I can't recall ever seeing the building on my trips back to the city, first as a child or later as an adult. I imagine it in shades of blue and brown, the plastic waiting room chairs covered in the fine film of moisture that creeps over everything there. It is not a place I've thought of often, but I think of it now and wonder how it has shaped me.I am Fijian-Indian, and have lived in Australia since I was three years old. Memories of my early life in Fiji are limited to flashes, like an old film projector running backwards. I remember a blue dress, a trip on a boat where my father handed me a dried, floating starfish that I clutched in my fingers, determined not to lose it back to the ocean.'No Country Woman is the story of never knowing where you belong. It's about not feeling represented in the media you consumed, not being connected to the culture of your forebears, not having the respect of your peers. It's about living in a multicultural society with a monocultural focus but being determined to be heard.It's about challenging society's need to define us and it's a rallying cry for the future. It's a memoir full of heart, fury and intelligence - and the book we need right now.

    What are your fictions?Tara Moss has worn many labels in her time, including 'author', 'model', 'gold-digger', 'commentator', 'inspiration', 'dumb blonde', 'feminist' and 'mother', among many others. Now, in her first work of non-fiction, she blends memoir and social analysis to examine the common fictions about women. She traces key moments in her life - from small-town tomboy in Canada, to international fashion model in the 90s, to bestselling author taking a polygraph test in 2002 to prove she writes her own work - and weaves her own experiences into a broader look at everyday sexism and issues surrounding the underrepresentation of women, modern motherhood, body image and the portrayal of women in politics, entertainment, advertising and the media. Deeply personal and revealing, this is more than just Tara Moss's own story. At once insightful, challenging and entertaining, she asks how we can change the old fictions, one woman at a time.'This book, part memoir, part manifesto, catapults [Tara] into the frontline as a public commentator who demands serious attention. She is a welcome addition to any conversation about social justice, public ethics and the objectification of women, about which she knows a great deal.' Caroline Baum'a nimbly argued, statistic-laden exploration of the various labels we give women and the impact this has on their lives' Catherine Keenan, ABC The Drum'This is a book which needs to be read by men and women. Well written, clearly argued, informative, powerful and thought provoking. Forget everything you thought you knew about Tara Moss, with The Fictional Woman, Tara sets the record straight and takes her place as one of our generations great commentators.' John Purcell, Booktopia

    He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everybody and listening carefully. It’s about finding different ways to look at things.Most of all it’s about Indigenous thinking, and how it can save the world.

    Lesley Williams is forced to leave Cherbourg Aboriginal Settlement and her family at a young age to work as a domestic servant. Apart from a bit of pocket money, Lesley never sees her wages – they are kept ‘safe’ for her and for countless others just like her. She is taught not to question her life, until desperation makes her start to wonder, where is all that money she earned? So begins a nine-year journey for answers which will test every ounce of her resolve. Inspired by her mother’s quest, a teenage Tammy Williams enters a national writing competition with an essay about injustice. The winning prize takes Tammy and Lesley to Michael Jackson’s Neverland Ranch and ultimately to the United Nations in Geneva. Along the way, they find courage they never thought they had and friendship in the most unexpected places. Told with honesty and humor, Not Just Black and White is an extraordinary memoir about two women determined to make sure history is not forgotten.

    Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society. She became an instant celebrity, but the price of fame was high and the pain of her ruptured childhood lasted a lifetime.Based on historical records, including letters and diaries of Oatman’s friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois—including the massacre, her captivity, and her return to white society—to her later years as a wealthy banker’s wife in Texas.Oatman’s story has since become legend, inspiring artworks, fiction, film, radio plays, and even an episode of Death Valley Days starring Ronald Reagan. Its themes, from the perils of religious utopianism to the permeable border between civilization and savagery, are deeply rooted in the American psyche. Oatman’s blue tattoo was a cultural symbol that evoked both the imprint of her Mohave past and the lingering scars of westward expansion. It also served as a reminder of her deepest secret, fully explored here for the first time: she never wanted to go home.

    It is well-used, creased, and folded, so that when you open it, no matter how carefully, something tears and a line that is neither latitude nor longitude opens in the hidden geography of the place you are about to enter.'Since the publication of her prize-winning memoir, 'Craft for a Dry Lake', in 2000, writer and artist Kim Mahood has been returning to the Tanami desert country in far north-western Australia where, as a child, she lived with her family on a remote cattle station. The land is timeless, but much has changed: the station has been handed back to its traditional owners; the mining companies have arrived; and Aboriginal art has flourished.Comedy and tragedy, familiarity and uncertainty are Mahood’s constant companions as she immerses herself in the life of a small community and in groundbreaking mapping projects. What emerges in 'Position Doubtful' is a revelation of the significance of the land to its people — and of the burden of history.Mahood is an artist of astonishing versatility. She works with words, with paint, with installations, and with performance art. Her writing about her own work and collaborations, and about the work of the desert artists, is profoundly enlightening, making palpable the link between artist and country.This is a beautiful and intense exploration of friendships, landscape, and homecoming. Written with great energy and humour, Position Doubtful offers a unique portrait of the complexities of black and white relations in contemporary Australia.

    This story begins when Daniel Baldinger divorces the wife he loves because she cannot bear children. Believing that "a man must have sons to say Kaddish for him when he dies," he marries a much younger woman, and by 1913, Daniel and his second wife Lieba have eleven children, including six sons. In this richly textured portrait, Armstrong follows the Baldinger children's lives over decades, through the terrifying years of the Holocaust, to the present. Based on oral histories and the diaries of more than a dozen men and women, Mosaic is an extraordinary story of a family and one woman's journey to reclaim her heritage.

