A thousand years ago it was the center of the first great Slav civilization, Kievan Rus. In 1240, the Mongols invaded from the east, and for the next seven centureies, Ukraine was split between warring neighbors: Lithuanians, Poles, Russians, Austrians, and Tatars. Again and again, borderland turned into battlefield: during the Cossack risings of the seventeenth century, Russia’s wars with Sweden in the eighteenth, the Civil War of 1918–1920, and under Nazi occupation. Ukraine finally won independence in 1991, with the collapse of the Soviet Union. Bigger than France and a populous as Britain, it has the potential to become one of the most powerful states in Europe.In this finely written and penetrating book, Anna Reid combines research and her own experiences to chart Ukraine’s tragic past. Talking to peasants and politicians, rabbis and racketeers, dissidents and paramilitaries, survivors of Stalin’s famine and of Nazi labor camps, she reveals the layers of myth and propaganda that wrap this divided land. From the Polish churches of Lviv to the coal mines of the Russian-speaking Donbass, from the Galician shtetlech to the Tatar shantytowns of Crimea, the book explores Ukraine’s struggle to build itself a national identity, and identity that faces up to a bloody past, and embraces all the peoples within its borders.

    After months of job hunting, Daria, a young engineer, finds a plum position at a foreign firm as a secretary. But every plum has a pit. In this case, it’s Mr. Harmon, who makes it clear that sleeping with him is job one. Daria evades Harmon’s advances by recruiting her neighbour, the slippery Olga, to be his mistress. But soon Olga sets her sights on Daria’s job. Daria begins to moonlight as an interpreter at Soviet Unions(TM), a matchmaking agency that organizes “socials” where lonely American men can meet desperate Odessan women. Her grandmother wants Daria to leave Ukraine for good and pushes her to marry one of the men she meets, but Daria already has feelings for a local. She must choose between her world and America, between Vlad, a sexy, irresponsible mobster, and Tristan, a teacher nearly twice her age. Daria chooses security and America. Only it’s not exactly what she thought it would be… A wry, tender, and darkly funny look at marriage, the desires we don’t acknowledge, and the aftermath of communism, Moonlight in Odessa is a novel about the choices and sacrifices that people make in the pursuit of love and stability.

    After exploring the depths of Moscow's “Underground Planet,” Kalder journeyed to the Ukraine to chase down demons and exorcists in the dubious afterglow of the Orange Revolution, before meeting a man called Vissarion Christ—a one-time traffic cop, he is now messiah to thousands of followers in Siberia. Salvation and damnation collide as Daniel Kalder expertly guides us through this unique account of a modern day quest that reveals the astonishing lengths people will go to when they view the world through a “strange telescope.”

    Now a former Soviet scientist gives a comprehensive account of the catastrophe.

    “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent who climbs atop a burned-out police bus at Independence Square and plays the piano.As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

    The novel is narrated in first-person streams of thought by a sharp-tongued poet with an irreverently honest voice. She is visiting professor of Slavic studies at Harvard and her exposure to American values and behaviors conspires with her yearning to break free from Ukrainian conventions. In her despair over a recently ended affair, she turns her attention to the details of her lover’s abusive behavior. In detailing the power her Ukrainian lover wielded over her, and in admitting the underlying reasons for her attraction to him, she begins to see the chains that have defined her as a Ukrainian woman – and in doing so, exposes and calls into question her country’s culture of fear and repression at the very time that it wrestled its way toward independence.“Oksana Zabuzhko is a well-known Ukrainian poet of the younger generation as well as a literary critic and translator. Fieldwork in Ukrainian Sex, her debut in the genre of the novel, marks the emergence of a powerful new voice in Ukrainian belles-lettres. This work immediately strikes the reader with its novelty of form and with the original way it presents eternal issues like love, life, and creativity, intertwining them with uniquely Ukrainian themes.” — Slavic and East European Journal“Language — any language — that’s what I would call the capital love of my life: nothing else has the power to synthesize music and myth, two things without which the world would be a totally unlivable place.” — Oksana ZabuzhkoFieldwork in Ukrainian Sex was first published in Ukraine in 1996, unleashing a storm of controversy and propelling the author to national fame. It topped the bestseller list in Ukraine for more than ten years, making it the most successful Ukrainian-language book of the nineties in every regard. Today, Oksana Zabuzhko is one of the few authors in Ukraine (and the only Ukrainian-language writer) to make a living exclusively from her writing.

    In Chicago's Ukrainian Village, Nadya Lysenko has built her life on a foundation of secrets.When Nadya was sixteen, she snuck out of her house in Western Ukraine to meet a fortuneteller in the woods. Ignoring the threat of Nazis and Russians, Nadya was driven by love and a desire to learn the unknown. She never expected it to be the last time she would see her family.Years later, Nadya continues to be haunted by the death of her parents and sisters. She clings to her traditions and stories from Ukraine, the only parts of her past that she can share with her family. The myths and magic of Nadya's childhood are still a part of her reality: house spirits misplace keys and glasses, dreams unite friends across time and space, and a fortuneteller's cards predict the future.Her beloved dead also insist on being heard, through dreams and whispers in the night. They want the truth to come out. Nadya needs to face her past and confront the secrets she buried within-THE SILENCE OF TREES.

    In a critical preface, Bentley finds all four works to be a Gogolian treatment of love - or the lack of love - and by the same token, thoroughly original works of dramatic art. Also includes a piece on Gamblers by the eminent Polish critic Jan Kott.

