Now she works as the local arson investigator in a beautiful, quaint town in the Rockies. But that tranquil life vanishes when she and her husband agree to divorce and a fire in nearby Cooper Basin begins to spread rapidly. For Elizabeth, containing a raging wildfire is easier than accepting that her marriage has failed.For Elizabeth’s ex-friend Mindy, who feels disconnected from her husband and teenage children, the fire represents a chance to find a new purpose: helping a man who has lost his home to the blaze. But her faith is shattered by a shocking accusation.As the encroaching inferno threatens the town’s residents, Elizabeth and Mindy must discover what will be lost in the fire, and what will be saved.

    From a hill south of Boston, she watches as fires burn in Charlestown, in a battle that she soon discovers has claimed her husband’s life.Alone in a new town, Lizzie grieves privately but takes comfort in her deepening friendship with Abigail Adams. Soon, word spreads of Lizzie’s extraordinary midwifery and healing skills, and she begins to channel her grief into caring for those who need her. But when two traveling patriots are poisoned, Lizzie finds herself with far more complicated matters on her hands—she suspects a political plot intended to harm Abigail and her family. Determined to uncover the truth, Lizzie becomes entangled in a conspiracy that could not only destroy her livelihood—and her chance at finding love again—but also lead to the downfall of a new nation.

    Her mixed-media art is a source of wonder to her younger brother, Irwin, but an unmitigated horror to the panoply of insufficiently grown-up grown-ups who surround her. She plans to run away to Algonquin Park, hole up in a cabin like Tom Thomson and paint trees; and so, to fund her escape, she runs errands for the seniors who inhabit the Shangrila, the decrepit apartment building that houses her fractured family.Determined, resourceful, and a little reckless, Harriet tries to navigate the clueless adults around her, dumpster dives for the flotsam and jetsam that fuels her art, and attempts to fathom her complicated feelings for Irwin, who suffers from hydrocephalus. On the other hand, Irwin’s love for Harriet is not conflicted at all. She’s his compass. But Irwin himself must untangle the web of the human heart.Masterful and mordantly funny, Strube is at the top of her considerable form in this deliciously subversive story of love and redemption.

    In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (based on Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.

    The death of Eleanor's twin sister tears her family apart. Her father blames her mother for the accident. When Eleanor's mother looks at her, she sees only the daughter she lost. Their wounded family crumbles under the weight of their shared grief. 1993. Eleanor is fourteen years old when it happens for the first time... when she walks through an ordinary door at school and finds herself in another world. It happens again and again, but it's only a curiosity until that day at the cliffs. The day when Eleanor dives... and something rips her out of time itself. And on the other side, someone is waiting for her.

    At just the hour when most prairie schools were letting out for the day, a terrifying, fast-moving blizzard struck without warning. Schoolteachers as young as sixteen were suddenly faced with life and death decisions: keep the children inside, to risk freezing to death when fuel ran out, or send them home, praying they wouldn't get lost in the storm?Based on actual oral histories of survivors, the novel follows the stories of Raina and Gerda Olsen, two sisters, both schoolteachers--one who becomes a hero of the storm, and one who finds herself ostracized in the aftermath. It's also the story of Anette Pedersen, a servant girl whose miraculous survival serves as a turning point in her life and touches the heart of Gavin Woodson, a newspaperman seeking redemption. It is Woodson and others like him who wrote the embellished news stories that lured immigrants across the sea to settle a pitiless land. Boosters needed immigrants to settle territories into states, and they didn't care what lies they told them to get them there--or whose land it originally was.At its heart, this is a story of courage, of children forced to grow up too soon, tied to the land because of their parents' choices. It is a story of love taking root in the hard prairie ground, and of families being torn asunder by a ferocious storm that is little remembered today--because so many of its victims were immigrants to this country.

    When Grace Harrington lands a job at Hearst’s newspaper in 1896, she’s caught in a cutthroat world where one scoop can make or break your career, but it’s a story emerging from Cuba that changes her life.Unjustly imprisoned in a notorious Havana women’s jail, eighteen-year-old Evangelina Cisneros dreams of a Cuba free from Spanish oppression. When Hearst learns of her plight and splashes her image on the front page of his paper, proclaiming her, “The Most Beautiful Girl in Cuba,” she becomes a rallying cry for American intervention in the battle for Cuban independence. With the help of Marina Perez, a courier secretly working for the Cuban revolutionaries in Havana, Grace and Hearst’s staff attempt to free Evangelina. But when Cuban civilians are forced into reconcentration camps and the explosion of the USS Maine propels the United States and Spain toward war, the three women must risk everything in their fight for freedom.

