As a boy from a very poor neighborhood in Warsaw, he can't run away when Polish kids attack the Jews, because his legs are weak. So he learns to use his fists, his head and other weapons to defend himself and his brothers.When the family moves to Paris in 1929, everyone finds work and life improves slowly. Moshe, now Maurice, is a leather worker and a young husband. At a Jewish sports club, he takes up boxing, and becomes an amateur flyweight. But the war comes to Paris, and by 1942, the French police round up foreign Jews and the Germans deport them by the hundreds every day. They send Maurice to the death camp at Auschwitz.In the camp, SS officers sense Maurice's strength. They command him to box against a dying prisoner. Now Maurice is faced with an impossible moral dilemma: kill the prisoner or be killed by the SS for refusing to obey them. Or will he find a way out?Translated from French by award-winning author Jean-Jacques Greif, The Fighter isn't simply another book about the Holocaust. It is a book about a hero who discovers the death-defying power of his own humanity.

    It is 1941. In occupied Denmark, an uneasy relationship between the Danish government and the Germans allows the country to function under the protection of Hitler’s army, while Danish resistance fighters wage a bloody, covert battle against the Nazis. Fredrik Gregersen, a brutish, tormented caretaker of a small farm in Jutland laboring to keep his son and daughter fed, profits from helping Jewish fugitives cross the border into Sweden. Meanwhile, in Copenhagen, Polina, a young refugee from Krakow, finds herself impressed into prostitution by Germans and Danes alike. When Fredrik steals a precious necklace from a helpless family of Jews, his own family’s fate becomes intertwined with Polina’s, triggering a ripple effect that will take decades and the fall of the Berlin Wall to culminate.

    Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence "their memories no longer match." We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion. Then again, what can we expect of our weak memory? It records only "an insignificant, minuscule particle" of the past, "and no one knows why it's this bit and not any other bit." We live our lives sunk in a vast forgetting, a fact we refuse to recognize. Only those who return after twenty years, like Odysseus returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance firsthand.Milan Kundera is the only author today who can take such dizzying concepts as absence, memory, forgetting, and ignorance, and transform them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.Author Biography: The Franco-Czech novelist Milan Kundera was born in Brno and has lived in France, his second homeland, for more than twenty years. He is the author of the novels The Joke, Life Is Elsewhere, The Farewell Party, The Books of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves, all originally written in Czech. Like Slowness, his two earlier nonfiction works, The Art ofthe Novel and Testaments Betrayed, were originally written in French.

    The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript.Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers.What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.

    Leon Uris's novel is set in the midst of the ghetto uprising that defied Nazi tyranny, as the Jews of Warsaw boldly met Wehrmacht tanks with homemade weapons and bare fists. Here, painted on a canvas as broad as its subject matter, is the compelling story of one of the most heroic struggles of modern times.

    They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.        Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

    When gamekeeper’s daughter Flora’s remote highland village finds itself the base for the Royal Navy’s Arctic convoys, life in her close-knit community changes forever. In defiance of his disapproving father, the laird’s son falls in love with Flora, and as tensions build in their disrupted home, any chance of their happiness seems doomed.Decades later, Flora’s daughter, singer Lexie Gordon, is forced to return to the village and to the tiny cottage where she grew up. Having long ago escaped to the bright lights of the West End, London still never truly felt like home. Now back, with a daughter of her own, Lexie learns that her mother—and the hostile-seeming village itself—have long been hiding secrets that make her question everything she thought she knew.As she pieces together the fragments of her parents’ story, Lexie discovers the courageous, devastating sacrifices made in her name. It’s too late to rekindle her relationship with her mother, but can Lexie find it in her heart to forgive the past, to grieve for all that’s lost, and finally find her place in the world?

