There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    With taunting messages in backwards Latin left at the crime scenes and even more inexplicable clues like the fingerprints that appear to have been burned into one victim's throat, his handiwork bears all the hallmarks of a demonic possession.But consulting detective Harrison Fearing Pell is convinced her quarry is a man of flesh and blood. Encouraged by her uncle, Arthur Conan Doyle, Harry hopes to make her reputation by solving the bizarre case before the man the press has dubbed Mr. Hyde strikes again.From the squalor of the Five Points to the high-class gambling dens of the Tenderloin and the glittering mansions of Fifth Avenue, Harry and her best friend, John Weston, follow the trail of a remorseless killer, uncovering a few embarrassing secrets of New York's richest High Society families along the way. Are the murders a case of black magic—or simple blackmail? And will the trail lead them closer to home than they ever imagined?

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

    Annie’s husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also has a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco’s most exclusive clairvoyants, and one of Madam Sibyl’s clients, Matthew Voss, has died. The police believe his death was suicide brought upon by bankruptcy, but Annie believes Voss has been murdered and that his assets have been stolen. Nate Dawson has a problem. As the Voss family lawyer, he would love to believe that Matthew Voss didn't leave his grieving family destitute. But that would mean working with Annie Fuller, a woman who alternatively attracts and infuriates him as she shatters every notion he ever had of proper ladylike behavior. Sparks fly as Anne and Nate pursue the truth about the murder of Matthew Voss in this light-hearted, cozy historical mystery set in the foggy gas-lit world of Victorian San Francisco. Maids of Misfortune is the first book in M. Louisa Locke’s historical mystery series, see also, Uneasy Spirits, and Bloody Lessons, as well as the two short stories based on the characters from the novels, Dandy Detects, and The Misses Moffet Mend a Marriage.

    Yet Nell is determined to elude the duties and restrictions of matrimony. So when she finds herself pregnant at the age of 17, she refuses to divulge the name of the father and even her childhood friend Martin is kept in the dark.Nell's stepfather Hiram sends Nell to live at the Poor Farm of which he is a governor, to await the day when her baby can be discreetly adopted. Nell is ready to go along with Hiram's plans until an unused padded cell is opened and two small bodies fall out.Nell is the only resident of the Poor Farm who is convinced that the unwed mother and her baby were murdered, and the incident prompts her to rethink her decision to abandon her own child to her fate. But the revelations to which her questions lead make her realize that even if she manages to escape the Poor Farm with her baby, she may have no safe place to run to.

    Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic forty-five-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. And to add to these indignities – she’s now a Lady. Lady Eleanor, as she would prefer not to be known, reluctantly returns to her uncle’s home, Henley Hall. Now Lord Henley is gone, she is the owner of the cold and musty manor. What’s a girl to do? Well, befriend the household dog, Gladstone, for a start, and head straight out for a walk in the English countryside, even though a storm is brewing… But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished. With no victim and the local police convinced she’s stirring up trouble, Eleanor vows to solve this affair by herself. And when her brakes are mysteriously cut, one thing seems sure: someone in this quiet country town has Lady Eleanor Swift in their murderous sights… If you enjoy witty dialogue, glamorous intrigue and the very best of Golden Age mysteries, then you will adore Verity Bright’s unputdownable whodunnit, perfect for fans of Agatha Christie, T E Kinsey and Downton Abbey!

    No people save his own had ever lived in the house, and now he had sold it into slavery. For three months it would shelter strangers beneath its roof, for three months it would not belong to him. Despite his passionate love for Ardfalloch, Iain has been driven to let his home and estate to Mr Hetherington Smith, a wealthy London businessman, and his kindly wife (who was, truth be told, happier when they were poor).MacAslan stays on in a cottage by the loch, aided by his devoted keeper Donald and Donald’s wife Morag. But he finds himself irresistibly drawn to Linda Medworth and her young son, invited to Ardfalloch by Mrs Hetherington Smith. Lush Highland scenery and a ruined castle set the stage for a mystery, and tension builds to a shocking conclusion.Smouldering Fire was first published in the U.K. in 1935 and in the U.S. in 1938. Later reprints were all heavily abridged. For our reprint, Furrowed Middlebrow and Dean Street Press have followed the text of the first U.K. edition, and are proud to be producing the first complete, unabridged edition of the novel in eighty years.“A charming love story set in the romantic Scottish highlands, with plenty of local colour, a handsome hero, a lonely, lovely heroine and a curious mystery into the bargain.” Sunday Mercury“A tale in which those who love the Highlands will delight, for the minor characters are gloriously alive and the atmosphere is profoundly right.” Punch

