Some highlights include Caleb Carr on Poland in 1939, the only campaign that Hitler won; Stephen E. Ambrose on a pivotal battle to take the Rhine; John Keegan on the siege of Berlin; Victor Davis Hanson on the charismatic and controversial Gen. Curtis LeMay; William Manchester on Churchill's failure to influence the French; and Antony Beevor on the battle for Stalingrad. The pieces have appeared in print only once before in the respected MHQ: The Military Journal of Military History.

    As an expert in her field, she must trace the history of each painting and discover who has concealed them for so long.Thrown in amongst the glamorous Vermeil family as they move between Paris and Antibes, Flora begins to discover that things aren't all that they seem, while back at home her own family is recoiling from a seismic shock. The terse and brooding Xavier Vermeil seems intent on forcing Flora out of his family's affairs - but just what is he hiding?

    Two siblings divided by fate.Italy, 1938. Mussolini is in power and war is not far away . . .Clara and Pippo are just children: quiet, thoughtful Clara is the older sister, Pippo the younger brother is forever chatting. The family has only recently arrived in the city carrying their few possessions.When Mamma goes missing early one morning, both Clara and Pippo go in search of her. Clara turns right; Pippo, left.As a result of the choices they make that morning, their lives will be changed forever.Diana Rosie’s Pippo and Clara tells the story of a family and a country divided. But will Clara and Pippo – and their mother – find each other again?

    It was a time when publishing was still a private affair - a scattered family of small houses here and in Europe - a time of gatherings in fabled apartments, parties into the night. It is a world in which to immerse himself, a world of intimate connections and surprising triumphs. But the deal that Philip cannot seem to close is love: one marriage goes bad; another fails to happen; and, finally, he meets a woman who enthralls, then betrays him, setting him on a course he could never have imagined for himself. Written with Salter's signature economy of prose, All That Is fiercely, fluidly explores a life unfolding in a world on the brink of change: a dazzling, sometimes devastating labyrinth of love and ambition, of the small shocks and grand pleasures of being alive.

    In the summer of 1942, as war rages across Europe, a series of anonymous leaflets appears around the University of Munich, speaking out against escalating Nazi atrocities. The leaflets are hidden in public places, or mailed to addresses selected at random from the phone book. Natalya Petrovich, a student, knows who is behind the leaflets—a secret group called the White Rose, led by siblings Hans and Sophie Scholl and their friends. As a volunteer nurse on the Russian front, Natalya witnessed the horrors of war first-hand. She willingly enters the White Rose’s circle, where every hushed conversation, every small act of dissent could mean imprisonment or death at the hands of an infuriated Gestapo. Natalya risks everything alongside her friends, hoping the power of words will encourage others to resist. But even among those she trusts most, there is no guarantee of safety—and when danger strikes, she must take an extraordinary gamble in her own personal struggle to survive.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.