This book also contains two short stories, "the door" and "brief love". All of the works deal with lost love or almost loves.

    Well… It’s ours, too. A mixture of authors from Collected Christmas Horror Shorts and Collected Easter Horror Shorts have come back together, and invited a few friends, to make this Halloween an extra special one. Lock your door, dim your lights, add some pumpkin spice to whatever you are drinking and light your jack-o’-lanterns. This will be a Halloween you will never forget. Table of Contents John R. Little - The Halloween Phantoms Lisa Morton - Pumpkin Rex Richard Chizmar - Mister Parker Christopher Motz - The Halloween Playground Kevin J. Kennedy - Halloweenland Mark Cassell - A Story of Amber Peter Oliver Wonder - Dressed For Success Christina Bergling - Black Widow Stuart Keane - Hollowed Be Thy Andrew Lennon - Girlfriend Briana Robertson - Trick Turned Treat James Matthew Byers - Jenny Greenteeth J.C. Michael - The First Shot Mark Lukens - The Coffin Man Suzanne Fox - The Devils Fruit Steven Stacy - Don't Fear the Reaper.

    This is not the City of Palaces of yesteryear, but the vibrant, chaotic, anarchic city of the 1980s and 1990s - the city of garbage mafias, corrupt ex-presidents, and spectacular crime. Taken together in all their variety, these texts form a mosiac of life in Mexico City. Like the visitor wandering through the city streets, the reader should expect to be constantly surprised. vibrant urban spaces in the world. Like the streets of the city, The Mexico City Reader is brimming with life, crowded with flaneurs, flirtatious students, Indian dancers, food vendors, fortune tellers, political activists, and peasant protesters. The writers include expert theorists - a panoply of writers from Carlos Monsivais and Jorge Ibaguengoitia to Fabrizio Mejia Madrid and Juieta Garcia Gonzalez - brought together precisely because they are experienced practitioners of the city.

    Chesterton (famous for Father Brown) — and a handpicked selection of modern stories by contemporary masters, including Nora Charles, Marcia Talley, Elaine Viets, and many more! Included in this volume: A SENIOR DISCOUNT ON DEATH, by Nora Charles MURDER ON THE ORIENT EXPRESS, by Art Taylor THE STOLEN VENUS, by Darrell Schweitzer REAR VIEW MURDER, by Carla Coupe THUBWAY THAM’S INTHULT, by Johnston McCulley THE IDES OF MARCH, by E.W. Hornung PINPRICK, by Skadi meic Beorh THE RED HERRING, by William Hope Hodgson DRAGON BONES, by Jacqueline Seewald THE GOLDEN SLIPPER, by Anna Katherine Green KALI, by Eric Taylor DRIVEN TO DISTRACTION, by Marcia Talley THE BLUE CROSS, by G.K. Chesterton THE WORST NOEL, by Barb Goffman MR. CLACKWORTHY’S POT OF GOLD, by Christopher B. Booth THE MONKEY GOD, by Seabury Quinn WEDDING KNIFE, by Elaine Viets THE MAD DETECTIVE, by John D. Swain THE ADVENTURE OF THE DIAMOND NECKLACE, by G. F. Forrest SECURITY BLANKET, by Toni L.P. Kelner A CROOK WITHOUT HONOR, by Johnston McCulley THE DAUGHTER OF HUANG CHOW, by Sax Rohmer ANCHORS AWAY, by C. Ellett Logan WAYS OF DARKNESS, by E.S. Pladwell THUBWAY THAM’S INTHANE MOMENT, by Johnston McCulley

    Sometimes when it happens, we ask ourselves why our significant other cheated on us. Sometimes we sit around mad at the world until we make up. Sometimes we realize enough is enough and send them packing on their merry little way, but not Tiffany Bevier. After finding out that her long term boyfriend James, cheated on her again for the umpteenth time, she decides to go out and have a little fun herself. What started off as innocent fun turns out to be her cheating on him just like he was cheating on her. Tiffany was tired of crying so she decided to cheat back

