She still loves her husband, Neal, and Neal still loves her, deeply — but that almost seems beside the point now.Maybe that was always beside the point.Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts...Is that what she’s supposed to do?Or would Georgie and Neal be better off if their marriage never happened?

    Courtney Sullivan explored the complicated and contradictory landscape of female friendship. Now, in her highly anticipated second novel, Sullivan takes us into even richer territory, introducing four unforgettable women who have nothing in common but the fact that, like it or not, they’re family.For the Kellehers, Maine is a place where children run in packs, showers are taken outdoors, and old Irish songs are sung around a piano. Their beachfront property, won on a barroom bet after the war, sits on three acres of sand and pine nestled between stretches of rocky coast, with one tree bearing the initials “A.H.” At the cottage, built by Kelleher hands, cocktail hour follows morning mass, nosy grandchildren snoop in drawers, and decades-old grudges simmer beneath the surface.As three generations of Kelleher women descend on the property one summer, each brings her own hopes and fears. Maggie is thirty-two and pregnant, waiting for the perfect moment to tell her imperfect boyfriend the news; Ann Marie, a Kelleher by marriage, is channeling her domestic frustration into a dollhouse obsession and an ill-advised crush; Kathleen, the black sheep, never wanted to set foot in the cottage again; and Alice, the matriarch at the center of it all, would trade every floorboard for a chance to undo the events of one night, long ago.By turns wickedly funny and achingly sad, Maine unveils the sibling rivalry, alcoholism, social climbing, and Catholic guilt at the center of one family, along with the abiding, often irrational love that keeps them coming back, every summer, to Maine and to each other.

    With memories locked away, the sisters take divergent paths. Callie disappears, Mimi keeps so busy she has no time to think, and Ginger develops a lifelong aversion to risk that threatens the relationships she holds most dear.When a whispered comment overheard by her rebellious teenage daughter forces Ginger to reveal a long-held family secret, the Tangles’ carefully constructed web of lies begins to unravel. Upon the death of Glory, the family’s colorful matriarch, and the return of long-estranged Callie, Ginger resolves to return to Martha’s Vineyard and piece together what really happened on that calamitous day when a shadow fell over four sun-kissed siblings playing at the shore. Along with Ginger’s newfound understanding come the keys to reconciliation: with her mother, with her sisters, and with her daughter.At turns heartbreaking, humorous, and hopeful, Sisters One, Two, Three explores not only the consequences of secrets—even secrets kept out of love—but also the courage it takes to speak the truth, to forgive, and to let go.

    Now, with her sparkling new novel of parenthood and sibling rivalry, Close turns her gimlet eye to the only thing messier than friendship: family. Weezy Coffey’s parents had always told her she was the smart one, while her sister was the pretty one. “Maureen will marry well,” their mother said, but instead it was Weezy who married well, to a kind man and good father. Weezy often wonders if she did this on purpose—thwarting expectations just to prove her parents wrong. But now that Weezy’s own children are adults, they haven’t exactly been meeting her expectations either. Her oldest child, Martha, is thirty and living in her childhood bedroom after a spectacular career flameout. Martha now works at J.Crew, folding pants with whales embroidered on them and complaining bitterly about it. Weezy’s middle child, Claire, has broken up with her fiancé, canceled her wedding, and locked herself in her New York apartment—leaving Weezy to deal with the caterer and florist. And her youngest, Max, is dating a college classmate named Cleo, a girl so beautiful and confident she wears her swimsuit to family dinner, leaving other members of the Coffey household blushing and stammering into their plates. As the Coffey children’s various missteps drive them back to their childhood home, Weezy suddenly finds her empty nest crowded and her children in full-scale regression. Martha is moping like a teenager, Claire is stumbling home drunk in the wee hours, and Max and Cleo are skulking around the basement, guarding a secret of their own. With radiant style and a generous spirit, The Smart One is a story about the ways in which we never really grow up, and the place where we return when things go drastically awry: home.

    Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

     In the aftermath of a devastating wedding day, two families, the Tetherlys and the Copakens, find their lives unraveled by unthinkable loss. Over the course of the next four summers in Red Hook, Maine, they struggle to bridge differences of class and background to honor the memory of the couple, Becca and John. As Waldman explores the unique and personal ways in which each character responds to the tragedy—from the budding romance between the two surviving children, Ruthie and Matt, to the struggling marriage between Iris, a high strung professor in New York, and her husband Daniel—she creates a powerful family portrait and a beautiful reminder of the joys of life.  Elegantly written and emotionally gripping, Red Hook Road affirms Waldman’s place among today’s most talented authors.

    They decide to share it - and form a friendship that changes their lives.Jenny can't wait to marry Dan. Then, after years of silence, she hears from the woman who could shatter her dreams.Maggie has put her broken heart behind her and is gearing up for the biggest event of her career - until she's forced to confront the past once more.Alison seems to have it all: married to her childhood sweetheart, with two gorgeous daughters. But as tensions mount, she is pushed to breaking point.Dealing with friendship and families, relationships and careers, highs and lows, The Vintage Teacup Club is heart-warming storytelling at its very best.

    She was the beautiful only child of South Carolina’s most powerful senator. Yet once Doss Michaels and Abigail Grace Coleman met by accident, they each felt they’d found their true soul mate. Ten years into their marriage, when Abbie faces a life-threatening illness, Doss battles it with her every step of the way. And when she makes a list of ten things she hopes to accomplish before she loses the fight for good, Doss is there, too, supporting her and making everything possible. Together they steal away in the middle of the night to embark upon a 130-mile trip down the St. Mary’s River—a voyage Doss promised Abbie in the early days of their courtship.Where the River Ends chronicles their love-filled, tragedy-tinged journey and a bond that transcends all.

    Amanda follows the rules—at the school where she works; in her community; and as a picture-perfect daughter, wife, and mother-to-be. Erin follows her heart—in love and otherwise—living a bohemian lifestyle on a shoestring budget and honoring her late father’s memory with a passion for music and her fledgling bath-products business.The sisters are content leading separate but happy lives in their hometown of Potomac Point until everything is upended by lies that force them to confront unsettling truths about their family, themselves, and each other. For sisters as different as these two, building trust doesn’t come easily—especially with one secret still between them—but it may be the only way to save their family.