Among the Thorns, by Veronica Schanoes, is a dark fantasy taking place in seventeenth century Germany, about a young woman who is intent on avenging the brutal murder of her peddler father many years earlier, by a vagabond with a magic fiddle.

    Moscow in the tumultuous 1990s is no different, its citizens seeking safety in a world below the streets -- a dark, cavernous world of magic, weeping trees, and albino jackdaws, where exiled pagan deities and faerytale creatures whisper strange tales to those who would listen. Galina is a young woman caught, like her contemporaries, in the seeming lawlessness of the new Russia. In the midst of this chaos, her sister Maria turns into a jackdaw and flies away -- prompting Galina to join Yakov, a policeman investigating a rash of recent disappearances. Their search will take them to the underground realm of hidden truths and archetypes, to find themselves caught between reality and myth, past and present, honor and betrayal . . . the secret history of Moscow.

    When Berkeley student Will Taylor is introduced to the mysterious Feierabend sisters, he quickly falls for enigmatic Livvy, a chemistry major and accomplished chef. But Livvy's family—vivacious actress Maddie, family historian Rose, and their mother, absent-minded Sylvia—are behaving strangely. The Feierabend women seem to believe that luck is their handmaiden, even though happiness does not necessarily follow. It is soon discovered that generations previous, the Feierabends made a contract with a powerful, otherworldly force, and it is up to Will and his best friend to unravel the riddle of this supernatural bargain in order to save Livvy from her predestined fate.

    But now that she is a young woman, she begins to see the dark side of this magical place...

    They flock to the Maze at the heart of the city Labirinto to be relieved of their curses. It is said that when a pilgrim enters the Maze in good faith, any curse that hounds him will be lost within the twists and turns.Four companions, the innamorati, are journeying across a richly imagined Renaissance Italy alive with magic to meet at the front of the great labyrinth. Here, their adventures will grow ever more baroque, comical, and magical until they achieve the heart of the Maze -- and, perhaps, their hearts' desires.

    She has a husband and a young daughter called Jane, a life in London. But on night, after all these years, Peter Pan returns. Wendy finds him outside her daughter's window, looking to claim a new mother for his Lost Boys. But instead of Wendy, he takes Jane.Now a grown woman, a mother, a patient and a survivor, Wendy must follow Peter back to Neverland to rescue her daughter and finally face the darkness at the heart of the island...

    Its streets are lined with haunted ruins, Notre-Dame is a burnt-out shell, and the Seine runs black with ashes and rubble. Yet life continues among the wreckage. The citizens continue to live, love, fight and survive in their war-torn city, and The Great Houses still vie for dominion over the once grand capital.House Silverspires, previously the leader of those power games, lies in disarray. Its magic is ailing; its founder, Morningstar, has been missing for decades; and now something from the shadows stalks its people inside their very own walls.Within the House, three very different people must come together: a naive but powerful Fallen, a alchemist with a self-destructive addiction, and a resentful young man wielding spells from the Far East. They may be Silverspires’ salvation. They may be the architects of its last, irreversible fall…

    This story takes place in the London of 1909, and is based on "Snow White and the Seven Dwarfs." Lackey creates echoes of Sir Arthur Conan Doyle, pays affectionate homage to Dorothy Sayers's Lord Peter Wimsey (who plays an important role under a thin disguise), and turns the dwarves into seven animal avatars who masquerade as pets of her Eurasian heroine, Maya. Some of Maya's challenges come from the fact that she is not "snow white," and she has fled India for her father's English homeland after the suspicious deaths of her parents. Establishing her household in London, she returns to her profession as a physician, working among the poor. Her "pets" and loyal servants stand guard, and Maya herself uses what bits of magic she managed to pick up in childhood to weave otherworldly defenses as well. But the implacable enemy who killed her parents has come to London to search for her; if Maya can be enslaved, her enormous potential powers can be used to the enemy's ends. Fortunately, English magicians of the White Lodge have also noted a new, powerful presence in their midst, though they're having trouble locating her, too. They send Peter Scott, a Water Master, to track her down. He finds Maya beautiful and benign, and is determined to teach her to use the Western magic she is heir to, before her enemy discovers her. Some will find the author's Kiplingesque descriptions of India and Hindustani culture offensive. Lackey describes Maya's enemy as a powerful devotee of the goddess Kali-Durga, though she carefully shows that the avatars of the other deities will not attack her, and has Kali-Durga repudiate her servant in the climactic confrontation. And, though the story is layered, its surface is as glossy and brightly colored as an action comic. But readers who enjoy late Victorian London, Sayers, Sherlock Holmes stories, and a page-turning tale will want to take this one home. --Nona Vero