    Engrossing.” — Booklist , starred reviewIn this triumphant debut inspired by true events, a ragtag gang of journalists and resistance fighters risk everything for an elaborate scheme to undermine the Reich.The Nazis stole their voices. But they would not be silenced.Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country’s most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene’s world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers.The Nazis track down Aubrion’s team and give them an impossible choice: turn the resistance newspapers into a Nazi propaganda bomb that will sway public opinion against the Allies, or be killed. Faced with no decision at all, Aubrion has a brilliant idea. While pretending to do the Nazis’ bidding, they will instead publish a fake edition of Le Soir that pokes fun at Hitler and Stalin—daring to laugh in the face of their oppressors.The ventriloquists have agreed to die for a joke, and they have only eighteen days to tell it.Featuring an unforgettable cast of characters and stunning historical detail, E.R. Ramzipoor’s dazzling debut novel illuminates the extraordinary acts of courage by ordinary people forgotten by time. It is a moving and powerful ode to the importance of the written word and to the unlikely heroes who went to extreme lengths to orchestrate the most stunning feat of journalism in modern history.

    Her grandson and her daughter, Yuko, perished nearly forty years ago during the bombing of Nagasaki. But the man carries with him a collection of sealed private letters that open a Pandora’s Box of family secrets Ama had sworn to leave behind when she fled Japan. She is forced to confront her memories of the years before the war: of the daughter she tried too hard to protect and the love affair that would drive them apart, and even further back, to the long, sake-pouring nights at a hostess bar where Ama first learned that a soft heart was a dangerous thing. Will Ama allow herself to believe in a miracle?

    Although they are next-door neighbors in New Haven, they come from different worlds. Elise grew up in a housing project without a father and didn't graduate from high school. Jamey is a junior at Yale, heir to a private investment bank fortune and beholden to high family expectations. The attraction is instant, and what starts out as sexual obsession turns into something greater, stranger, and impossible to ignore.The unlikely couple moves to Manhattan in hopes of forging an adult life together, but Jamey's family intervenes in desperation, and the consequences of staying together are suddenly severe. And when a night out with old friends takes a shocking turn, Jamey and Elise find themselves fighting not just for their love but also for their lives.

    Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.Their worlds shift irreparably after ten-year-old Abir is killed by a rubber bullet and thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other's stories, they recognize the loss that connects them and they attempt to use their grief as a weapon for peace.McCann crafts Apeirogon out of a universe of fictional and nonfictional material. He crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate, and soaring, Apeirogon is a novel for our time.

     But what did the German people think of the war? And what had they actually thought about the rise of the Nazi party? William Russell, a young US diplomat who worked in the American Embassy in Berlin, explains in detail his experiences of Germany in the early phases of the war from August 1939 through to April 1940. By asking questions to his friends, colleagues and people who he passed on the streets, Russell uncovered the state of minds of normal Germans, what they were thinking, doing and saying through the course of 1939 and 1940. Drawing evidence from a variety of sources, including newspapers, the radio, recently published books, as well as the jokes and gossip that circulated on the streets of the German capital, Russell is able to demonstrate how not all Germans were card-waving Nazis, but how the vast majority were politically apathetic, nervous of the future and often outwardly critical of the Nazi regime. Russell explains how many Germans laughed at figures such as Joseph Goebbels and Herman Goering when they were in privacy of their own houses. Although written in only second year of the war it is clear that Russell and many of his friends are aware of the impending horrors that the war will cause and he tries desperately throughout the book to do his best for those who would suffer the most at the hands of the Nazi regime. Berlin Embassy is the classic account of Germany and its people in the first year of the Second World War. “The small things that happen to the small people- as reported by a man in a small job in the American embassy in Berlin, who managed to get the man in the street to talk frankly.” Kirkus Reviews “Exciting reading … A very fine book.” William L. Shirer, author of The Rise and Fall of the Third Reich: A History of Nazi Germany William Russell was an author and journalist who after completing his education had worked in the Berlin Embassy during 1939 and 1940. After he left Germany he joined the U.S. Army and served two years as an Order of Battle Specialist in the Intelligence Branch in England. He passed away in 2000. His book Berlin Embassy was first published in 1941.

    How could it all have gone differently?—the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there….A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century.

    Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.