But by night, she writes very different kinds of stories—the Penny Dreadfuls that are all the rage among the working-class men. Under the pseudonym Mr. King, Elizabeth has written about dashing heroes fighting supernatural threats and dangerous outlaws romancing helpless women. They contain all the adventure and mystery that her real life lacks.   Fletcher Walker began life as a street urchin, but is now the most successful author in the Penny Dreadful market, that is until Mr. King started taking all of his readers--and his profits. No one knows who King is, including Fletcher’s fellow members of the Dread Penny Society, a fraternity of authors dedicated to secretly fighting for the rights of the less-fortunate.   Determined to find the elusive Mr. King, Fletcher approaches Miss Black. As a fellow-author, she is well-known among the high-class writers; perhaps she could be persuaded to make some inquiries as to Mr. King’s whereabouts? Elizabeth agrees to help Fletcher, if only to insure her secret identity is never discovered.    For the first time, Elizabeth experiences the thrill of a cat-and-mouse adventure reminiscent of one of her own novels as she tries to throw Fletcher off her scent. But the more time they spend together, the more she loses her heart. Its upper-class against working-class, author against author where readers, reputations, and romance are all on the line.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.