    Chava is unmoored and adrift as the ship arrives in New York harbor in 1899. Ahmad is a jinni, a being of fire born in the ancient Syrian desert, trapped in an old copper flask, and released in New York City, though still not entirely free. Ahmad and Chava become unlikely friends and soul mates with a mystical connection. Marvelous and compulsively readable, Helene Wecker's debut novel The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, into a wondrously inventive and unforgettable tale.

    It is said that angels found the land and saw it was good... and the ensuing race that rose from the seed of angels and men live by one simple rule: Love as thou wilt. Phèdre nó Delaunay is a young woman who was born with a scarlet mote in her left eye. Sold into indentured servitude as a child, her bond is purchased by Anafiel Delaunay, a nobleman with very a special mission... and the first one to recognize who and what she is: one pricked by Kushiel's Dart, chosen to forever experience pain and pleasure as one.Phèdre is trained equally in the courtly arts and the talents of the bedchamber, but, above all, the ability to observe, remember, and analyze. Almost as talented a spy as she is courtesan, Phèdre stumbles upon a plot that threatens the very foundations of her homeland. Treachery sets her on her path; love and honor goad her further. And in the doing, it will take her to the edge of despair... and beyond. Hateful friend, loving enemy, beloved assassin; they can all wear the same glittering mask in this world, and Phèdre will get but one chance to save all that she holds dear. Set in a world of cunning poets, deadly courtiers, heroic traitors, and a truly Machiavellian villainess, this is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. Not since Dune has there been an epic on the scale of Kushiel's Dart-a massive tale about the violent death of an old age, and the birth of a new.

    . . and then must battle the Queen of Faery for possession of her lover’s body and soul.In this version of Tam Lin Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. The book is set against the backdrop of the early 1970s.

    Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

    But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century.Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation.

    Since commoners don’t turn down lords—no matter how sinister they may seem—Rhea is forced to agree to the engagement.Lord Crevan demands that Rhea visit his remote manor before their wedding. Upon arrival, she discovers that not only was her betrothed married six times before, but his previous wives are all imprisoned in his enchanted castle. Determined not to share their same fate, Rhea asserts her desire for freedom. In answer, Lord Crevan gives Rhea a series of magical tasks to complete, with the threat “Come back before dawn, or else I’ll marry you.”With time running out and each task more dangerous and bizarre than the last, Rhea must use her resourcefulness, compassion, and bravery to rally the other wives and defeat the sorcerer before he binds her to him forever. Revised edition: This edition of The Seventh Bride includes editorial revisions.

    Yet her decision is less a matter of faith than fear, for Joan is plagued by mysterious voices that speak of the future, and by visions that mark those about to die. The sanctuary of the nunnery promises respite from these unwanted visitations . . . or so she prays. Her chaperone is Michael Murray, a young widower who, though he still mourns the death of his wife, finds himself powerfully drawn to his charge. But when the time-traveling Comte St. Germain learns of Joan’s presence in Paris, and of her link to Claire Fraser—La Dame Blanche—Murray is drawn into a battle whose stakes are not merely the life but the very soul of the Scotswoman who, without even trying, has won his heart.