Many years later, a couple sailing around the world take refuge on an uncharted island. Although they believe the tiny atoll to be uninhabited, it is actually home to a mysterious woman who has been stranded there for more than forty years. As that woman ponders whether to stay hidden or step back into society, a tempestuous storm threatens to change the course of all their lives.

    Naseby, England. Baroness De Meaux lives a comfortable life and is content with where she fits into the hierarchy of society. She was groomed for the story she’s telling but several things set her apart from everyone around her. When her mother passes away suddenly, the visions she hides from the world—the ones that show her the future—force their way to the surface. And when she’s faced with the impossible, it leaves her questioning just how far apart her two contradicting worlds really are from another. Can Margaret make peace with her past and what she assumes is her imagination? Or will she give into the myths from her childhood to shape the future? Through it all, Margaret knows one truth is universal: trust is hard-won and easily broken when you don’t know who’s on your side.

    After being shot down over the desert and imprisoned by the enemy, the world of privilege to which he belongs seems shallow. But in the shadow of his older brother’s death, the full weight of his father’s expectations falls on Chip. Pop Mackinnon—whose money is new but just as good as anyone else’s—has designs on the upper echelons of society. The polo ponies and expensive education he bought for his son weren’t gifts; they were an investment in the family’s future. Now it’s time for Chip to pay him back by marrying a girl who can finally bring the Mackinnons into society’s inner circle.A shrewd and cunning man, Pop is used to getting his way—until the arrival of Jean Cooper, that is. This Midwestern beauty awakens Chip’s passions, and the two embark on an affair that threatens to destroy Pop’s social-climbing plans. A battle of wills between father and son ensues, one that tests the boundaries of their relationship and strays into the place where love turns irrevocably to hate.Originally published in 1982 to wide acclaim, The Good Son remains Craig Nova’s undisputed masterpiece. This classic of contemporary American literature artfully explores the complicated web of emotions that exists between fathers and sons—ambition, jealousy, loyalty, love—in a tale that compels with its simple, searing honesty.Also Available as an eBook.

    While she can handle most challenges, from an erratic supply of Worcestershire sauce, the secret ingredient in her cooking, to the political tensions in East Africa's most notorious slum and a cholera outbreak that follows the freak floods in the state of Ubuntu, some threatening letters from London lawyers are beginning to overwhelm her. Well-meant but inept efforts to foil the lawyers by Edward Furniver, a former fund manager who runs Kibera's co-operative bank, bring Harrods International Bar to the brink of disaster, and Charity close to despair. In the nick of time an accidental riot, triggered by World Bank President Hardwick Hardwicke's visit to the slum, coupled with some quick thinking by Titus Ntoto, the 14-year-old leader of Kibera's toughest gang, the Mboya Boys United Football Club, help Charity - and Harrods - to triumph in the end.

    The Boers have turned out to be more resilient than expected, so the British have sent a call to arms to their colonies — and an a great number of men from the Canadian prairies answer the call and join the Canadian Mounted Rifles: a unit in which they can use their own beloved horses. They assume their horses will be able to handle the desert terrain of the Great Karoo as readily as the plains of their homeland. Frank Adams, a cowboy from Pincher Creek, joins the Rifles, along with other young men from the ranches and towns nearby — a mix of cowboys and mounted policeman, who, for whatever reason, feel a desire to fight for the Empire in this far-off war.Against a landscape of extremes, Frank forms intense bonds with Ovide Smith, a French cowboy who proves to be a reluctant soldier, and Jefferson Davis, the nephew of a prominent Blood Indian chief, who is determined to prove himself in a “white man’s war.” As the young Canadians engage in battle with an entrenched and wily enemy, they are forced to realize the bounds of their own loyalty and courage, and confront the arrogance and indifference of those who have led them into conflict. For Frank, disillusionment comes quickly, and his allegiance to those from the Distict of Alberta, soon displaces any sense of patriotism to Canada or Britain, or belief that he’s fighting for a just cause.The events of the novel follow the trajectory of the war. The British strategy of burning Boer farms, destroying herds, and moving Boer families into camps weakens the Boer rebels, but they refuse to give up. The thousands of Boer women and children who die in the camp make the war ever more unpopular among liberals in Britain. (In fact, this conflict marked the first use of the term “concentration camp” in war.) Seeing the ramifications of such short-sighted military decisions, and how they affect what happens to Frank and the other Canadians, is crucial to depicting the reality of the Boer War. By focusing on the experiences of a small group of men from southern Alberta, Fred Stenson brings the reality of what it would have been like to be a soldier in this brutal war to vivid life. The Great Karoo is a deeply satisfying novel, marked by the complexities of its plot, the subtleties of its relationships, and the scale of its terrain. Exhilarating and gruesome by turns, it explores with passion and insight the lasting warmth of friendship and the legacy of devastation occasioned by war.

