But not everyone leaves…Nick and Amber Miller are splitting up and selling their Devon family home. But despite the desirable location, the house isn’t moving. Not a single viewing so far. When their estate agent suggests an open house event, Amber agrees, even as she worries about their gossiping neighbours attending and snooping around their home. But Amber has more to worry about than nosy neighbours. Because thirteen people enter her house that afternoon, and only twelve leave.  Someone doesn't want the house to sell, and is willing to do anything to stop it…

    The perfect man. But when the rich “fundbabies” she usually rubs shoulders with prove impossible to hire, she takes a chance on a raw beast of a man salvaged from the wreckage of a bar brawl.James Rowan earns a modest income as a YouTube daredevil, but he can’t refuse Lizzy’s million dollar deal. As she polishes his rough edges, creating a sophisticated gentleman fit for the highest circles of society, not only does she bring out the perfect man—it’s like she’s making the man of her dreams. How can she resist?Though Lizzy loves seeing James in his clothes—and out of them—he isn’t the kind of man you bring home to Daddy. Her father’s disapproval and the pressure of the campaign have her eyeing the straight and narrow, but Lizzy’s finding it awfully hard to resist the devil on her shoulder…

    She is the latest successful deep sea diver in a family of strong haenyeo. Confident she is a woman now, Junja urges her mother to allow her to make the Goh family's annual trip to Mt. Halla, where they trade abalone and other sea delicacies for pork. Junja, a sea village girl, has never been to the mountains, where it smells like mushrooms and earth, and it is there she falls in love with a mountain boy Yang Suwol, who rescues her after a particularly harrowing journey. But when Junja returns one day later, it is just in time to see her mother take her last breath, beaten by the waves during a dive she was taking in Junja's place.Spiraling in grief, Junja sees her younger siblings sent to live with their estranged father, Suwol is gone, the ghost of her mother haunts their home--from the meticulously tended herb garden that has now begun to sprout weeds, to the field where their bed sheets are beaten. She has only her grandmother and herself. But the world moves on without Junja.The political climate is perilous. Still reeling from Japan's forced withdrawal from the peninsula, Korea is forced to accommodate the rapid establishment of US troops, and her grandmother, who lived through the Japanese invasion that led to Korea's occupation understands the signs of danger all too well. When Suwol is arrested for working with and harboring communists, and the perils of post-WWII overtake her homelands, Junja must learn to navigate a tumultuous world unlike anything she's ever known.

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    TWO MARRIAGES. THREE VERSIONS OF THE TRUTH.Skye Starling is overjoyed when her boyfriend, Burke Michaels, proposes after a whirlwind courtship. Though Skye seems to have the world at her fingertips―she’s smart, beautiful, and from a well-off family―she’s also battled crippling OCD ever since her mother’s death when she was eleven, and her romantic relationships have suffered as a result.But now Burke―handsome, older, and more emotionally mature than any man she’s met before―says he wants her. Forever. Except, Burke isn’t who he claims to be. And interspersed letters to his therapist reveal the truth: he’s happily married, and using Skye for his own, deceptive ends.In a third perspective, set thirty years earlier, a scrappy seventeen-year-old named Heather is determined to end things with Burke, a local bad boy, and make a better life for herself in New York City. But can her adolescent love stay firmly in her past―or will he find his way into her future?On a collision course she doesn’t see coming, Skye throws herself into wedding planning, as Burke’s scheme grows ever more twisted. But of course, even the best laid plans can go astray. And just when you think you know where this story is going, you’ll discover that there’s more than one way to spin the truth.

    There’s only one problem: His conservative parents won’t accept that he’s transgender. And to stay with his aunt in the city, August must promise them he won’t transition.August is convinced he can play the part his parents want while acting cool and confident in the company of his talented new friends.But who is August when the lights go down? And where will he turn when the roles start hitting a little too close to home?

    A mysterious caller with a chilling threat. Journalist Alice Henderson hangs up, ready to dismiss it as a hoax against the newspaper. But the next Wednesday, the stalker makes another move—and it becomes clear that this is all about Alice.Someone wants her to suffer, but for what? Her articles have made her a popular local champion—could it be her past rather than her work that’s put her life in danger? Alice is determined not to give in to fear, but with the police investigation at a dead end, her boyfriend insists on hiring private investigator Matthew Hill.With every passing Wednesday the warnings escalate, until it’s not only Alice but also her family in the stalker’s sights. As her tormentor closes in, can Alice uncover what she’s being punished for before the terrifying threats become an unthinkable reality?

