In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    (Nancy Pearl)

    Brazil vs the fearsome USSR.In the opening three minutes - 'the greatest three minutes in the history of football' - one man wrote himself into the record books. Brazil went on to win the cup, and, in Garrincha, a star was born. Garrincha was the unlikeliest of footballers - with a right leg that turned inwards and a left that turned out, but with a ball at his feet he had the poise of an angel. He played for the love of the game, uninterested in money, and ignoring tactical advice. And he was as wild off the pitch as he was mesmerising on it - mischievous, audacious and dripping with sex appeal. It was his affair and subsequent marriage to the singer Elza Soares that caught the imagination of a nation - their mouth-watering combination of soccer and samba made them the toast of 1960s Rio. But by the age of forty-nine, Garrincha was dead, destroyed by the excesses that made him so compelling. ‘Funny and moving, zealously researched and lovingly told’ Daily Telegraph

    Overwhelmed by the horror of his discoveries as they become entangled with his own feverish imaginings, he organizes a class trip. The school bus becomes Götz and Meyer’s truck, and the teacher and his students merge with Belgrade’s lost souls in a sacred act of remembering.

    The garden burns with sunlight; the macaws laugh sweetly. Otilia, Ismail's wife, is ashamed of his peeping and suggests that he pay a visit to Father Albornoz. Instead, Ismail wanders the town visiting old friends, plagued by a tangle of secret memories. "Where have I existed these years? I answer myself; up on the wall, peering over." When the armies slowly arrive, the profesor's reveries are gradually taken over by a living hell. His wife disappears and he must find her. We learn that not only gentle, grassy hillsides surround San Joseacute; but landmines and coca fields. The reader is soon engulfed by the violence of Rosero's narrative that is touched not only with a deep sadness, but an extraordinary tenderness.

    Being thirteen is like being in the middle of nowhere. Which was accentuated by the fact that I was in the middle of nowhere. In a house that wasn’t mine. in a city that wasn’t mine, in a country that wasn’t mine, with a one-man family that, in spite of the intersections and intentions (all very good), wasn’t mine.When her mother dies, thirteen-year-old Vanja is left with no family and no sense of who she is, where she belongs, and what she should do. Determined to find her biological father to fill the void that has so suddenly appeared in her life, Vanja decides to leave Rio de Janeiro to live in Colorado with her stepfather, a former guerrilla notorious for his violent past. From there she goes in search of her biological father, tracing her mother’s footsteps and gradually discovering the truth about herself.Rendered in lyrical and passionate prose, Crow Blue is a literary road trip through Brazil and America, and through dark decades of family and political history.

    These short stories are all set in Mozambique.

    It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.

    But his life is turned upside down when King Dom Carlos invites him to become governor of Portugal’s smallest colony, the island of São Tomé e Principe. Luis Bernardo is ill-prepared for the challenges of plantation life – used to a softer urban existence, he is shocked by the conditions under which the workers labour.But with the English closing in on São Tomé’s cocoa plantations, the island’s main means of survival, Luis Bernardo must endeavour to protect the island and its community.

    Orosco converted and became a Missionary working among the oriental tribes. He was always accompanied by his son Carlos who became very fund of this young Indian Beauty, Cumand. She saved the young white man's life in several opportunities, finally she accepted to become the wife of the chief of the Jibaros Yahuarmaqui so they would spare his beloved Carlos's life. At the end of this masterpiece we find out that Cumand is the daughter of Juan Domingo Orosco and that she didn't die when his ranch was destroyed, thanks to the protection of Pona, wife of the chief of the Paloras, and she was raised in the jungle as part of the Indian tribes. Cumand dies sacrificed according to the customs of the tribe; Orosco reconciles with his enemy, the loss of his daughter end the life of purification he had in the last few years.

    Not an ordinary historical novel, but rather a poetic, highly informed essay, it forth, in rich prose, a host of memorable impressions -- of Revolutionary Paris, of Caribbean islands sweltering in the sunlight, and of the Revolutionary ideals which, transplanted to these islands, died in blood, sweat and a return to slavery and the old ways. Its chief protagonist is Victor Hugues, a historical figure, who is shown through the eyes of three fictional orphaned adolescents -- Carlos, Sofia, and their cousin Esteban, whom he dazzled at first meeting. Esteban follows Victor as he rises from baker's son and merchant to Revolutionary master of the Caribbean, but sickens eventually of bloodshed and of Victor's ruthless changing to fit shifting policies. Sofia, who loves Victor and joins him, is also finally sickened by the betrayal of Revolutionary ideals, and the changes power has made in Victor. Above its many modern political parallels, this story is powerful evocation of the mysterious evolution, decay and persistence of all human relations and ambitions. Splendidly written.

    Simultaneously satiric and philosophical, The Opportune Moment, 1855, opens with an Italian anarchist’s missive to his noble former mistress, an impassioned rejection of all of Europe’s latest and greatest advancements, from the Enlightenment to social reform to communist revolution. We then leap back in time half a century to the alternately somber and hilarious shipboard diary of a common Italian everyman sailing to Brazil with a motley, multinational band of idealists, to build a new society. A pitiless portrait of the often unbridgeable gap between theory and practice, The Opportune Moment, 1855 is another uproarious and unsettling attack on convention by one of literature’s great provocateurs.

    Determined to exorcise the Nazi "beast" from their shattered lives and prepare for a second holocaust he knows is coming, Momik increasingly shields himself from all feeling and attachment. But through the stories his great-uncle tells him—the same stories he told the commandant of a Nazi concentration camp—Momik, too, becomes "infected with humanity." Grossman's masterly fusing of vision, thought, and emotion make See Under: Love a luminously imaginative and profoundly affecting work.

    The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura’s death by her family and blaming himself, wanted to die, too. Instead, he wrote Say Her Name, a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain.Suddenly a widower, Goldman collects everything he can about his wife, hungry to keep Aura alive with every memory. From her childhood and university days in Mexico City with her fiercely devoted mother to her studies at Columbia University, through their newlywed years in New York City and travels to Mexico and Europe—and always through the prism of her gifted writings—Goldman seeks her essence and grieves her loss. Humor leavens the pain as he lives through the madness of grief and creates a living portrait of a love as joyous as it is deep and profound.Say Her Name is a love story, a bold inquiry into destiny and accountability, and a tribute to Aura, who she was and who she would've been.

    With great sensitivity, Gibran describes his passion as a youth for Selma Karamy, the girl of Beirut who first unfolded to him the secrets of love. But it is a love that is doomed by a social convention which forces Selma into marriage with another man. Portraying the happiness and infinite sorrow of his relationship with Selma, Gibran at the same time probes the spiritual meaning of human existence with profound compassion. **Lightning Print On Demand Title