Following the success of his Running Press titles Danny Boy and Voices of Ireland, McCourt explores this beloved icon of Irish heritage through vivid anecdotes, charming folk tales, and recent documented incidents. Said to have been first crafted more than 400 years ago in a fishing village on Galway Bay, there is much more to the story of the Claddagh ring than simple popular history, and McCourt tracks it down and recounts it with his stellar storytelling finesse.

    Overnight, a mysterious blight attacked the potato crops, turning the potatoes black and destroying the only real food of nearly six million people. Over the next five years, the blight attacked again and again. These years are known today as the Great Irish Famine, a time when one million people died from starvation and disease and two million more fled their homeland. Black Potatoes is the compelling story of men, women, and children who defied landlords and searched empty fields for scraps of harvested vegetables and edible weeds to eat, who walked several miles each day to hard-labor jobs for meager wages and to reach soup kitchens, and who committed crimes just to be sent to jail, where they were assured of a meal. It’s the story of children and adults who suffered from starvation, disease, and the loss of family and friends, as well as those who died. Illustrated with black and white engravings, it’s also the story of the heroes among the Irish people and how they held on to hope.

    However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    Before his death at 31, he had fought in the Easter Rising, organized the IRA and out-spied British intelligence, negotiated the Anglo-Irish Treaty, and run the first independent government in Ireland. Peter Hart’s groundbreaking biography restores humanity to this mythical figure. Drawing on previously unknown sources, delving into Collins’s pre-revolutionary past, and assessing the methods—and the costs—of his rise to power, Mick reveals a man of often ruthless ambition, more politician than soldier, whose friendships went no farther than his interests. A work as thrilling as it is authoritative.

    This is the story of Harry McKee – sleazy local chat show host. A once loving husband, he’s become a drunken unfaithful slob and even his kids won’t speak to him. His wife is divorcing him and taking him to the cleaners. On his last night as a married man he winds up drunk and is beaten up. When he keels over the next day at the divorce hearing his wife and solicitor assume he’s pulling a fast one. He eventually wakes from a week-long coma but he’s lost his memory – everything since 1974. Inside his sagging middle-aged body he feels eighteen. Though he doesn’t know it yet, Harry has been given the chance to get back his life, his wife and his self-respect. If only he could remember how it all went wrong and why his family hate him. As the pieces of his past slowly begin to fall into place we watch Harry attempt to persuade Ruth to fall in love with him all over again, and witness his failure to resurrect his career. Clinging on to the past, he at least still fits into his teenage tank-top and flares – but he’s only got two weeks until the next divorce hearing, when he will be homeless, childless and clueless!

    They were helpless. It sounds like a familiar story, but these people were not African. They were Irish, and they were slaves before African slavery became widespread. This is their story.

    The guide to discovering beautiful treasures on a budget from the acclaimed creator of the Shabby Chic style and line of home furnishings.

    From back cover - "From Tintagel and tin-mining to saints and slave markets, from alcohol and King Arthur to boat burials and beavers - here are the realities of life in the sixth century A.D.Based squarely on archaeological and historical evidence, this window on the mysterious world of the Dark Ages is written as a practical survival guide for the use of civilised Greek visitors to the barbaric islands of Britain and Ireland.With the narrative of the Greeks providing a condescending and often hilarious running commentary on 'the barbarians', this is a vivid and original picture of life in the Dark Ages."

    Barely eight years old, Rosie joins the throng of servants preparing for the arrival of Queen Victoria. But while the royal visit is a coup for Ennismore, a chance meeting on the grounds proves even more momentous for Rosie.Victoria Bell, Lord and Lady Ennis's young daughter, is desperately lonely. Though the children of the gentry seldom fraternize with locals, Lord Ennis arranges for Rosie to join in Victoria's school lessons. For Rosie, the opportunity is exhilarating yet isolating. Victoria's governess and aunt, Lady Louisa, objects to teaching a peasant girl. The other servants resent Rosie's escape from the drudgery of life below stairs. Bright, strong-willed Rosie finds herself caught between her own people and the rarefied air of Ennismore--especially as she grows closer to Victoria's older brother, Valentine.As they near womanhood, the girls' friendship is interrupted. Victoria is bound for a coming out season in Dublin, and Rosie must find a way to support her family. But Ireland is changing too. The country's struggle for Home Rule, the outbreak of the Great War, and a looming Easter rebellion in Dublin all herald a new era. Not even Ennismore can escape unscathed. And for Rosie, family loyalty, love, friendship and patriotism will collide in life-changing ways, leading her through heartbreak and loss in search of her own triumphant independence.

    The last practitioner of an honored, centuries-old tradition, the Seanchai enthralls his assembled audience for three evenings running with narratives of foolish kings and fabled saints, of enduring accomplishments and selfless acts -- until he is banished from the household for blasphemy and moves on. But these three incomparable nights have changed young Ronan forever, setting him on the course he will follow for years to come -- as he pursues the elusive, itinerant storyteller . . . and the magical tales that are no less than the glorious saga of his tenacious, troubled, and extraordinary isle.

    Peppered with dark humour, this book tells Tommy's story from fending for himself as the runt of a big Catholic litter in the 1960s to driving for a deluded billionaire madman and then gun-toting Mexicans in the 1990s.

    The first comprehensive selection of Kavanagh's poetry to be published, this volume offers a timely reassessment of a poet unfairly neglected outside Ireland.

    A young countess saves her tenants from starvation, but only by selling her soul to the Devil. The sleepy parish of Nyadnanave sees a vision of a cockerel that dares the inhabitants to break the shackles of Church and State. All these plays were met with moral outrage and rioting in their native Ireland.Yeats's 'The Countess Cathleen' (1892), J. M. Synge's 'The Playboy of the Western World' (1907) and O'Casey's 'Cock-a-doodle Dandy' (1949) emerged from a period of traumatic change for Ireland. While the plays bear witness to the immmense social upheavals of the turn of the twentieth century, they also represent a new age of Irish drama that rose from the turmoil, and their lessons ring true to this day.

    It's a style that says 'home' wherever you may be because, more than anything else, it's a mindset: gentle but strong, welcoming and lasting, durable yet sophisticated and, above all, real. Over the centuries, the humble dwellings built by European immigrants to the US in the 1880s have evolved into sturdier, more comfortable homes, which, depending on their geographic location, took on a variety of designs, be it a ranch, cabin, farmhouse, cottage or adobe. Each of these styles plays a role in prairie style and its enduring aura of romance and nostalgia. Here interiors bear the influence of European settlers and the poetry of the heart-warming authenticity of simple, natural textures, hand-hewn beams, bleached wood, weathered planks, woven blankets, cow-hide and Navajo rugs. It's a style inspired by the honesty of homespun materials of the past wedded to a flair for the present. It's flower-sprigged brocade, tawny leather, crisp eyelet and soft linen, corduroy with crochet trims, woolen plaids, cosy flannel and wispy organza. It's history retold and all about the enduring connection between people and places and the nostalgia we feel for a rural country life, a yearning for a simpler life, as embodied in Laura Ingalls Wilder's Little House on the Prairie.