"Amanda can’t figure out what’s so exciting about kissing. It’s just a lot of teeth clanking, germ swapping, closing of eyes so you can’t see that godzilla-sized zit just inches from your own hormonal monstrosity. All of her seven kisses had been horrible in different ways, but nothing compared to the awfulness that followed Kiss Number Eight. An exploration of sexuality, family, and faith, Kiss Number Eight is a coming-of-age tale filled with humor and hope." [First Second Books]

    Education and looking ahead to the future isn’t all that college holds in-store for these ladies--grocery store protests, family reunions, and even an MMORPG wedding are all on this semester’s docket.  John Allison (Bad Machinery, Scary Go Round) and illustrators Max Sarin and Liz Fleming, take us to Sophomore year’s second semester in Giant Days Volume 7, which collects Issues #25-28 of the Eisner Nominated series.

    Using the skills she's picked up on the way, Delilah's adventures continue as she plots to rob a rich and corrupt Sultan in Constantinople. With the aid of her flying boat and her newfound friend, Selim, she evades the Sultan's guards, leaves angry pirates in the dust, and fights her way through the countryside. For Delilah, one adventure leads to the next in this thrilling and funny installment in her exciting life. A little bit Tintin, a little bit Indiana Jones, Delilah Dirk is a great pick for any reader looking for a smart and foolhardy heroine... and globetrotting adventures.

    First love. First heartbreak. At once romantic and devastating, brutally honest and full of humor, this graphic-novel memoir is a debut of the rarest sort.Maggie Thrash has spent basically every summer of her fifteen-year-old life at the one-hundred-year-old Camp Bellflower for Girls, set deep in the heart of Appalachia. She’s from Atlanta, she’s never kissed a guy, she’s into Backstreet Boys in a really deep way, and her long summer days are full of a pleasant, peaceful nothing . . . until one confounding moment. A split-second of innocent physical contact pulls Maggie into a gut-twisting love for an older, wiser, and most surprising of all (at least to Maggie), female counselor named Erin. But Camp Bellflower is an impossible place for a girl to fall in love with another girl, and Maggie’s savant-like proficiency at the camp’s rifle range is the only thing keeping her heart from exploding. When it seems as if Erin maybe feels the same way about Maggie, it’s too much for both Maggie and Camp Bellflower to handle, let alone to understand.

    The museums, the cafs, the parks. An artist like Lucy can really enjoy Paris in January. If only she can stop griping at her mother. This comic journal details a mother and daughters month-long stay in a small apartment in the fifth arrondissement. Lucy is grappling with the onslaught of adulthood. Her mother faces fifty. They are both dealing with their shifting relationship. All the while, they navigate Paris with halting French and dog-eared guidebooks.

    The titular story “Hot Comb” is about a young girl’s first perm - a doomed ploy to look cool and to stop seeming “too white” in the all-black neighborhood her family has just moved to. Realizations about race, class, and the imperfections of identity swirl through these stories, which are by turns sweet, insightful, and heartbreaking.“Following in the rich tradition of Lynda Barry, Ebony Flowers addresses the sometimes harsh, sometimes devastating pangs of childhood ending. She pays beautiful homage to the struggle to find your place in a world that has such rigid rules about who we are,” Drawn & Quarterly Publisher and acquiring editor Peggy Burns commented. “Hot Comb explores the poetry in everyday life, all the while centering the lives and stories of black women. Ebony’s ease with the comics language is remarkable. Her black and white drawings, as well as her colour collage work, are both equally stunning.”

    and no one knows you. Sadie has the perfect plan to snag some friends when she transfers to Plainfield High—pretend to have a peanut allergy. But what happens when you have to hand in that student health form your unsuspecting mom was supposed to fill out? And what if your new friends want to come over and your mom serves them snacks? (Peanut butter sandwich, anyone?) And then there's the bake sale, when your teacher thinks you ate a brownie with peanuts. Graphic coming-of-age novels have huge cross-over potential, and Peanut is sure to appeal to adults and teens alike.

    A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith.

    Her friends live in fancy houses and their parents can afford to send them to the best summer camps. Vera’s single mother can’t afford that sort of luxury, but there's one summer camp in her price range—Russian summer camp.Vera is sure she's found the one place she can fit in, but camp is far from what she imagined. And nothing could prepare her for all the "cool girl" drama, endless Russian history lessons, and outhouses straight out of nightmares!Perfect for fans of Raina Telgemeier, Cece Bell, and Victoria Jamieson, Vera Brosgol's Be Prepared is a funny and relatable middle-grade graphic novel about navigating your own culture, struggling to belong, and cherishing true friendship.

    With art from the brilliant Nate Powell (Swallow Me Whole) bringing the tale to heart-wrenching life, The Silence of Our Friends is a new and important entry in the body of civil rights literature.

    Soon enough, she falls in love, then finds employment at a hostess bar for Japanese expats, where she is determined to learn the Japanese language and culture. Turning Japanese is a story about otherness, culture clashes, generation gaps, and youthful impetuosity.

    Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time.Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.

    With masterful economy worthy of Charles Schultz, Lat recounts the life of Mat, a Muslim boy growing up in rural Malaysia in the 1950s: his adventures and mischief-making, fishing trips, religious study, and work on his family's rubber plantation. Meanwhile, the traditional way of life in his village (or kampung) is steadily disappearing, with tin mines and factory jobs gradually replacing family farms and rubber small-holders. When Mat himself leaves for boarding school, he can only hope that his familiar kampung will still be there when he returns. Kampung Boy is hilarious and affectionate, with brilliant, super-expressive artwork that opens a window into a world that has now nearly vanished.

    Malaka Gharib's illustrations come alive with teenage antics and earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised.Malaka's upbringing will look familiar to anyone who grew up in the pre-internet era, but her particular story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream.The daughter of parents with unfulfilled dreams themselves, Malaka navigates her childhood chasing her parents' ideals, learning to code-switch between her family's Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid.I Was Their American Dream is at once a journal of growing up and a reminder of the thousands of immigrants who come to America in search for a better life for themselves and their children.

    She's invisible at high school.She's too visible at the fencing gym.Aliera's starting to wonder...where does she belong?