A mysterious death on New Year’s Eve 1989 leads to a shocking murder investigation 32 years later...A desert highway. A remote town. A murder that won’t stay hidden.New Year’s Eve, 1989. Eighteen-year-old Ingrid Mathers is hitchhiking her way to Alice Springs. Bored, hungover and separated from her friend Joanne, she accepts a lift to the remote town of Cutters End.July 2021. Detective Sergeant Mark Ariti is seconded to a recently reopened case, one in which he has a personal connection. Three decades ago, a burnt and broken body was discovered in scrub off the Stuart Highway, 300km south of Cutters End. Though ultimately ruled an accidental death, many people - including a high-profile celebrity - are convinced it was murder.When Mark’s interviews with the witnesses in the old case files go nowhere, he has no choice but to make the long journey up the highway to Cutters End.And with the help of local Senior Constable Jagdeep Kaur, he soon learns that this death isn’t the only unsolved case that hangs over the town...

    A water rat swims upriver in quest of the cloud god. A fisherman named Karl hunts for tuna in partnership with a seal. And a father takes form from fire. The answers to these riddles are to be found in this tale of grief and love and the bonds of family, tracing a journey across the southern island that takes us full circle.Flames sings out with joy and sadness. Utterly original in conception, spellbinding in its descriptions of nature and its celebration of the power of language, it announces the arrival of a thrilling new voice in contemporary fiction.

    A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell. Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication. When Amy knocks on the door of their beautiful townhouse in north-west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven-figure advance Helen was given for the novel she wrote to end fifty years of making ends meet on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself - questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.From ultimate book industry insider, John Purcell, comes a literary page-turner, a ferocious and fast-paced novel that cuts to the core of what it means to balance ambition and integrity, and the redemptive power of great literature.

    But failed efforts to win a fortune at the racetracks turned Emmett into a broken down gambling drunk who terrorized his wife and children. Starting at Emmett’s funeral and reflecting back, the two eldest Brown children—Louise and Rob—recount the rise and fall of their family. Each of Emmett’s children must address the fallout of Emmett, and each comes to discover that they loved and learnt from their father in both his golden and his dark days.

    The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives. Gertrude's daughter Amber who has recently lost a son in childbirth and her husband Norman take the child in.

    A teenage girl with a ring in her nose was sliding ware into his drying racks. Russell Bass is a potter living on the edge of Katoomba, in the Blue Mountains. His wife has been dead less than a year and, although he has a few close friends, he is living a mostly solitary life. Each month he hikes into the valley below his house to collect rock for glazes from a remote creek bed. One autumn morning, he finds a chocolate wrapper on the path. His curiosity leads him to a cave where three siblings — two young children and a teenage girl — are camped out, hiding from social services and the police.Although they bolt at first, Russell slowly gains their trust, and, little by little, this unlikely group of outsiders begin to form a fragile bond.In luminous prose that captures the feel of hands on clay and the smell of cold rainforest as vividly as it does the minute twists and turns of human relationships, Hare’s Fur tells an exquisite story of grief, kindness, art, and the transformation that can grow from the seeds of trust.

    He takes the child on the road with him to spite his wife, but months pass and still no word comes to ask for the little girl back. Strangers to each other at first, father and daughter drift aimlessly through the dusty towns of Australia, sleeping rough and relying on odd jobs for food and money. Buster's resilience and trust slowly erode Macauley's resentment, and when he's finally able to get rid of her, he realises he can't let his shiralee go. In evocative prose that vividly conjures images of rural Australia, The Shiralee reveal an understanding of the paradoxical nature of the burdens we carry, creates a moving portrait of fatherhood, told with gruff humour and a gentle pathos.

    The two girls move in with their grandmother who is particularly encouraging of Nora's musical talent. Nora eventually follows her dream of a brilliant musical career, while Ida takes a job as a nanny and their lives become quite separate.The two sisters are reunited as Nora's life takes an unwelcome direction and she finds herself, embittered and resentful, isolated in the Tasmanian bush with a husband and children. Ida's longs for a family and when she marries Len, a reliable and good man, she hopes to soon become a mother. Over time, it becomes clear that this is never likely to happen. In Ida's eyes, Nora possesses everything in life that could possibly matter yet she values none of it.Set in rural Tasmania over a span of seventy years, the strengths and flaws of motherhood are revealed through the mercurial relationship of these two very different sisters, Ida and Nora. The Sisters' Song speaks of dreams, children and family, all entwined with a musical thread that binds them together.

