But as the years flit by Usman feels a growing distance between them. He realises that he hasn't noticed the buds of the gulmohar tree unfurl, and that he has lost sight of his love for his wife.A beautiful account of a marriage that is in turns wry and unashamedly romantic.Another Gulmohar Tree was shortlisted for the Commonwealth Writers' Prize Europe and South Asia in 2010.Aamer Hussein was born in Karachi in 1955 and moved to London in the early 1970s. He is a fellow of the Royal Society of Literature and reviews regularly for The Independent and the TLS. He is the author of Turquoise, This Other Salt, and the editor of Kahani: Short Stories by Pakistani Women. He has held visiting posts at the University of Southampton and the University of London, and is a Fellow of the Royal Society of Literature.

    But when she is set up by her long-time friend, she doesn’t shy away from the possibilities. Ahad, a charming, independent, self-made man, captures her imagination, drawing her away from her disapproving sister, Juveria.Faced with sizzling chemistry and a meeting of the minds, Ahad and Rumi find themselves deep in a relationship that moves forward with growing intensity. But as her desire for the self-assured Ahad grows, Rumi struggles with a decision that will impact the rest of her life.Confronted by her scandalized sister, a forbidding uncle and a society that frowns on pre-marital intimacy, Rumi has to decide whether to shed her middle-class sensibilities, turning her back on her family, or return to her secluded existence as an unmarried woman in Pakistan.We follow Rumi from rainy London to a sweltering Karachi, as she tries to take control of her own destiny.

    literary debut of an up-and-coming Pakistani essayist and novelist This novel revolves around the last three months of Benazir Bhotto's life -- from her arrival back in Pakistan in October of 2007 to her death in a suicide bombing on December 27th -- as told through the eyes of Ali, a young journalist who is the estranged son of a wealthy landowner.The contemporary narrative has flashbacks to the history of Ali's feudal family, Sufi mystics, a warrior clan, and the history of outside British and American interference.With Bhutto serving as the centerpiece of the deadly turmoil, Bina Shah reveals the many contradictions of a country that is struggling to enter into modernity.A Season for Martyrs is her US debut, and we have lightning in a bottle with this very, very talented novelist and journalist.

    Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.

    In 2011, following an attack on his offices by the Pakistani Taliban, he took a five-year sabbatical to write books and worked as a political risk consultant. He has been widely quoted and regularly featured in major news outlets like The New York Times, USA Today, The Wall Street Journal, The Times, Le Monde, DW, Bloomberg, Reuters, CNN, BBC and NPR. His first novel, The Prisoner (2013), was longlisted for the DSC Prize for South Asian Literature 2015 and is now being adapted for a feature film. His second novel is The Spinner’s Tale (2015). In 2016, Omar returned to active duty as a Counter Terrorism Officer.

    The smoke-spewing, banshee-wailing, fearsome black thing hisses like a thousand cobras... and the villagers declare that this Thing is an Iron Demon—a yakada yaka.The Burghers who drive these Iron Demons have a penchant for challenging authority and courting trouble, sometimes just to liven things up in the railway outposts... and so it is that Sonnaboy and Meerwald chase a large group of villagers all across Anuradhapura, mother-naked but not much bothered by it, Ben Godlieb conjures up a corpse in his cowcatcher, Dickie Byrd single-handedly demolishes a Pentecostal Mission and is hailed as the messiah of the Railway fraternity, and Basil Van der Smaght filches a human heart and feeds it to the Nawalapitiya railway staff ...and to cap it all, Sonnaboy takes French Leave to act in The Bridge on the River Kwai!

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

    Two years earlier, her lover, Pakistan's greatest poet, was beaten to death by government thugs. In present-day Karachi, her daughter Aasmaani has just discovered a letter in the couple's private code—a letter that could only have been written recently. Aasmaani is thirty, single, drifting from job to job. Always left behind whenever Samina followed the Poet into exile, she had assumed that her mother's disappearance was simply another abandonment. Then, while working at Pakistan's first independent TV station, Aasmaani runs into an old friend of Samina's who gives her the first letter, then many more. Where could the letters have come from? And will they lead her to her mother? Merging the personal with the political, Broken Verses is at once a sharp, thrilling journey through modern-day Pakistan, a carefully coded mystery, and an intimate mother-daughter story that asks how we forgive a mother who leaves.