    In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty—and Jende is eager to please. Clark’s wife, Cindy, even offers Neni temporary work at the Edwardses’ summer home in the Hamptons. With these opportunities, Jende and Neni can at last gain a foothold in America and imagine a brighter future. However, the world of great power and privilege conceals troubling secrets, and soon Jende and Neni notice cracks in their employers’ façades. When the financial world is rocked by the collapse of Lehman Brothers, the Jongas are desperate to keep Jende’s job—even as their marriage threatens to fall apart. As all four lives are dramatically upended, Jende and Neni are forced to make an impossible choice.

    . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.”  —Entertainment Weekly  (A)The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African countryAs civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander.While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.

    A former soldier and policeman, he makes his money working from investigating infidelity and finding missing cats. But Jackson's tough-guy exterior belies a deeply empathetic heart. He's unable to resist coming to the rescue and increasingly he becomes a magnet for the bereaved, the lost and the dysfunctional.  Surrounded by death, intrigue and misfortune, his own life haunted by a family tragedy, the Jackson Brodie series begins as the investigator attempts to unravel three disparate case histories. He soon realizes, however, that in spite of apparent diversity, everything is connected. . .  Now, with this four-volume eBook bundle, you can discover the novels that the New York Times has called “deliciously underhanded . . . and well worth waiting for.” “Atkinson’s detective novels are masterworks of character-driven plots and leisurely observation. But they are primarily triumphs of tone: sardonic, faithless, and dark as the inside of a cow. As a reader, you might come for the mystery, but you’ll return for the prose.” —The Globe and MailThis bundle includes: CASE HISTORIESONE GOOD TURNWHEN WILL THERE BE GOOD NEWS?STARTED EARLY, TOOK MY DOG

    Complicating these feelings of abandonment, as Kirabo comes of age she feels the emergence of a mysterious second self, a headstrong and confusing force inside her at odds with her sweet and obedient nature.Seeking answers, Kirabo begins spending afternoons with Nsuuta, a local witch, trading stories and learning not only about this force inside her, but about the woman who birthed her, who she learns is alive but not ready to meet. Nsuuta also explains that Kirabo has a streak of the “first woman”—an independent, original state that has been all but lost to women.Kirabo’s journey to reconcile her rebellious origins, alongside her desire to reconnect with her mother and to honor her family’s expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Makumbi’s unforgettable novel is a sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.

    This is such a story. Brian Grover was a brilliant, young engineer who seemed to have everything. His parents wanted him to join the army and settle down, but he had other ideas. In 1931, in a move that was to dramatically change the course of his life, he fled to Russia seeking fortune and adventure. Set against a background of political and social turmoil, this heart-warming and exquisitely written true story of one man's courage, bravery, and unswerving determination to be with the woman he loved is an inspiration and a delight.

    All of them know they will still be struggling to fit their lives into the new flats years later but no one protests. No one talks about it even as they are slowly being pushed out of their homes. Not Cardboard Lady, an eighty-year-old woman who sells scraps for a living. Not young Alex, who is left homeless after a falling out with Cindy. Not Ah Tee, who has worked at the coffee-shop on the ground floor of Block 204 for much of his adult life, and whose reaction to the move affects his neighbours in different ways.For some, the tragedy that occurs during their last days in Block 204 is a reminder of old violence, aged wounds. For others, new opportunities transpire. If I Could Tell You is about silence, the keeping and breaking of it, and what comes after.

    As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.

    The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord. In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.

    One is black, one white. Both are successful women with impressive careers. Both have recently been widowed. And both are sworn enemies, sharing hedge and hostility which they prune with a zeal that belies the fact that they are both over eighty.But one day an unforeseen event forces the women together. And gradually the bickering and sniping softens into lively debate, and from there into memories shared. But could these sparks of connection ever transform into friendship? Or is it too late to expect these two to change?

    But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom.