A waiter rushes out to find a girl he fancied who hasn't paid her bill, only to find a diary in which their fictitious flirtation is anatomised. But the story actually begins with a man taking a leak after making love to his wife. He has the inklings of a novel, but thoughts will keep intruding, with all their seductive possibilities. The man on the train is living in an England that has decided, with characteristic diffidence and lack of fuss, that it no longer wants to live under a totalitarian regime which has lasted for 40 years. I say totalitarian, but think more of Brazil, a world of terribly genial tyranny, where officialdom tries so hard to be accommodating. And Duncan has another story, one prompted by the memory of his father's car crashing down a slope. As with all good postmodernist novels, the endless digressions are more soothing than jarring."Murrough O'Brien in The Independent on Sunday The strikingly inventive structure of this novel allows the author to explore the similarities between fictions and history. At any point, there are infinite possibilities for the way the story, a life, or the history of the world might progress. The whole work is enjoyably unpredictable, and poses profound questions about the issues of motivation, choice and morality." The Sunday Times"A writer more interested in inheriting the mantle of Perec and Kundera than Amis and Drabble. Like much of the most interesting British fiction around at the moment, Music, in a Foreign Language is being published in paperback by a small independent publishing house, giving hope that a tentative but long overdue counter-attack is being mounted on the indelible conservatism of the modern English novel.With this novel he has begun his own small stand against cultural mediocrity, and to set himself up, like his hero, as ' a refugee from drabness. From tinned peas, and rain.'"Jonathan Coe in The Guardian

    the plot skips around like gunfire on the ricochet." - LOS ANGELES TIMES "Superior stuff - taut, well observed, original and civilized." - THE TIMES "The women are not mere decoration; they are at the heart of the action." - THE CHRISTIAN SCIENCE MONITOR "Suspense builds from start to finish... the author will rank alongside le Carre, Deighton, and Follett." - WEST COAST REVIEW OF BOOKS VIENNA late 1980s - violence is breaking out in strife-torn Poland. A spark that could set the Soviet prison of Eastern Europe ablaze. There are dangerous Western plans to ensure that the inevitable rising will not be a repeat of Hungary in 1956. In Moscow, faceless men and women know that Bill Cable, after years banished to diplomatic backwaters, is into something big - so big they will destroy him to get it. If they fail, this could mean the end for the Soviet Union. They've had a stranglehold on Cable ever since the tragedy, deep in the past, that led to him being kicked out of the Intelligence Service. Now he is back, as British Ambassador in Vienna. Still compromised but, just to make sure, they kidnap his daughter, Sarah, and threaten her life. Will he betray her - or his country and the freedom of millions?

    They span many fiction genres; jungle tale, Gothic horror story, psychological study, and morality tale- and possess a universality that has made him a classic Latin American writer.Horacio Quiroga was a master storyteller and author of over two hundred pieces of Latin American fiction that have been compared to the works of Poe, Kipling, and London. Like his stories, his own life from his birth in Uruguay to his suicide in Argentina was filled with adventure, tragedy, and violence.

    George Corson, earthman, is sent on secret mission to end a long smoldering war with the birdlike inhabitants of the planet, Uria, 6000 years in the future, only to be used as a pawn by powerful god-like beings. Is there such a thing as the ultimate weapon? Can war be ended once & for all? Is the destruction of the universe necessary to achieve peace? Originally published in France under the title Les Seigneurs de la Guerre, this book is a novel of powerful imagery & scope whose concept of war as a monstrous self-perpetuating parasite fatterning off all intelligent life will arrest all who read it. Illustrated by Margo Herr.

    Berdyaev's aim in this book is to examine Dostoevsky's spiritual side, to explore in all its depth the way in which Dostoevsky perceived the universe and to reconstruct out of these elements his entire world-view. Dostoevsky shows us new worlds, worlds in motion, by which alone human destinies can be made intelligible; and these worlds and these destinies can only be grasped by a spiritual analysis. Berdyaev provides such an analysis.

    For each, the small lakeside town of Ely holds warm memories of erotic trysts and first crushes, passionate nights and bittersweet heartbreak. Now they are returning to their hometown for the hottest summer of their lives--and three new chances at love. . .For Serena, the bored would-be socialite, the passion she’s been missing comes in the form of a man all wrong for her--for all the deliciously right reasons. For Ceci, the poet and cynic, the art of love was a carefully orchestrated game--until the town bad boy teaches her the pleasure of losing control. And for Lily, the cable TV star recovering from a broken marriage, the carefree summer fling she’d begun with Ely’s most handsome and eligible resident burns with a sensual heat that will melt every taboo. Neither Lily, Ceci, nor Serena knows how the summer will end, but one thing is certain--each will experience a seduction to remember. . .

