The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.

    When the new Lord and Lady Hartford and their twin daughters arrived, they reduced her status to that of a servant. Elizabeth is determined to leave Hartford Hall in the New Year and find work as a governess. But the arrival of Sir James Worthington to make an offer for Lady Eleanor Hartford only leads to her difficulties...(Christmas at Hartford Hall was first published by DC Thomson in 2009)

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    Her life is no longer lavish with entertainment, beautiful clothes and surrounded by a loving family. Soldiers, physically and mentally wounded now fill her home. The smell of disinfectant replaces her mother's perfume and gone are the friends and acquaintances - instead nurses roam the hallways. Captain Jake Harding, a doctor training in psychiatry arrives at Twelve Pines. Audrey immediately finds herself attracted to the Captain, but he is remote towards her. Puzzled by his cold behaviour, Audrey tries to learn more about the handsome Captain. He reveals that he's lost a wife and baby in childbirth and refuses to ever remarry. However, despite this, Audrey believes she can change his mind and make him aware he doesn't have to spend his life alone.The ice around Jake's heart begins to melt. For years he has rejected the possibility of finding love again because of the pain it caused him before, but the beautiful Audrey shows him her love and she needs someone to love her in return. Could he honestly walk away from her, from the love that could be his?

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Mary excels in hand weapons, and Gina may get carried away a bit too often with explosives, but Italian traditions are important, and that means protecting family. Their U.S. Army trained sons may not need saving, but like it or not, they’re going to have their mothers there to help them survive.If only they didn’t keep getting sidetracked by folks too weak or inept to protect themselves from not only the zombies, but the remaining scumbag humans preying on other victims. It’s a constant game of whack a zombie, but along with a pair of ferocious Siamese cats, Mary and Gina are going from outlaws to heroes and having the time of their lives.

    With a conked out ’72 Beetle, and a newly broken heart courtesy of her cheating ex-fiancée, Libby Green finds herself fleeing to tiny Spoonbend, Georgia to claim a cottage willed to her family years ago. Libby must learn the ins and outs of life in the small town south—where the iced tea is sweet, the drawl is slow, the men are sexy, and southern belles aren’t always charming. After embarrassing herself in hopes of assimilating (who knew people actually still called northerners Yankees?) and catching the eye of more than one gallant good ol’ boy, Libby inadvertently uncovers a dark secret that will challenge the very fabric of Spoonbend society.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    Theatre script, playbook