These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    Set mainly amid Indian reservations and uranium mills, these twelve stories create a kaleidoscopic view of family, myth, love, landscape, and loss in a place where infinite skies and endless roads suggest a world of possibility, yet dreams are deceiving, like an oasis, just beyond reach. Whether it’s a young woman pushed quite literally to the edge on a desolate mountain pass, an orphaned brother and sister trying to patch together an existence one stitch at a time, a cop who suspects his kleptomaniac wife is stealing from other people — materially and emotionally — or a wily roadside hypnotist whose alleged power is both wonderful and strange, Ann Cummins’s characters want to transcend the circumstances of their lives, to believe in the eventuality of change. Again and again, Ann Cummins generates imagery of white-hot intensity and pushes the limits of both the human spirit and the short story form. Gritty, seductive, and always daring, this unforgettable collection puts forth a haunting new vision of hope and heartache in contemporary America and confirms the arrival of an important new voice.

    Ranging from urgently contemporary London and Dublin to New York's Lower East Side in the nineteenth century, from dark comedy to poignancy, from the wryly provocative to the quietly beautiful, these stories offer a gathering of dreamers and lost souls who contend with the confusions of living. Here are men without women, children parenting parents, residents of the Broke-bank Mountain that is Ireland after the Celtic Tiger, emigrants, travellers, cheats and lovers, families, friends and foes. The focus is on those moments of the everyday when possibility seems to appear. A football match becomes an occasion of hard-won acceptances. An old acquaintance re-encountered plays mind-games in a bar. A fling between people who have almost nothing in common alters their lives forever. In Dublin, a desperately ill woman meets a tour guide in a hotel. A civil servant drives his father into Wicklow to say a final goodbye. A boy comes of age in a seaside town where everything is about to change. Where Have You Been? is a powerfully moving, entertaining and life-affirming read, from the internationally acclaimed author of Star of the Sea, Redemption Falls and Ghost Light.

    This is the first fiction anthology in more than three decades from the magazine that has defined the American short story for almost a century. As noteworthy for its range as for its excellence, Nothing But You features a stunning array of present and past masters writing about love in all its varieties, from the classic love story to dislocated narratives of weird modern romance. Taken separately, these stories suggest the infinite variety of the human heart. Taken together, they are a literary milestone, a comprehensive review of the way we live and love now.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    “The stories in this volume,” writes Louis Begley in his new Introduction, “show the wide range of [O’Hara’s] interests and an ability to treat with a virtuoso’s ease characters and situations from any place on America’s geographic and social spectrum.”Stories included:The decision -- Everything satisfactory -- The moccasins -- Doctor and Mrs. Parsons -- Pardner -- A phase of life -- Walter T. Carriman -- Now we know -- Too young -- Summer's day -- The king of the desert -- Bread alone -- Graven image -- The next-to-last dance of the season -- Where's the game? -- Mrs. Whitman -- Price's always open -- The cold house -- Are we leaving tomorrow? -- No mistakes -- The ideal man -- Do you like it here? -- The doctors son -- Hotel kid -- The public career of Mr. Seymour Harrisburg -- In the morning sun -- War aims -- Secret meeting -- Other women's households -- Over the river and through the wood -- I could have had a yacht -- A respectable place.

    Jones, a prodigy of the short story, returns to the form that first won him praise in this new collection of stories, All Aunt Hagar's Children. Here he turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them in the city, people who in Jones's masterful hands emerge as fully human and morally complex. With the legacy of slavery just a stone's throw behind them and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

    In"Bog Girl", a revelatory story about first love, a young man falls in love with a two thousand year old girl that he's extracted from a mass of peat in a Northern European bog. In "The Prospectors," two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant's safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void--yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.

    In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language, the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates, and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.

    Instead they find high rents, faithless partners, and dead-end careers. Offbeat, funny and bitingly satirical, "Slaves of New York" sheds an incomparable light on the city's denizens and social mores.

    As in her acclaimed novels The Siege and A Spell of Winter, world-class storyteller Helen Dunmore shows us with subtlety and humor precisely who her characters are and why we should care for them. In each taut, agile tale, they grow to surprise, concern, and move us as they negotiate situations that are often both mundane and bizarre: a cafeteria cook confronts her Polish pen pal in a meeting that is unexpectedly intense; a divorced mother gains insight from a parking meter; a boastful writer is put in his place in spectacular fashion; and in a chilling future, conception is ruthlessly controlled by the government. In several stories a soulful, curious woman named Ulli takes up residence in the reader's imagination -- stumbling across a strangely magnetic collector of religious icons, contemplating a youthful pregnancy, and remembering a troubled lover. In Ice Cream, Dunmore reveals both her poet's ear for the concise and piercing potentialities of language and the novelist's ambition of scope, proving her status as "a master of the shorter form" (The Sunday Telegraph). "Spellbinding ... She captures a moment in time and leaves us reeling at the echoes." -- Michael McLoughlin, The Irish News "Cool, elegant, and beautifully controlled, the stories collected in Ice Cream display Dunmore's virtuosity of language." -- Pamela Norris, The Independent on Sunday "All the senses are vibrantly alive in these stories." -- Katie Owen, The Sunday Telegraph

    An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class―where luck may be the greatest fiction of all.

    A grieving missionary becomes obsessed with a creature rumoured to live in the forests of the Congo. And, in the title story, a young woman travelling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.