    These stories that speak about objects and daily happenings, pass over to another dimension, one of nightmare or revelation. In each text, surprise and uneasiness are ingredients added to the indescribable pleasure of its reading. These stories may upset readers due to a very rare characteristic in literature: They stare at us as if waiting for something in return. After reading these true classics, our opinion of the world cannot remain the same.1. "Casa Tomada" ("House Taken Over")2. " Carta a una señorita en París" (Letter to a Young Lady in Paris")3. "Lejana" ("The Distances")4. "Ómnibus" ("Omnibus")5. "Cefalea" ("Headache")6. "Circe" ("Circe")7. "Las puertas del cielo" ("The Gates of Heaven")8. "Bestiario" ("Bestiary")

    The novels were initially published separately, between 1964-1969.Main character is charismatic detective, Alexandru Tudor.

    The future of Liquid Cloud, a popular and amusing rock group depends on the outcome of this confrontation because their artistic career is in jeopardy.

    'Foster, You're Dead' is a short story about a man who refuses to buy a bomb shelter during a war with the Soviet Union.

    A romantic odd couple. It was clear at first sight. Bronwynn Prescott Pierson was a jet-setting socialite, a one-time fashion icon, and now a runaway bride. Wade Grayson was a straitlaced, ambitious congressman from the American heartland. They couldn’t have had less in common and more to lose by their accidental meeting in the Vermont woods, where they’d each gone in hopes of escaping the past.Both drawn to the ruins of the old Foxfire estate, the woman from Venus and the man from Washington were playing a dangerous game with the most volatile and unpredictable of human emotions. And when it all blew up, the press would be there to broadcast the disaster to the world. But what their enemies didn’t count on was that the power that drew them together would always be a little stronger than anything—or anyone—that would try to drive them apart.

    Jobless and ashamed, he takes them into a stranger’s house, a place that will become the site of the greatest humiliation of his life. In an impoverished fishing town, four teenage boys try to allay their boredom during an endless summer by translating lyrics from the Smiths into Spanish using a stolen dictionary. Their dreams of fame and glory twist into a plan to steal musical instruments from a church, an obsession that prevents one of them from anticipating a devastating ending. Meanwhile a young woman goes home with a charismatic man after finding his daughter wandering lost in a public place. She soon discovers, like so many characters in this book, that fortuitous encounters can be deceptions in disguise.Themes of pride, shame, and disgrace—small and large, personal and public—tie the stories in this collection together. Humiliation becomes revelation as we watch Paulina Flores’s characters move from an age of innocence into a world of conflicting sensations.

    Once there, Georgie's dormant acting career takes off and she wins the role of Dora Jordan in a one-woman show. Dora Jordan was the most famous comic actress of the eighteenth century (she had thirteen illegitimate children, including ten by the future king of England). As Georgie rehearses for her part, she becomes increasingly drawn to Dora Jordan, who she sees as a working mother with struggles exactly like her own. And when Georgie can no longer fight her attraction to the playwright, she begins an affair with tragic results. Narrated by Peter, a failed-writer-turned-businessman, My Wife's Affair is about infidelity, passion, duty, and about finally getting what you want and then wanting still more.

    Her works dwell on obsessions: erotic love, evil, purity, perversion, prostitution, tragic separation, and death. Most of her characters are involved in ill-fated searches for the Absolute through both excessively passionate and sadomasochistic relationships. Inevitably, the perfect, pure dyad of two youthful lovers is interrupted or corrupted through the interference of a third party (a rival lover or a child), aging, death, or public morality. Set at the beginning of the twentieth century in the tropical northwestern Mexican state of Sinaloa, the stories collected in Underground River and Other Stories focus on female subjectivity. Arredondo’s adult male characters are often predators, depraved collectors of adolescent virgins, like the plantation owners in “The Nocturnal Butterflies” and “Shadows in the Shadows” and the dying uncle in “The Shunammite,” who is kept alive by incestuous lust. Since the young female protagonists rarely have fathers to protect them, the only thing standing between them and these lechers are older women. Perversely, these older women act as accomplices–along with the extended family and the Roman Catholic Church–in the sordid age-old traffic in women.Underground River and Other Stories is the first appearance of Arredondo’s stories in English.

    His writing is at once comic and tragic as it explores the loneliness of life and disintegration of civilization.