But when the spinster dies suddenly, her best friend kicks up an unseemly fuss, loud enough to attract the attention of Detective Chief Inspector Tom Barnaby. And when Barnaby and his eager-beaver deputy start poking around, they uncover a swamp of ugly scandals and long-suppressed resentments seething below the picture-postcard prettiness.

    D. James manner” (Kirkus Reviews). Luke Thanet is a British police inspector with a soft heart, bad back, and bloodhound’s nose for murder. When a young woman is found stabbed through the heart with a kitchen knife, Thanet and his partner, the brusque young Mike Lineham, rush to the scene. Julie Holmes lies dead in her front hall, wrapped in her overcoat, her handbag missing. The perpetrator could have been a burglar, a jealous husband, or a spurned lover. But Detective Inspector Thanet never leaps to conclusions, and always takes his time; it seems the key to finding this killer lurks twenty years in the past.   When Julie was a child, she witnessed a murder—a traumatic event so scarring she repressed it entirely. Thanet believes that before she died, Julie’s memory came back—and so did the killer . . .   The first in the series featuring Inspector Thanet, a “most likable policeman,” The Night She Died is a compelling procedural from an acclaimed CWA Silver Dagger winner (Yorkshire Post).   The Night She Died is the 1st book in the Inspector Thanet Mysteries, but you may enjoy reading the series in any order.

    They're all in a day's work to Detective Chief Superintendent Erskine Powell of New Scotland Yard. As a member of the Yard's Murder Squad, Powell tracks miscreants all over London.Now, seeking distance from the criminal constituency--and the bureaucratic drudgery of the Yard--Powell embarks on a salmon-fishing competition in the Scottish Highlands. There, in the castle-dotted countryside along the picturesque River Spey, he seeks peace and seclusion. But a cold-blooded murderer soon turns Powell's haven into a busman's holiday--and a quiet anglers' paradise becomes just as deadly as the mean streets of London.

    Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge . . .

    At an engagement dinner, he announces his secret marriage to beautiful Violet, once charged with her husband's murder. Within hours, eldest son and hated appointed heir Ruthven is found cleaved to death by a medieval mace. When Detective Chief Inspector St. Just arrives, a deadly calm goes beyond the usual English reserve. Soon Sir Adrian is found slumped over his writing desk – an ornate knife thrust into his heart. Using a Cornish brusqueness and brawn, can St. Just find the killer before another victim falls?

    Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell. From Doon with Death, now in a striking new paperback edition, is her classic debut novel -- and the book that introduced one of the most popular sleuths of the twentieth century.There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods. Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons’ past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding. In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest.

    Three women who, in some way or another, know the meaning of betrayal...For team leader Rachael Lambert the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide...When Rachael arrives at the cottage, however, she is horrified to discover the body of her friend Bella Furness. Bella, it appears, has committed suicide - a verdict Rachael finds impossible to accept.Only when the next death occurs does a fourth woman enter the picture - the unconventional Detective Inspector Vera Stanhope, who must piece together the truth from these women's tangled lives...

    Simon Serrailler, her enigmatic superior. Though she fits well within the local police force, she finds herself unable to let go what seems like a routine missing persons report on a middle-aged spinster. When yet more townspeople turn up missing, her hunch is verified and a serious police search begins, bringing her into closer proximity with Serrailler at the same time it exposes her to danger.

    London’s favorite musical comedy of the past two years was finishing its run at the end of the week. Suddenly, the line began to move, forming a wedge before the open doors as hopeful theatergoers nudged their way forward. But one man, his head sunk down upon his chest, slowly sank to his knees and then, still more slowly, keeled over on his face. Thinking he had fainted, a spectator moved to help, but recoiled in horror from what lay before him: the man in the queue had a small silver dagger neatly plunged into his back. With the wit and guile that have made Inspector Grant a favorite of mystery fans, the inspector sets about discovering just how a murder occurred among so many witnesses, none of whom saw a thing.

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.

    Investigating these cases is Detective Chief Inspector Alan Banks, a perceptive, curious and compassionate policeman recently moved to the Yorkshire Dales from London to escape the stress of city life. In addition to all this, Banks has to deal with the local feminists and his attraction to a young psychologist, Jenny Fuller. As the tension mounts, both Jenny and Banks’s wife, Sandra, are drawn deeper into the events. The cases weave together as the story reaches a tense and surprising climax."--Author's website.

    At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer. Except for one Melrose Plant. A keen observer of human nature, he points Jury in the right direction: into the darkest parts of his neighbors’ hearts…

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.