    Only eleven years old at the time, her daughter tells the story of their family before and after that critical moment - including, ten years later, her own passionate affair with an older, married man. Just like their home city of Lviv, which stands at the crossroads of nations and cultures, the women in this family have had turbulent lives, scarred by war and political turmoil, but also by their own inability to show each other their feelings. Lyrically told, this is the story of a young girl's emotional, sexual, artistic and political awakening as she matures under the influence of her relatives, her mother's former lover, her city and its fortunes. Translated from the Polish by Antonia Lloyd-Jones

    David and Geoff were two BBC journalists who took voluntary redundancy as their mid-fifties approached. Deciding there had to be more to life than golf or gardening, they set off on an 8,000 mile drive for charity to the Mongolian capital, Ulaanbaatar. Their trip takes them across Ukraine, Russia, Kazakhstan and Mongolia. Lying in wait are corrupt cops, bent border guards, mountain tracks and the Gobi desert - but there are also welcoming and curious locals keen to help the two men on their mission and keep them supplied with beer.

    The train is under Nazi command, heading for one of Hitler’s rumoured labour camps. As she is taken away from everything she holds dear, Lisa wonders if she will ever see her family again.In Nazi-occupied Kiev, Irina Antonova knows she could be arrested at any moment. Trapped in a job registering the endless deaths of the people of Kiev, she risks her life every day by secretly helping her neighbours, while her husband has joined the Soviet partisans, who are carrying out life-threatening work to frustrate the German efforts.When Lisa’s train is intercepted by the partisans, Irina’s husband among them, these women’s lives will take an unimaginable turn. As Irina fights to protect her family and Lisa is forced to confront the horrors of war, together they must make an impossible decision: what would they be willing to lose to save the people they love?****Readers loved Sisters of War:‘Captivating from the first page’‘A gorgeous love story that keeps you hooked till the end’‘Powerful and heart wrenching’‘A touching story, beautifully written’‘Well-researched and fascinating’‘Pulled at my heartstrings and brought tears to my eyes’

    She has lived and worked all her life in Starylis, a tiny town in rural Ukraine. Starylis is a place where families still live in the ancient thatched-roof cottages that have been their homes for generations. It's a place where everyone grows their own vegetables, where the old women (the babas) sweep the church steps daily and bake bread in outdoor communal clay ovens. It's a place where everyone knows everyone else, and everyone else's business. It's a little town just down the road from Chernobyl.On April 26, 1986, the lives of Marusia, her family, and her townspeople change forever.The air begins to taste strange, the workers don't come home from their shifts at the nearby power plant. Eventually the Soviet government orders a mandatory and permanent evacuation. But less than a year after the accident, a handful of elderly women - the first of whom is Marusia - defy the government prohibition and return, one by one, to their now deserted town. Despite their differences and their losses, they band together for survival, companionship, and to confront the Soviet officials responsible for their fate.This is a tale of ordinary citizens who, when faced with extraordinary circumstances, become the most unexpected heroes. Inspired by a true incident and transformed by the talents of a remarkable young writer, The Sky Unwashed is a simple story told with gentle humor that redefines our notions of home and community.

    Dozens died of radiation poisoning, fallout contaminated half the continent, and thousands fell ill.In Chernobyl, Serhii Plokhy draws on new sources to tell the dramatic stories of the firefighters, scientists, and soldiers who heroically extinguished the nuclear inferno. He lays bare the flaws of the Soviet nuclear industry, tracing the disaster to the authoritarian character of the Communist party rule, the regime's control over scientific information, and its emphasis on economic development over all else.Today, the risk of another Chernobyl looms in the mismanagement of nuclear power in the developing world. A moving and definitive account, Chernobyl is also an urgent call to action.

    But after already living under Stalin’s horrifying regime, Emil and Adeline decide they must run in retreat from their land with the wolves they despise to escape the Soviets and go in search of freedom.Caught between two warring forces and overcoming horrific trials to pursue their hope of immigrating to the West, the Martels’ story is a brutal, complex, and ultimately triumphant tale that illuminates the extraordinary power of love, faith, and one family’s incredible will to survive and see their dreams realized.

    It is even more astonishing that anyone survived it. Stefan grows up in the grip of a raging famine. Stalin’s Five Year Plan brings genocide to Ukraine – millions of people starve to death. To free themselves from the daily terrors of Soviet rule, Stefan and his friends fight imaginary battles in nearby woods to defend their land. The games they play are their only escape. ‘Sliding on the Snow Stone’ is the true story of Stefan's extraordinary journey across a landscape of hunger, fear and devastating loss. With Europe on the brink of World War Two, Stefan and his family pray they'll survive in their uncertain world. They long to be free. (In 1932-33, as part of their drive towards industrialisation, the Soviet Union demanded impossibly high requisitions of grain from rural areas in Ukraine. In a deliberate act of genocide, Ukrainian smallholdings were stripped of food, and the population began to perish, with some estimates as high as 10 million deaths, from starvation. In Ukraine, this atrocity became known as the Holodomor (death by hunger). The following years saw Soviet purges and terrors resulting in the elimination of academics and intellectuals, or of anyone who spoke out against Soviet rule. When World War Two arrived on Ukraine’s doorstep, many people viewed the Nazis as liberators – a view that was quickly proved wrong. ‘Sliding on the Snow Stone’ is Stefan’s personal account of a historical period drenched in the blood of a nation, and of his yearning for freedom).