     The highs and lows of Malcolm Turnbull's remarkable career are documented here in technicolour detail by journalist Paddy Manning. Based on countless interviews and painstaking research, it is a forensic investigation into one of Australia’s most celebrated overachievers, Turnbull's relentless energy and quest for achievement have taken him from exclusive Point Piper to Oxford University; from beating the Thatcher government in the Spycatcher trial to losing the referendum on the republic; from defending the late Kerry Packer - codenamed Goanna - in the Costigan Royal Commission to defending his own role in the failure of HIH, Australia's biggest corporate collapse. He was involved in the unravelling of the Tourang bid for Fairfax, struck it rich as co-founder of OzEmail, and fought his own hotly contested battle for Wentworth As Opposition leader he was duped by Godwin Grech's 'Utegate' fiasco; as the most tech-savvy communications minister he oversaw a nobbled NBN scheme. And now he has assumed the leadership of the Liberal Party for the second time after wrestling the prime ministership from first-term PM Tony Abbott. Will Turnbull crash and burn as he has before or has his entire tumultuous life been a rehearsal for this moment?

    Faulkner's novel is enlivened by a strong gift for metaphor and the wisdom to use it sparingly.'When Roberta 'Bertie' Lightfoot is struck down with polio, her world collapses. But Mama doesn't tolerate self-pity, and Bertie is nobody if not her mother's daughter - until she sets her heart on becoming an artist. Through drawing, the gifted and perceptive Bertie gives form and voice to the reality of the people and the world around her. While her father is happy enough to indulge Bertie's driving passion, her mother will not let art get in the way of the future she wishes for her only daughter.In 1955 the family moves to post-colonial Port Moresby, a sometimes violent frontier town, where Bertie, determined to be the master of her own life canvas, rebels against her mother's strict control. In this tropical landscape, Bertie thrives amid the lush pallette of colours and abundance, secretly learning the techniques of drawing and painting under the tutelage of her mother's arch rival.But Roberta is not the only one deceiving her family. As secrets come to light, the domestic varnish starts to crack, and jealousy and passion threaten to forever mar the relationship between mother and daughter.Tender and witty, The Beloved is a moving debut novel which paints a vivid portrait of both the beauty and the burden of unconditional love.WINNER OF THE NITA B KIBBLE LITERARY AWARD 2013SHORTLISTED FOR THE MILES FRANKLIN AWARD 2013WINNER OF THE QUEENSLAND PREMIER'S LITERARY AWARD FOR AN EMERGING QUEENSLAND AUTHOR 2011COMMENDED FOR THE FAW CHRISTINA STEAD AWARD 2012

    It provides hope and new direction for those searching for the answers as to why "the problems" seems to persist in Aboriginal communities. It also offers insights for those who want a greater understanding of the issues involved in achieving true reconciliation. In Arnhem Land, as in Indigenous communities across Australia, the situation is dire; health is poor, unemployment is rife and life is short. Why Warriors lie down provides a fresh analysis of this crisis and offers examples of how the people can once again take control of their own lives. Finding the real cause of this crisis requires the reader to look at it from the other side of the cultural / language divide - the side where the Yolngu people live. The Book Why Warriors Lie Down and Die takes us to that side.

    But while this event transformed the complexion of America and provided black people with new economic opportunities, it also disconnected them from their roots, their land, and their sense of identity, argues Morgan Jerkins. In this fascinating and deeply personal exploration, she recreates her ancestors’ journeys across America, following the migratory routes they took from Georgia and South Carolina to Louisiana, Oklahoma, and California.Following in their footsteps, Jerkins seeks to understand not only her own past, but the lineage of an entire group of people who have been displaced, disenfranchised, and disrespected throughout our history. Through interviews, photos, and hundreds of pages of transcription, Jerkins braids the loose threads of her family’s oral histories, which she was able to trace back 300 years, with the insights and recollections of black people she met along the way—the tissue of black myths, customs, and blood that connect the bones of American history.Incisive and illuminating, Wandering in Strange Lands is a timely and enthralling look at America’s past and present, one family’s legacy, and a young black woman’s life, filtered through her sharp and curious eyes.

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.

    hard to describe without superlatives... in a hundred years the book will still be a classic.' MeanjinDescription of book‘... far better than any novel; an incomparable record of a greart family and of a series of great actions.’ The BulletinWhen Patrick Durack left Western Ireland for Australia in 1853, he was to found a pioneering dynasty and build a cattle empire across the great stretches of Australia.With a profound sense of family history, his grand-daughter, Mary Durack reconstructed the Durack saga - a story of intrepid men and ground-breaking adventure.This sweeping tale of Australia and Australians remains a classic nearly fifty years on.

    As gang fought gang, the streets echoed with the sound of violence and ran with blood. Razor chronicles in compelling detail the nether world ruled by fabled vice queens Tilly Devine and Kate Leigh, and financed by the spoils of illegal drugs and alcohol, prostitution, gambling and extortion. Gangsters such as Guido Calletti, Big Jim Devine and Frank 'the Little Gunman' Green killed, robbed and slashed with impunity. Facing them were the police - some corrupt, some honest, and a few as tough and feared as the razor gangs they fought. Razor is the fascinating true story of the people who lived and died in this world of violence and vice. Razor brings a city's dark past back to life, and ensures that you will never look at inner Sydney in quite the same way again.

    A horrific accident thrusts his mother and siblings into a world impossible for them to navigate, a life of poverty and drug addictionOne Hundred Years of Dirt is an unflinching memoir in which the mother is a hero who is never rewarded. It is a meditation on the anger, fear of others and an obsession with real and imagined borders. Yet it is also a testimony to the strength of familial love and endurance.