her future.Braised Pork is a cinematic, often dreamlike evocation of nocturnal Beijing and the high plains of Tibet, and an exploration of myth-making, loss, and a world beyond words, which ultimately sees a young woman find a new and deeper sense of herself.

    Highly literary, his narratives offer an oblique reflection of contemporary Bangkok life, exploring the bewildering disjunct and oft-hilarious contradictions of a modernity that is at odds with many traditional Thai ideas on relationships, family, school and work.Credited with having 'brought fresh energy to Thai literature with his distinctive urban voice', Yoon's is the voice of a new generation, responding to his country's recent and rapid urbanisation with fresh, off-beat perspectives and exciting formal innovation. The collection from which the majority of the stories in The Sad Part Was are taken made the young author a household name when it was published in 2002 and won the S.E.A. Writers Award. Two of its stories have been excerpted in Two Lines Journal, and Yoon already has a fan in prominent critic Scott Esposito. One story is currently being made into a feature film.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    In the isolated mining village of her childhood, Jia’s father, a science teacher, questions government intrusion into his classroom and is taken away by police, never to be heard from again. Now Jia must leave the village where her family has been sent as punishment to carve a path for herself. Her journey takes her first to Pyongyang, and finally to Shenyang in northeast China. Along the way, she falls in love with a soldier, befriends beggars, is kidnapped, beaten, and sold, negotiates Chinese culture, and learns to balance cruel necessity with the possibilities of kindness and love. Above all, Jia must remain wary, always ready to adapt to the “capricious political winds” of modern North Korea and China.

    The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.