    She just knew she felt her best when she was empty, "like a straw", as she says "something you could blow through."For almost thirty years, Susan Burton has hidden her obsession with food and the secret life of compulsive eating and starving that dominated her adolescence. This is the relentlessly honest, fiercely intelligent story of living with both anorexia and binge-eating disorder, moving past her shame, and learning to tell her secret.When Burton was thirteen, her stable life in suburban Michigan was turned upside down by her parents' abrupt divorce, and she moved to Colorado with her mother and sister. She seized on this move west as an adventure and an opportunity to reinvent herself from middle-school nerd to popular teenage girl. But she hadn't escaped unscathed, and in the fallout from her parents' breakup, an inherited fixation on thinness went from "peculiarity to pathology." She entered into a painful cycle of anorexia and binge eating that formed a subterranean layer to her sunny life. She went from success to success--she went to Yale, scored a dream job at a magazine right out of college, and married her college boyfriend. But in college the compulsive eating got worse--she'd binge, swear it would be the last time, and then, hours later, do it again--and after she graduated she descended into anorexia, her attempt to "quit food."Binge eating is more prevalent than anorexia or bulimia, but there is less research and little storytelling to help us understand it. In tart, soulful prose Susan Burton strikes a blow for the importance of this kind of story; brings to life an indelible cast of characters; and tells an exhilarating story of longing, compulsion and hard-earned self-revelation.

    And a second wife. And a writer, maybe? Or she was going to be, before she had children. Now, in her rented Brooklyn apartment, she’s grappling with her sexual and intellectual desires while also trying to manage her roles as a mother and a wife.Vivian Barr seems to be the perfect political wife, dedicated to helping her charismatic and ambitious husband find success in Watergate-era Washington D.C. But one night he demands a humiliating favor, and her refusal to obey changes the course of her life—along with the lives of others.Esther is a fiercely independent young woman in ancient Persia, where she and her uncle’s tribe live a tenuous existence outside the palace walls. When an innocent mistake results in devastating consequences for her people, she is offered up as a sacrifice to please the king, in the hopes that she will save them all.Following in the tradition of The Hours and The Red Tent, The Book of V. is a bold and contemporary investigation into the enduring expectations and restraints placed on women’s lives.

    Jonah is bracing himself for two weeks with a stepfather he loathes, and while Calla is looking forward to her mother and Simon’s arrival, she dreads the continued pressure to set a date for their wedding…in Toronto. Add in one bullheaded neighbor’s unintentional meddling and another cantankerous neighbor’s own family strife, and Christmas in Trapper’s Crossing will be anything but simple.

    She spends her days tucked away in her forge, safe from society and the anxiety it causes her, using her magical gift to craft unique weapons imbued with power.Then Ziva receives a commission from a powerful warlord, and the result is a sword capable of stealing its victims' secrets. A sword that can cut far deeper than the length of its blade. A sword with the strength to topple kingdoms. When Ziva learns of the warlord’s intentions to use the weapon to enslave all the world under her rule, she takes her sister and flees.Joined by a distractingly handsome mercenary and a young scholar with extensive knowledge of the world's known magics, Ziva and her sister set out on a quest to keep the sword safe until they can find a worthy wielder or a way to destroy it entirely.A teenage blacksmith with social anxiety accepts a commission from the wrong person and is forced to go on the run to protect the world from the most powerful magical sword she's ever made.

    Now conflicting versions of the story may make bringing the truth to light nearly impossible—especially when reputations, relationships, and whole futures are riding on the verdict.

    But the trophy home in Shadow Ridge Estates, a new development in sleepy Round Hill, North Carolina, will always hold tragic memories. But when she is confronted by an odd, older woman telling her not to move in, she almost agrees. It's clear this woman has some kind of connection to the area...and a connection to Kayla herself. Kayla's elderly new neighbor, Ellie Hockley, is more welcoming, but it's clear she, too, has secrets that stretch back almost fifty years. Is Ellie on a quest to right the wrongs of the past? And does the house at the end of the street hold the key? Told in dual time periods, The Last House on the Street is a novel of shocking prejudice and violence, forbidden love, the search for justice, and the tangled vines of two families.

    And, possibly, her old life back. Because everyone at home has moved on, her parents have reignited their sex life, she’s sleeping in a converted shed and she’s got a bad case of nostalgia for the way things were.Then her new phone begins to ping with messages from people she thought were deleted for good. Including one number she knows off by heart: her ex’s.Sometimes we’d all like the chance to see what we’ve been missing…