At the war’s end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city’s streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva’s plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial.As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family’s silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice—a decision that will help change the present and the past of her nation.

    George is enthralled by Cecil, and soon his sixteen-year-old sister, Daphne, is equally besotted by him and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne's autograph album will change their and their families' lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried - until, decades later, an ambitious biographer threatens to unearth them.Rich with Hollinghurst's signature gifts - haunting sensuality, delicious wit and exquisite lyricism - The Stranger's Child is a tour de force: a masterly novel about the lingering power of desire, how the heart creates its own history, and how legends are made.

    Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an S.S. officer and stolen from her by the German authorities during the War as part of Himmler's clandestine 'Lebensborn' project, which strove for a 'racially pure' Germany. Haya's reflection on her Catholicized Jewish family's experiences deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, as well as witness accounts of atrocities that took place on her doorstep. A broad collage of material is assembled, and the lesser-known horror of Nazi occupation in northern Italy is gradually unveiled. Written in immensely powerful language, and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Dasa Drndic has produced a shattering contribution to the literature of our twentieth-century history.

    In this panoramic vision of the Soviet Great Terror, the investigation leads all over the world, netting a whole series of suspects whose only connection is their innocence—at least of the crime of which they stand accused. But The Case of Comrade Tulayev, unquestionably the finest work of fiction ever written about the Stalinist purges, is not just a story of a totalitarian state. Marked by the deep humanity and generous spirit of its author, the legendary anarchist and exile Victor Serge, it is also a classic twentieth-century tale of risk, adventure, and unexpected nobility to sit beside Ernest Hemingway's For Whom the Bell Tolls and André Malraux's Man's Fate.

    Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

    Trapped, he knows that Hitler has already lost the war ... yet he is suddenly galvanised by the thought that he is on the way to his death.As the train hurtles on, he riffs through prayers and memories, talks with other soldiers about what they've been through, and gazes desperately out the window at his country racing away. With mounting suspense, Andreas is gripped by one thought over all: Is there a way to defy his fate?

    Gamelin's ideals lead him to the most monstrous mass murder of his countrymen, and the links between Gamelin and his family, his mistress and the humanist Brotteaux are catastrophically severed. This book recreates the violence and devastation of the Terror with breathtaking power, and weaves into it a tale which grips, convinces and profoundly moves. The perfection of Anatole France's prose style, with its myriad subtle ironies, is here translated by Frederick Davies with admirable skill and sensitivity. That The Gods Will Have Blood is Anatole France's masterpiece is beyond doubt. It is also one of the most brilliantly polished novels in French literature.Anatole France was awarded the Nobel Prize in 1921.

    It parallels the story of Jean B., a filmmaker who abandons his wife and career to hole up in a Paris hotel, with that of Ingrid and Rigaud, a refugee couple he'd met twenty years before, and whose mystery continues to haunt him.

    was first published in East Germany in 1968, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing explicitly to do with politics.Praise for The Quest for Christa T.On the surface we merely have the story of a sensitive woman as recalled by her friend. On this level Christa T. was a good citizen who did as she was told and lived a seemingly unexceptional life. But between the lines lies the real story of Christa T. -- the story of an individual crushed by the pressures of uniformity. If you bear in mind it is the first novel of any consequence to emerge from Ulbricht's East Germany, then it becomes something of a literary landmark. - John Barkman, New York PostThe contours of silence and the outline of things articulately left unsaid loom large in the muted brilliance of this novel. - Ernst Pawek, The New York Review of BooksIt is a courageous book that breaks taboos and, as we have come to expect from Christa Wolf, it is infused with an integrity and a deep moral concern. . . - The (London) Times Literary Supplement

    Her canvas is monumental -- the Nazis' 1941 winter siege on Leningrad that killed six hundred thousand -- but her focus is heartrendingly intimate. One family, the Levins, fights to stay alive in their small apartment, held together by the unlikely courage and resourcefulness of twenty-two-year-old Anna. Though she dreams of an artist's life, she must instead forage for food in the ever more desperate city and watch her little brother grow cruelly thin. Their father, a blacklisted writer who once advocated a robust life of the mind, withers in spirit and body. At such brutal times everything is tested. And yet Dunmore's inspiring story shows that even then, the triumph of the human heart is that love need not fall away.

    These objects—a cigarette lighter, lollipop sticks, a beer-bottle opener, etc.—like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically.Written in a variety of literary forms, The Museum of Unconditional Surrender captures the shattered world of living in exile. Some chapters re-create the daily journal of the narrator's lonely and alienated mother, who shops at the improvised flea-markets in town and longs for her children; another is a dream-like narrative in which a circle of women friends are visited by an angel. There are reflections and accounts of the Holocaust and the Yugoslav Civil War; portraits of European artists; a recipe for Caraway Soup; a moving story of a romantic encounter the narrator has in Lisbon; descriptions of family photographs; memories of the small town in which Ugresic was raised.Addressing the themes of art and history, aging and loss, The Museum is a haunting and an extremely original novel. In the words of the Times Literary Supplement, "it is vivid in its denunciation of destructive forces and in its evocation of what is at stake."

    Soon overwhelmed by the sheer beauty of the city and its magnificent art, Miss Garnet’s English reserve begins to melt away. For the first time in her life she falls in love—with an art dealer named Carlo—and her once ordinary world is further transformed by a beautiful Italian boy, Nicco, and an enigmatic pair of twins engaged in restoring the fourteenth-century Chapel-of-the-Plague. Most affecting to Julia, though, is her discovery in a local church of panels depicting the ancient tale of Tobias and the Angel. As Julia unravels the story of Tobias’s redemption, she too strives to recover losses—not just her own but also the priceless painting of an angel that goes mysteriously missing from the Chapel along with one of the twins restoring it. His name is Toby. And Miss Garnet herself may prove to be an angel, but nowhere in this haunting, beautifully textured and multilayered novel is anything quite what it appears to be.

    From the exasperated metaphor of human relationships that is "La autopista del sur" through the masterpiece that is "El otro cielo," Cortazar once again paves the way to stories that are a must-read for lovers of the story genre in general. "La salud de los enfermos," "Reunión," "La señorita Cora," "La isla a mediodía," "Instrucciones para John Howell," and "Todos los fuegos el fuego" are a celebration of intelligence, passion, and genius.

    Alternately voyeur and seer, he obsessively studies the private moments and secret activities of his neighbors: childbirth, first love, marriage, betrayal, illness and death all present themselves to him through this spy hole. Decades ahead of its time, "Hell" shocked and scandalized the reviewing public when first released in English in 1966. Even so, the New Republic praised "the beauty of the book's nervous yet fluid rhythms... The book sweeps away life's illusions."

    Every day, Thibault, a paramedic, drives where his dispatcher directs him, fighting traffic to attend to disasters. For many of the people he rushes to treat, he represents the only human connection in their day. Mathilde and Thibault are just two figures being pushed and shoved in a lonesome, crowded city. But what might happen if these two souls, traveling their separate paths, could meet?Delphine de Vigan's novel tells of urban isolation with poetic precision and resilient humor, in the much lauded follow-up to her bestselling No and Me.Praise for No and Me:"Thought-provoking and often poetic musings about No's life challenge readers to rethink their responsibilities to humankind...Quiet yet gripping."-Kirkus Reviews "All ages will find much to relish in this deceptively simple tale that is touching and enlightening." -Herald (Scotland)