    Written at mid-ninteteenth century this work expresses a method of believable representation -non-biased and objective- of the real world, based upon a careful observation of reality; a censoring and critical attention of the Ecuadorian social life in his times. >From that standpoint and through techniques he employed, Riofrio placed his novel within the leading movement in Europe -France- after 1840: Realism. He appears as a writer well versed in in the latest knowledges, both cultural and scientific, and as a forefront scholar due to the use of realistic techniques and procedures; he represents, through narrative space and time, cultural, geographic, racial and gender issues that transform Rosaura, the main character, in zones of opposition, ambiguity and exile, demonstrating that she understands her society's structure and how it works. This leads his readers into sharing the the interpretative process of the character, and to reach the same understanding. Following Balzac, Riofrio is a realist well aware of his limits; he also depicts what molds, controls and limits narrative: history, economy, psicology and other precepts considered universal at writing time. The narration therefore shows the Ecuadorean historic and cultural moment, along cientific, literary and cultural knowledge of European origin. In this way Riofrio delves through his fiction into a zone untread both by his connationals and by many Latin Americans of his times. The new democratic ideas stimulate in him a wider scope from which he portraits the dominant strains of his society, including it's ill-understoodmorals and yesterday's ideas that constrain thought and stagnate the nation's development; by doing so he drives the reader into considering the relationships between classes and genders, and subsequent behaviours. To read La Emancipada is to perceive a close enough version of the real ninteenth century society, and a way of having a direct experience of it. In this edition profesor Flor Marma Rodrmguez-Arenas Licenciada, Universidad Pedagsgica Nacional, and Postgrado: Instituto Caro y Cuervo (Bogota, Colombia), M.A: The University of Michigan (Ann Arbor, USA), Ph.D.: The University of Texas (Austin, USA). Professor: Colorado State University (USA)] establishes the relationships between discursive formation and societal structures. The concepts of class, gender and ethnicity are systematically associated with levels and types of discourse used in narrative and the relations among story, teller, and audience. Also, speech acts and other textual strategies are incorporated into their social, political and cultural contexts in order to demonstrate the powers of dispersion and transformation, the violent impact of ignorance, and the social abuse that different levels of society, especially women, and indigenous peoples, experienced in a historical moment in Ecuador during the 19th century.

    P. Lovecraft of Algernon Blackwood (1869-1951). The preeminent British supernaturalist of the twentieth century, Blackwood combined elements of philosophy and modern psychology to introduce a new sophistication to a genre formerly dominated by traditional ghost stories. His tales of terror, occult detective stories, fantasies, and other thrillers possess an unprecedented degree of subtlety and finesse.This trio of tales showcases Blackwood's best and most gripping work. An idyllic camping trip along the Danube goes horribly wrong in "The Willows," as supplies start to disappear, trees begin to move, and a hole inexplicably forms in the bottom of the canoe. The dark terror of "The Wendigo" unfolds in the remote Canadian wilderness, where a hunting party encounters a creature from Algonquin myth. "The Listener," a ghost yarn set in a rundown house in London, recounts a struggling writer's dawning realization of the chilling connection between his headaches, a mysterious sound of footsteps, and the sensation of being watched while he sleeps. All three of these stories feature Blackwood's characteristically high level of sustained suspense and offer readers a refined supernatural experience.

    His is a voice combining humor and pathos with an edginess creating fresh new stories that are being published in great literary journals regularly.A boy acts out at the death of his father and abandonment by his brother through a savage playground beating; a young man confronts his own troubled history when asked to hire on his girlfriend's strung-out brother in an attempt to keep him out of prison; a teenage babysitter works through a scorching-hot summer afternoon that will prove to alter her life forever; a grieving widower finds comfort in the unlikeliest of places, a recently-built casino; an itinerant farm worker visits the same former lover in South Dakota year after year while following the Harvest north; two friends search for excuses and fail to claim responsibility for their own decisions after one loses his father, and the other's house burns to the ground; and a taxidermist falls in love with the ex-wife of his high school bully and tries to convince her to marry him despite her son who seems to share his father's bullying mentality."A brilliant, sometimes heartbreaking debut by this gifted young writer and Columbia writing teacher. Cross captures the angst and tenderness of the young men and women growing up in the rust belt with little hope and less luck. The moments of grace and redemption shine through. I loved every story." —Linda Bubon, Women & Children First Bookstore"There are countless moments like this in Fires of Our Choosing, lines that appear true from the moment they’ve been written and hang in the back of the mind for days afterwards... With Fires of Our Choosing, Cross climbs boldly into the ring with the greats, if only to deliver a decisive knockout punch." —Urban Waite, Fiction Writers Review"Cross offers no apologies for his characters: their poor choices, their lack of moral fortitude, their betrayals of each other and the poverty of their surroundings and, often, themselves; he leaves these things alone. They are who they are, and if dignity has been denied them by the rest of us, including us story-tellers, it is restored by this collection. That he has undertaken to serve as their raconteur should place Cross on the radar of all the big prizes that gift those blessed with talent, compassion and fearlessness, particularly during this present moment in our history." —Ru Freeman, Huffington PostEugene Cross was born and raised in Erie, Pennsylvania and received an MFA from the University of Pittsburgh. His stories have appeared in Narrative Magazine (which named him one of "20 Best New Writers" and his story "Harvester's" a "Top Five Story of 2009-2010"), American Short Fiction, Story Quarterly, TriQuarterly, and Callalloo among other publications. His work was also listed among the 2010 Best American Short Stories' 100 Distinguished Stories. He is the recipient of scholarships from the Bread Loaf Writers' Conference and the Chautauqua Writers' Festival, and the winner of the 2009 Dzanc Prize for Excellence in Literary Fiction and Community Service. He currently lives in Chicago where he teaches in the Fiction Department at Columbia College Chicago.