    Snuffing Out the Moon is a dazzling debut novel that is at once a cry for freedom and a call for resistance.Advance Praise for Snuffing Out the Moon ‘Criss-crossing historical periods and populating its multiple narratives with a diverse set of characters, Snuffing Out the Moon is a daringly original novel charting the past and the future of our civilization, and so illuminating the author’s view of our present. A challenging and thought-provoking read’—Shashi Tharoor, author and MP‘This novel stirred strange feelings in me. Its air is bleak and somehow forbidding. It is vast in scope but comparatively compressed in a space that the novelist uses expertly to draw for us the lineages of the past, the present and the future. It leaves us with the chilling vision that evil—greed or the impulse to destroy—is man’s destiny. Masterfully composed, the novel sums up aeons of history and culture with an assurance of narrative power that makes the picture of the past and the present as compelling as his imaginings of the future. Present fears are no less than the horrible imaginings, the novel seems to say. Learned and sagacious, the narrative pleases while it also awes the reader’—Shamsur Rahman Faruqi, author of The Mirror of Beauty‘Osama Siddique’s ambitious historical novel will be of consequence not only to Pakistan but to the Indian subcontinent’—Bapsi Sidhwa, author of Ice-Candy-Man‘Innovative, introspective and evocative, this remarkable debut novel gives poignant expression to an age-old human dilemma and one of the central challenges of our own troubled times: the choice between stultifying social conformity born of ignorance, intellectual laziness and fear, and the liberating agency that comes from doubt, dissent and defiance. Polyphonic in scope and written in the fragmentary and episodic mode, the intriguingly titled Snuffing Out the Moon deftly weaves together half a dozen different narratives informed by the rich sociopolitical, cultural and literary traditions of South Asia’s six millennia- long history. Beginning in 2084 BCE with the Indus Valley Civilization and ending in 2084 CE when the deadly politics of religious radicalism and water wars have drastically recast the face of South Asia, the novel is a gripping read. It dispenses with linear time by criss-crossing the past, present and the future in a disconnected fashion without becoming random and trivial or devoid of inner meaning and connectedness. A welcome addition to South Asia’s burgeoning trove of English-language literature, it will engage and absorb a cross-section of readers with its sparkling wit, lyrical bursts and welter of insights into human frailties and foibles’—Ayesha Jalal, historian and author of Jinnah: The Sole Spokesman

    Petersburg, looking for evidence of her soldier brother who disappeared decades before during the Soviet invasion; David, an American, a former spy who has seen his ideals turned inside out during his twenty-five years in Afghanistan; Casa, a young Afghani whose hatred of the West plunges him into the depths of zealotry; and James, the Special Forces soldier in whom David sees a dangerous revival of the unquestioning notions of right and wrong that he himself once held.In mesmerizing prose, Nadeem Aslam reveals the complex ties—of love and desperation, pain and salvation, madness and clarity—that bind the characters. And through their stories he creates a timely and achingly intimate portrait of the “continuation of wars” that shapes our world. In its radiant language, its depth of feeling, and its unflinching drama, The Wasted Vigil is a luminous work of fiction.

    Elegantly weaving together different voices into a striking portrait of a city and its people, The Scatter Here Is Too Great is a tale as vibrant and varied in its characters, passions, and idiosyncrasies as the city itself.

    Before long, he can't pay his bills, and he loses his toehold among Pakistan's cell-phone-toting elite. Daru descends into drugs and dissolution, and, for good measure, he falls in love with the wife of his childhood friend and rival, Ozi—the beautiful, restless Mumtaz.Desperate to reverse his fortunes, Daru embarks on a career in crime, taking as his partner Murad Badshah, the notorious rickshaw driver, populist, and pirate. When a long-planned heist goes awry, Daru finds himself on trial for a murder he may or may not have committed. The uncertainty of his fate mirrors that of Pakistan itself, hyped on the prospect of becoming a nuclear player even as corruption drains its political will.Fast-paced and unexpected, Moth Smoke portrays a contemporary Pakistan as far more vivid and disturbing than the exoticized images of South Asia familiar to most of the West. This debut novel establishes Mohsin Hamid as a writer of substance and imagination.

    It's also a love story: between a young Pakistani man trying to make his way as photographer in America, and the daughter of a Pakistani father and German mother brought up in the US, who wants to return to a country she's never seen. Together they make the trip to Pakistan, where a chance meeting with a young nomad changes their lives, and the lives of those around them, forever. The novel is also a love letter to the wilds of Northern Pakistan, to glaciers, to the old Silk Road, and to the nomadic life of the indigenous people in the Northern territories, where China encroaches and Pakistanis, Uzbeks, Russians, Chinese, and Afghans all come together to trade.

    They are bons vivants. They are three young Pakistani men in New York City at the turn of the millennium: AC, a gangsta-rap-spouting academic; Jimbo, a hulking Pushtun DJ from the streets of Jersey City; and Chuck, a wideeyed kid, fresh off the boat from the homeland, just trying to get by. Things start coming together for Chuck when he unexpectedly secures a Wall Street gig and begins rolling with socialites and scenesters flanked by his pals, who routinely bring down the house at hush-hush downtown haunts. In a city where origins matter less than the talent for self-invention, the three Metrostanis have the guts to claim the place as their own. But when they embark on a road trip to the hinterland weeks after 9/11 in search of the Shaman, a Gatsbyesque compatriot who seemingly disappears into thin air, things go horribly wrong. Suddenly, they find themselves in a changed, charged America.Rollicking, bittersweet, and sharply observed, Home Boy is at once an immigrant’s tale, a mystery, and a story of love and loss, as well as a unique meditation on Americana and notions of collective identity. It announces the debut of an original, electrifying voice in contemporary fiction.

    His collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day.Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.