Dark They Were, and Golden-Eyed2. The Golden Apples of the Sun3. The Dragon4. Marionettes Inc.5. The Toynbee Convector 6. I, Rocket

    Written may 1948.First published in Saturn, October 1957 as The Elephant Circuit.First collected into The Unpleasant Profession of Jonathan Hoag, 1959.

    6 cassettes.

    

    An Ultramarines audio dramaThe Ultramarines defend a planet from a chaos invasion

    SpaceshipPiper in the Woods

    But the war will be decided by Morkai himself as he challenges the aliens' sinister leader to single combat.

    FoxMars Is Heaven! / Ray Bradbury; artwork by Herman VestalPreview of Peril / A. Bertram Chandler; artwork by Alden McWilliamsAgainst the Stone Beasts / James Blish; artwork by DonelBrooklyn Project / William Tenn; artwork by Herman VestalSynthetic Hero / Erik Fennel; artwork by Herman VestalValkyrie from the Void / Basil WellsCartoon: "Here we are the masters!" ; Cartoon: "Er---any trees on the moon?" / artwork by E. P.

    Rose was about to go into the classroom, where she’d left her purse, when she saw a sign on the door—a crude sign in pencil, on a ragged sheet of paper. “Collapse of Western Civilization — Dr. Norbert Beilstein,” it said. “Visitors welcome.”Previously unpublished, Slice of Life—about a college coed’s winter-induced dream—is an early testament to Kurt Vonnegut’s original voice and curious imagination. Cover design by Adil Dara.

    Who is Talon? What does he want with the young Earthman that '90s comic junkies know as Chris Powell? What is the shocking truth that connects the hero called Darkhawk not only to the Shi'Ar, but to the larger cosmos? This title collects War of Kings: Ascension, numbered 1-4, and War of Kings: Darkhawk, numbered 1-2.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    It is told for the first time in this series of amazing artbooks, in explosive text and swathes of incredible art.

    For almost three years, the Federation and the Klingon Empire, allied under the Khitomer Accords, have contended with the nascent coalition on a predominantly cold-war footing. But as Starfleet rebuilds itself, factions within the Typhon Pact grow restive, concerned about their own inability to develop a quantum slipstream drive to match that of the Federation. Will leaders such as UFP President Bacco and RSE Praetor Kamemor bring about a lasting peace across the Alpha and Beta Quadrants, or will the cold war between the two alliances deepen, and perhaps even lead to an all-out shooting war? Raise the Dawn After the disastrous events in the Bajoran system, Captain Benjamin Sisko must confront the consequences of the recent choices he has made in his life. At the same time, the United Federation of Planets and its Khitomer Accords allies have come to the brink of war with the Typhon Pact. While factions within the Pact unsuccessfully used the recent gestures of goodwill—the opening of borders and a joint Federation-Romulan exploratory mission—to develop quantum-slipstream drive, they have not given up their goals. Employing a broad range of assets, from Romulus to Cardassia, from Ab-Tzenketh to Bajor, they embark on a dangerous new plan to acquire the technology they need to take control of the Alpha and Beta Quadrants. While UFP President Bacco and Romulan Praetor Kamemor work feverishly to reestablish peace, Captains Sisko, Jean-Luc Picard, and Ro Laren stand on the front lines of the conflict...even as a new danger threatens the Bajoran wormhole as it once more becomes a flashpoint of galactic history. Brinkmanship The Venette Convention has always remained independent, but it is about to become the flashpoint for a tense military standoff between the two power blocs now dominating interstellar space—the United Federation of Planets and the recently formed Typhon Pact. The Venetan government turns to the Typhon Pact’s Tzenkethi Coalition for protection in the new order, and has agreed to allow three of their supply bases for Tzenkethi use. But these bases—if militarized—would put Tzenkethi weapons unacceptably close to Federation, Cardassian, and Ferengi space. While Captain Ezri Dax and the crew of the U.S.S. Aventine are sent to investigate exactly what is happening at one of the Venette bases, Captain Jean-Luc Picard and the U.S.S. Enterprise are assigned to a diplomatic mission sent to the Venette homeworld in order to broker a mutually acceptable resolution. But the Cardassian delegates don’t seem particularly keen on using diplomacy to resolve the situation, which soon spirals out of control toward all-out war. . .

    The stories originally appeared in the American magazines Super Science Stories and Astounding Science Fiction between 1940 and 1950 and were then compiled into a book for stand-alone publication by Gnome Press in 1950, in an initial edition of 5,000 copies. The stories are woven together by a framing narrative in which the fictional Dr. Susan Calvin tells each story to a reporter (who serves as the narrator) in the 21st century. Although the stories can be read separately, they share a theme of the interaction of humans, robots, and morality, and when combined they tell a larger story of Asimov's fictional history of robotics.Foundation was originally a series of eight short stories published in Astounding Magazine between May 1942 and January 1950. According to Asimov, the premise was based on ideas set forth in Edward Gibbon's History of the Decline and Fall of the Roman Empire, and was invented spontaneously on his way to meet with editor John W. Campbell, with whom he developed the concepts of the collapse of the Galactic Empire, the civilization-preserving Foundations, and psychohistory.[1] Asimov wrote these early stories in his West Philadelphia apartment when he worked at the Philadelphia Naval Yard.

    The White Plague, a marvelous and terrifyingly plausible blend of fiction and visionary theme, tells of one man who is pushed over the edge of sanity by the senseless murder of his family and who, reappearing several months later as the so-called Madman, unleashes a terrible plague upon the human race—one that zeros in, unerringly and fatally, on women.