It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

    There are rarer people still who can move between continents in the blink of an eye.These people are dangerous.And wanted. Desperately wanted.Apprentice hedgewitch Vela Rue knows that she is destined for more. She knows being whisked off from a dull country life to a city full of mystery and intrigue is meant to be. She knows she has something her government wants, a talent so rare and precious and new that they will do anything to train her in it.But she doesn’t know that she is being lied to. She doesn’t know that the man teaching her about her talent is becoming obsessed by her, and considered by some to be the most dangerous man alive ...

    Doctor Ravinder Shah speaking. No case too weird, no problem too bizarre. Strangeness a speciality. How can I help you?” London Social Worker Rav Shah moonlights as a paranormal detective, aided by one of his clients and a Border Collie he rents by the hour. It was supposed to be a bit of fun: a search for truths out there; a quest for a life more interesting than the one that fate, destiny, and personal apathy had granted him. But then a case involving a Yorkshire farmer and a herd of flying pigs leads him into a world darker and more dangerous than he’d ever dreamed. The truth is indeed out there. And it’s got Rav square in its sights.

    Each of them at a different stage in life, each of them away from home, and each of them striving -- in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel -- to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man.Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts -- a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.

    Only a select few remember that it resides beneath the crust of the planet, waiting, and for them, the battle for Lumin’s future has raged in the shadows. When Mia Jayne’s path crosses with an ancient volume in the Archives of the Order of Vis Firmitas, this ancient battle moves from the shadows into the light. Compendium opens up a world of knowledge, and, for the first time since arriving at the Order, Mia has the key to reclaim the freedom she has lost. To do so, she must choose between her conscience and her heart. Conceived against an ailing world of fantastical beauty where long-lost technology tips the balance between extinction and survival, Mia must remember that there is always a choice, and that makes all the difference.

    The stolen item—an object of desire worshipped by millions—is the key to solving the crime, or so the detective brought in to investigate believes. The murder, however, is not nearly as straightforward as it seems—nor is the theft.Though the island of Manhattan presents no shortage of suspects—many of them capable of killing to satisfy their appetites—Eliot, a young economic historian and writer, soon becomes the prime suspect. As he draws closer to the truth behind the theft and murder, he also becomes the killer’s next target.Irreverent, provocative, and utterly unpredictable, Dangerous Illusions is a weeklong polyrhythmic journey into contemporary New York that will keep readers guessing right up to its thrilling conclusion.

    In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria.An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.

    It includes Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret and The Model Millionaire.Written between 1887 and 1891, at the height of his creative powers, these stories confirm Oscar Wilde’s reputation as a master storyteller in their sense of fun, quick intelligence and witty dissection of Victorian society. They also reveal his compassion for the poor and downtrodden who were so readily ignored by that age.

    This might, by those who know her, be considered a mistake. While her cousin, police constable and apprentice wizard Peter Grant, is off in the sticks chasing unicorns Abigail is chasing her own mystery. Teenagers around Hampstead Heath have been going missing but before the police can get fully engaged the teens return home – unharmed but vague about where they’ve been.Aided only by her new friend Simon, her knowledge that magic is real and a posse of talking foxes that think they’re spies, Abigail must venture into the wilds of Hampstead to discover who is luring the teenagers and more importantly – why?Limited: 2500 signed numbered hardcover copiesLettered: 26 signed leatherbound copies, housed in a custom traycase

    In Ron Currie's provocative, wise, and emotionally resonant novel we meet God himself; the Dinka woman whose mortality He must suffer when He inhabits her body; people all over the world coping with the devastating news of God's demise; a group of young men who, fearing the end of the world, take fate into their own hands; mental patients who insist that a god still exists; armies taking up the eternal war between fate and free will; and parents who, in the absence of a deity and the “lack of anything to do on Sundays,” worship their children. On the surface, this is a world utterly transformed—yet certain things remain unchanged: protective parents clash with willful, idealistic teenagers; idols are exalted; small-town rumor mills run unabated; and children often don't realize how to forgive their parents until it's too late.In God Is Dead, Currie brings together a prescient satirical gift worthy of Jonathan Swift, the raw appeal of Chuck Palahniuk's blackest comedy, and the thought-provoking ethical questions of Kurt Vonnegut, all with a light touch, empathy, and wisdom that make for an exhilarating reading experience. Offbeat yet accessible, God Is Dead is an exciting debut from a fresh new voice in contemporary fiction.

    But, now a priest of a modest Anglican church in the small town of Hailsham, he didn't expect it to show up like this--in the suicide of a man who threw himself off the church tower, and in the discovery of a two-hundred-year-old body beneath an ancient bridge.The deaths are linked. The mummified corpse under the bridge, a murder victim, reignites a centuries-old battle between two local families--the Todds and the aristocratic Hayshams. Then both David Todd and Lord Haysham begin to act strangely, fearful for reasons they won’t explain.When Lord Haysham is murdered, David Todd is the prime suspect. But Todd is maniacal, claiming great forces of evil are at work. An entire history of violence and depravity begins to emerge, interweaving the history of several local families with a secret occult society that engages in Black Masses. Has the Society emerged again

    A young jazz buff in Tokyo. A crooked British lawyer in Hong Kong. A disc jockey in Manhattan. A physicist in Ireland. An elderly woman running a tea shack in rural China. A cult-controlled terrorist in Okinawa. A musician in London. A transmigrating spirit in Mongolia. What is the common thread of coincidence or destiny that connects the lives of these nine souls in nine far-flung countries, stretching across the globe from east to west? What pattern do their linked fates form through time and space?A writer of pyrotechnic virtuosity and profound compassion, a mind to which nothing human is alien, David Mitchell spins genres, cultures, and ideas like gossamer threads around and through these nine linked stories. Many forces bind these lives, but at root all involve the same universal longing for connection and transcendence, an axis of commonality that leads in two directions—to creation and to destruction. In the end, as lives converge with a fearful symmetry, Ghostwritten comes full circle, to a point at which a familiar idea—that whether the planet is vast or small is merely a matter of perspective—strikes home with the force of a new revelation. It marks the debut novel of a writer with astonishing gifts.

    Julia, an aspiring poet, is living with her British boyfriend Ben, a restrained professor at Princeton, when she has a chance meeting with Michael, a long-ago friend. A charismatic composer, Michael was once a catalyzing muse for her, but now returns as a destabilizing influence. Julia longs to become involved with Michael, but hesitates to give up the security of her relationship with Ben. When Michael signals he is too wounded to make a commitment, Julia turns her triangular situation into a square by setting him up with a cousin. In the process she discovers, as Pascal once said, that "the heart has its reasons which reason does not know." This deeply psychological tale explores the surprising ways we make romantic choices.

    Coulter.   On a cold winter's night, two art collectors are settled before a fire in the Senior Common Room of a college in Oxford, discussing the unusual pieces one has recently added to his collection. What the two men don't know is that the portrait of a striking young woman and the bronze sculpture of a fearsome monkey are connected in mysterious ways. How could they imagine that they are about to be caught in the cross-fire of a story which has traveled time . . . and worlds.   Published in 50 countries with over 22 million copies sold, The Golden Compass, The Subtle Knife, and The Amber Spyglass are renowned for their engrossing storytelling and epic scope. This new short tale will delight the many fans eager for any new glimpse into the world of His Dark Materials.

    The vampires of the era have long sought to gain a foothold into Israel, but the faith of the local Jewish population has held them in check for centuries. When one of their own betrays them to follow a young rabbi from Galilee, the elders of the vampire race send Theron, a nine hundred year old assassin, to kill them both. The rabbi's name is Jesus. Killing him should be easy.