Slowly, inevitably, Europe and Islam came together, through trade and war, crusade and diplomacy. The ebb and flow between these two worlds for seven hundred years, illuminated here by a brilliant historian, is one of the great sagas of world history.

    In this town, the coves are bottomless and the pier has no end in sight. There's a high tide and a low tide... and a vanishing tide. Dogs are a myth, but mermaids are totally real. And seaweed is the main ingredient in every meal-watch out, it might just start chewing you back!New kid Davy definitely thinks Topsea is strange. His mom keeps saying they'll get used to life in their new town-it's just the way things are on the coast! But after his first day at Topsea School, Davy finds himself wondering: Why is his locker all the way at the bottom of the school swimming pool? Why can't anyone remember his name? (It's Davy!) And why does everyone act like all of this is normal?!Through newspaper articles, stories, surveys, notifications, and more, follow Davy and the rest of Ms. Grimalkin's fifth grade class through the weird world of Topsea. (Whatever you do, don't make eye contact with the rubber ducks.)

    (Heinlein’s novel The Puppet Masters had been serialized in the September through November 1951 issues of Galaxy but Gold had merely acquired serial rights to a contract novel which had been written for Scribner’s.) Heinlein never again appeared in Gold’s Galaxy. This novelette, set in a near-future only subtly different from the McCarthyite and politically menacing present deals with social deterioration, cultural breakdown in a careful, documentary style which becomes terrifying. His romantically-linked leads are emotionally affecting but never sentimentalized, the background of chaos in which they enact their tragic, drowning love, is sparingly but furiously painted. Heinlein’s 1952 is clearly the apotheosis of those “Crazy Years” which he had noted in his famous chronological Future History, published a decade earlier in Astounding Science Fiction as a precis of his intended career. Perhaps no story of this period limns its political and cultural dysfunction as accurately as this novelette. Overshadowed by Heinlein’s juveniles and his famous later novels, The Year of the Jackpot may be the purest version of his portfolio and his most memorable work of less than novel length. It is one of his most exemplary stories and perhaps his best.