    The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing – behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.

    but perhaps some things are not in our power to stop.1989: Jess's daughter, Jamie, dreams of a simple life - marriage, children, stability - then she meets a struggling musician and suddenly the future becomes wilder and complex.2017: When Jamie's daughter, CJ, brings home trouble in the form of the coolest boy at school, the worlds of these three women turn upside down ... and the past returns to haunt them.Spanning the trauma of the Vietnam War to the bright lights of Nashville, the epidemic of teenage self-harm to the tragedy of incurable illness, Love and Other Battles is the heart-wrenching story of three generations of Australian women, who learn that true love is not always where you seek it.If you loved The Notebook, this is a novel for you.PRAISE FOR LOVE AND OTHER BATTLES'Emotional, compelling' Carina Bruce, Herald Sun'A warm and affecting tale about love and family conquering all' Who Weekly'Compulsively readable' Kate Cuthbert, Books + Publishing'Utterly unputdownable, Love and Other Battles is equal parts heartwarming and heart-wrenching. Featuring stunningly real multilayered characters, Tess Woods weaves a bittersweet story of family secrets, epic love and heartache in this absolutely gorgeous new novel' Nicola Moriarty, author'I loved these strong, flawed and totally relatable women. The way their decisions, past and present, hooked in the reader, is a testament to Tess Woods' writing' Melina Marchetta, author'Tess Woods has written a timeless story of love's strength and endurance. A must-read for all fiction lovers' Cheryl Akle, Director, Better Reading'Tess Woods has done it again with emotionally engaging Aussie fiction. Smiling with tears - five stars' Renee Conoulty, Hey Said Renee'This is contemporary fiction at its finest and I am so grateful to Tess Woods for her bravery in writing a novel that takes readers right into the crux of current social and medical issues, things that so many of us are dealing with but keep quiet about for fear of judgment and contempt' Theresa Smith Writes'a writer who is a clear figurehead and spokeswoman of our times' Mrs B's Book Reviews

    They all have a curled fourth toe – Diana, Lucy, Pearl.When Pearl’s grandmother Nell dies unexpectedly, Pearl and her family – mother Diana, sister Lucy – return to Kangaroo Island to mourn and farewell her. Each of them knew Nell intimately but differently, and each woman must reckon with Nell’s passing in her own way. But Nell had secrets, too, and as Pearl, Diana and Lucy interrogate their feelings about the island, Pearl starts to pull together the scraps Nell left behind – her stories, poems, paintings – and unearths a connection to the island’s early history, of the early European sealers and their first contact with the Ngarrindjeri people.As the three women are in grief pulled apart from each other, Pearl’s deepening connection to their history, the island’s history, grounds her, and will ultimately bring the women back to each other. Heart of the Grass Tree is an exquisite, searing and hope-filled debut about mothers and daughters and family stories, about country and its living history.

    Their romances are futher complicated by the tension of war, with American troops in occupation and where anything could be obtained for a price.

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    Now, twenty-five years later, they have both settled into the uncomfortable compromises of middle age - although they've gone about it in very different ways. About the only thing they have in common is their fifteen-year-old daughter, Sophie.When the perennially restless Rich decides to take Sophie, whom he hardly knows, on a trek into the Tasmanian wilderness, his overconfidence and her growing disillusion with him set off a chain of events that no one could have predicted. Instead of respect, Rich finds antagonism in his relationship with Sophie; and in the vast landscape he once felt an affinity for, he encounters nothing but disorientation and fear. Ultimately all three characters will learn that if they are to survive, each must traverse not only the secret territories that lie between them but also those within themselves.

    He can’t have been much of a husband to Trudy, either, judging by her sudden departure. It’s only when she returns, pregnant to someone else, that he discovers his surprising talent as a father. So when Trudy finds Jesus and takes little Peter away with her to join the holy rollers, Tom’s heart breaks all over again.Enter Hannah Babel, quixotic smalltown bookseller: the second Jew—and the most vivid person—Tom has ever met. He dares to believe they could make each other happy. But it is 1968: twenty-four years since Hannah and her own little boy arrived at Auschwitz. Tom Hope is taking on a batttle with heartbreak he can barely even begin to imagine.