    Nora Lansing is a Manhattan socialite whose flapper clothing, pearl earrings, and talk of the Roaring Twenties don’t seem to match the bleak mood of Depression-era New York. Captivated by Nora from her first electric touch, Joe despairs when he tries to walk her home and she disappears. Finding her again—and again—will become the focus of his love and his life.Nora, an aspiring artist and fiercely independent, is shocked to find she’s somehow been trapped, her presence in the terminal governed by rules she cannot fathom. It isn’t until she meets Joe that she begins to understand the effect that time is having on her, and the possible connections to the workings of Grand Central and the solar phenomenon known as Manhattanhenge, when the sun rises or sets between the city’s skyscrapers, aligned perfectly with the streets below.As thousands of visitors pass under the famous celestial blue ceiling each day, Joe and Nora create a life unlike any they could have imagined. With infinite love in a finite space, they take full advantage of the “Terminal City” within a city, dining at the Oyster Bar, visiting the Whispering Gallery, and making a home at the Biltmore Hotel. But when the construction of another landmark threatens their future, Nora and Joe are forced to test the limits of freedom and love.Delving into Grand Central Terminal’s rich past, Lisa Grunwald crafts a masterful historical novel about a love affair that defies age, class, place, and even time.

    She's had plenty of practice, burying thoughts and feelings that might anger her strict Evangelical pastor father, and concealing the deep intuition she carries inside. The Knowing, as Grace calls it, offers glimpses of people's pasts and futures. It enables her to see into the depth of her mother's sadness, and even allows Grace to talk to Isaac, her twin brother who died at birth. To her wise, loving Aunt Pearl, the Knowing is a family gift; to her daddy, it's close to witchcraft.Grace can't see into someone's thoughts without their permission. But it doesn't take her special talent to know that her small community is harboring its share of secrets. A young girl has gone missing. Within Grace's own family too, the cracks are widening, as her sisters Hope, Joy, and Chastity enjoy the normal life that eludes Grace. It's Grace's kinship with other outsiders that keeps her afloat--Lyle, a gentle, homeless man, and Lola, a free-spirited new girl at school. But when her mother lapses into deep depression after bringing home a new baby, Grace will face a life-changing choice--ignore her gift and become the obedient daughter her father demands, or find the courage to make herself heard, even if it means standing apart . . .

    London, 1885. In a city of fog and darkness, the notorious thief Edward Shade exists only as a ghost, a fabled con, a thief of other men's futures -- a man of smoke. William Pinkerton is already famous, the son of a brutal detective, when he descends into the underworld of Victorian London in pursuit of a new lead. His father died without ever tracing Shade; William, still reeling from his loss, is determined to drag the thief out of the shadows. Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London in search of her; what he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried. What follows is a fog-enshrouded hunt through sewers, opium dens, drawing rooms, and seance halls. Above all, it is the story of the most unlikely of bonds: between William Pinkerton, the greatest detective of his age, and Adam Foole, the one man who may hold the key to finding Edward Shade. Epic in scope, brilliantly conceived, and stunningly written, Steven Price's By Gaslight is a riveting, atmospheric portrait of two men on the brink. Moving from the diamond mines of South Africa to the battlefields of the Civil War, the novel is a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.

    When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend?Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness.Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War.

    They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.        Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

    But Frey is weary of the death trade and, having been raised on the heroic sagas of her people, dreams of a bigger life. When she hears of an unstoppable monster ravaging a nearby town, Frey decides this is the Mercies' one chance out. The fame and fortune of bringing down such a beast would ensure a new future for all the Mercies. In fact, her actions may change the story arc of women everywhere.

    Helen and Albert develop a deepening bond the closer they become to Ruppert, an eccentric millionaire who demands their loyalty in return for his lavish generosity. New York in the Jazz Age is filled with possibilities, especially for the young and single. Yet even as Helen embraces being a “bachelor girl”—a working woman living on her own terms—she finds herself falling in love with Albert, even after he confesses his darkest secret. When Ruppert dies, rumors swirl about his connection to Helen after the stunning revelation that he has left her the bulk of his fortune, which includes Yankee Stadium. But it is only when Ruppert’s own secrets are finally revealed that Helen and Albert will be forced to confront the truth about their relationship to him—and to each other. Inspired by factual events that gripped New York City in its heyday, Bachelor Girl is a hidden history gem about family, identity, and love in all its shapes and colors.

    It’s always been easier for Cara Hargraves to bury herself in the past than confront the present, which is why working with a gruff but brilliant antiques dealer is perfect. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship: among the treasures, a World War II-era diary and a photograph of a young woman in uniform. Eager to find the author of the hauntingly beautiful, unfinished diary, Cara digs into this soldier’s life, but soon realizes she may not have been ready for the stark reality of wartime London she finds within the pages. In 1941, nineteen-year-old Louise Keene’s life had been decided for her—she’ll wait at home in her Cornish village until her wealthy suitor returns from war to ask for her hand. But when Louise unexpectedly meets Flight Lieutenant Paul Bolton, a dashing RAF pilot stationed at a local base, everything changes. And changes again when Paul’s unit is deployed without warning. Desperate for a larger life, Louise joins the women’s branch of the British Army in the anti-aircraft gun unit as a Gunner Girl. As bombs fall on London, she and the other Gunner Girls relish in their duties to be exact in their calculations, and quick in their identification of enemy planes during air raids. The only thing that gets Louise through those dark, bullet-filled nights is knowing she and Paul will be together when the war is over. But when a bundle of her letters to him are returned unanswered, she learns that wartime romance can have a much darker side. Illuminating the story of these two women separated by generations and experience, Julia Kelly transports us to World War II London in this heartbreakingly beautiful novel through forgotten antique treasures, remembered triumphs, and fierce family ties.