    An immediate European bestseller, optioned by Indian/German producers who commissioned a six-hour mini-series, then Canadian producers with BBC.Based on real people (ca. 1620), THE MOGHUL begins in a rip-roaring sea battle north of Bombay in which the vastly out-gunned adventurer, Brian Hawksworth, ship's captain and emissary of King James, blows away a flotilla of Portuguese galleons to gain access to an Indian port. He's come to open trade for “barbaric” England and squeeze out the Portuguese, who try to kill him at every turn. But once on land, he’s captive: the beauty and romance of the exquisite Moghul Empire seduce him from his material goals to a new quest – of supreme sensuality in music, visions, and sacred lovemaking. India, ruled by the son of great Akbar, is about to pass to one of his sons. Hawksworth must choose sides, but will he choose right? The future of England, and of India, depend on it. Assailed by intrigue and assassination, tormented by a forbidden love, enthralled by a mystic poet, Hawksworth engages war elephants, tiger hunts, the harem of the Red Fort of Agra, the Rajput warriors at Udaipur, becomes intimate champion to Shah Jahan, (builder of the Taj Mahal), and, in his supreme test, plays the sitar with a touch that elicits from the great Shah – “Finally, my English friend – you understand.”

    Then a terrifying reality sets in: her daughter is missing.Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a break-in, but all traces of seven-month-old Mia had disappeared. Her diapers, her clothes, her bottles—all gone. Frustrated and unable to explain her daughter’s disappearance, Estelle begins a desperate search. But when the lack of evidence casts doubt on her story, Estelle becomes the number one suspect in the eyes of the police and the media.As hope of reuniting with Mia becomes all she has left, Estelle will do anything to find answers: What has she done to her baby? And what has someone else done to her?

    Bernhard Gunther, a hard-boiled Berlin detective who specializes in tracking down missing persons — mostly Jews. He is summoned by a wealthy industrialist to find the murderer of his daughter and son-in-law, killed during the robbery of a priceless diamond necklace. Gunther quickly is catapulted into a major political scandal involving Hitler's two main henchmen, Goering and Himmler. The search for clues takes Gunther to morgues overflowing with Nazi victims; raucous nightclubs; the Olympic games where Jesse Owens tramples the theory of Aryan racial superiority; the boudoir of a famous actress; and finally to the Dachau concentration camp. Fights with Gestapo agents, shoot-outs with adulterers, run-ins with a variety of criminals, and dead bodies in unexpected places keep readers guessing to the very end. Hard-hitting, fast-paced, and richly detailed, March Violets is noir writing at its blackest and best.

    Killing a man does take time though; so does disposing the body . . . if you do it right.After three relatively quiet years at Travis High School, it seems Anne is in danger of being exposed—even the baseball coach knows more about her former life than she ever imagined. Now, she must find out who else holds her secrets and who wants her to pay for them. . .without letting it make her tardy again. Anne still has a school to run, parents to manage, and a few students who might benefit from her unique—and deadly—experience.Collected together for the first time in Small Kingdoms and Other Stories, “Small Kingdoms,” “Sarah Smiles,” “Small Chances,” and “Small Signs” are sure to delight fans of Charlaine Harris.

    . . .Bianca Goddard employs her knowledge of herbs and medicinal plants to concoct remedies for the disease-riddled poor in London’s squalid Southwark slum. But when her friend Jolyn comes to her complaining of severe stomach pains, Bianca’s prescription seems to kill her on the spot. Recovering from her shock, Bianca suspects Jolyn may have been poisoned before coming to her—but the local constable is not so easily convinced.To clear her name and keep her neck free of the gallows, Bianca must apply her knowledge of the healing arts to deduce exactly how her friend was murdered and by whom—before she herself falls victim to a similar fate.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    He is never wrong.When Arlen awakens on a train one hot Florida night and sees death's telltale sign in the eyes of his fellow passengers, he tries to warn them. Only 19-year-old Paul Brickhill believes him, and the two abandon the train, hoping to escape certain death. They continue south, but soon are stranded at the Cypress House--an isolated Gulf Coast boarding house run by the beautiful Rebecca Cady--directly in the path of an approaching hurricane.The storm isn't the only approaching danger, though. A much deadlier force controls the county and everyone living in it, and Arlen wants out--fast. But Paul refuses to abandon Rebecca to face the threats alone, even though Arlen's eerie gift warns that if they stay too long they may never leave. From its chilling beginning to terrifying end, The Cypress House is a story of relentless suspense from "one of the best of the best" (Michael Connelly).