Her mother, who disappeared soon after they migrated from the Philippines to America, speaks to her in prophetic dreams. Stranger still is the old man who turns up at her house one day and claims to be her grandfather, even though Karina’s mother had told her he died a long time ago.Karina discovers that her mother is an engkanto princess who ran away from Engkantasia. Karina is now of age to take the throne and must do so to prevent a war between Engkantasia and the human world. She must learn to control her powers and fight a range of weird creatures trying to kill her and her family. To make matters worse, she finally meets a boy she likes and there’s something about him she can’t quite figure out.

    There she learns more about loss and love than she could have ever imagined.Corazon Tagubio is an outcast at her Catholic school. She’s attending on scholarship, she keeps to herself, and her crush on her teacher Ms. Holden doesn’t help anything. At home, Cory’s less-than-perfect grades disappoint her mom and dad, who are already working overtime to support her distant half brother in the Philippines.When an accident leaves her dad comatose, Cory feels like Ms. Holden is the only person who really sees her. But when a crush turns into something more and the secret gets out, Cory is sent to her half brother. She’s not prepared to face a stranger in an unfamiliar place, but she begins to discover how the country that shaped her past might also change her future.This #ownvoices story takes readers on a journey across the world as Cory comes to understand her family, her relationships, and, ultimately, herself.

    Hau, Writer and literary critic

    He becomes a real boy after wishing on the farthest star. But Nemo never experiences the happiness of an ordinary child. He goes through many hardships as he tries to earn a living in a dangerous city. Together with other street children, Nemo decides that it is better to be a boy made of paper. This story illustrates a social problem that involves children. It also deals with the rights and needs of children, as well as the role of the family, the community, and the government to address these.

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    They include brands such as Chippy, C2, Maxx, Cloud 9, Payless instant noodles, Great Tast coffee, Cebu Pacific, Robinson's Department stores and malls, and YES! magazine.But Big John didn't always have money. Many years ago he was little John with no money at all.This is the story of how a young boy learned the value of dreaming big, working hard, and never giving up.

      Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.Lulu --Hotline girl --New fruit --Field notes on a marriage --Flying machine --On the street where you live --Shanghai murmur --Land of big numbers --Beautiful country --Gubeikou spirit