    . . in its own eccentric way, [The Owl and the Nightingale] is every bit as enticing as Gawain . . . it is arguably the greatest early Middle English poem we have. ProspectA graceful, elegant translation. GuardianFollowing his acclaimed translations of Sir Gawain and the Green Knight and Pearl, Simon Armitage shines light on another jewel of Middle English verse. In his highly engaging version, Armitage communicates the energy and humour of the tale with all the cut and thrust of the original. An unnamed narrator overhears a fierce verbal contest between the two eponymous birds, which moves entertainingly from the eloquent and philosophical to the ribald and ridiculous. The disputed issues still resonate - concerning identity, cultural habits, class distinctions and the right to be heard. Excerpts were featured in the BBC Radio 4 podcast, The Poet Laureate Has Gone to His Shed. Including the lively illustrations of Clive Hicks-Jenkins, this is a book for the whole household to read and enjoy.

    Desperate to win back his father’s approval, the boy hatches a plan involving his father’s love of slasher films. If the boy can become a real-life slasher right out of the movies, it just might be an opportunity to make his father proud again, no matter what the cost.In Iain Rob Wright’s “The Reckoning,” the year is 2035 and people live inside their individual worlds. Amelie’s ‘pod’ is a marvel of tech-centric existence, taking care of her every need. But when a serial killer that the press have named ’The Reckoning’ comes calling for Amelie, her futuristic living space turns deadly.In William Malmborg's "Billy's Blade," a budding serial killer bites off more than he can chew when he tries to stab Stacy Collins to death on the Prairie Path. A ruthless investigative journalist, Stacy goes on the offensive, goading the killer with unflattering articles, all in hopes of sparking a second encounter. Will Billy and Stacy meet again?Jeff Strand’s “Twentieth Anniversary Screening” recounts the grisly events surrounding the terrible slasher flick THE ROOFER, remembered only because an obsessed fan tried to reenact the murders as they played out on the screen. When the same theater shows the film twenty years later, will the warnings that this is a really, really bad idea be justified?

    launching a week of fabulous festive fiction, an exclusive, spine-tingling tale from acclaimed thriller writer ANTHONY HOROWITZ

    The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Géricault's workshop; Gustave Courbet's devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor. . . . All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires—her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.Seductive and capricious, Optic Nerve is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

    Co-author with his brother Frederick of the brilliant and devastating casino memoir, Double Down: Reflections on Gambling and Loss, Steven Barthelme seems to cast an eye at his own history and the characters he's known. These are men and women who are down --- but stirringly, not quite out. An unmissable, arresting book from one of the most seminal short story writers of the last twenty years.

    This collection from Australia and around the world gives us stories that are sad and happy, thoughtful and humourous, but always abounding with the author's trade mark generosity of spirit. Families, friends, lovers and the lonely, all are drawn with affection and wisdom.* Elsa makes a Christmas wish at the Statue of Liberty which comes true in a most unexpected way.* Amy opts for the simple life when Dan bites off more than he can chew.* Frankie uses an unexpected trip with Robert to find out what she really wants from their relationship.* Victor, a self-confessed hopeless romantic, accompanies a friend to Australia with no thought of love on his mind.* Nick and Janet meet at the Sydney Fish Markets...everything seems perfect, what could go wrong?* Victoria imagines what it would mean to her widowed father to join her in his beloved Paris for a weekend.* Bran enters a competition to broaden his horizons.

    Employing a range of literary styles and a variety of voices, Leopoldo Marechal parodies and celebrates Argentina's most brilliant literary and artistic generation, the martinfierristas of the 1920s, among them Jorge Luis Borges. First published in 1948 during the polarizing reign of Juan Perón, the novel was hailed by Julio Cortázar as an extraordinary event in twentieth-century Argentine literature. Set over the course of three break-neck days, Adam Buenosayres follows the protagonist through an apparent metaphysical awakening, a battle for his soul fought by angels and demons, and a descent through a place resembling a comic version of Dante's hell. Presenting both a breathtaking translation and thorough explanatory notes, Norman Cheadle captures the limitless language of Marechal's original and guides the reader along an unmatched journey through the culture of Buenos Aires. This first-ever English translation brings to light Marechal's masterwork with an introduction outlining the novel's importance in various contexts - Argentine, Latin American, and world literature - and with notes illuminating its literary, cultural, and historical references. A salient feature of the Argentine canon, Adam Buenosayres is both a path-breaking novel and a key text for understanding Argentina's cultural and political history.