Mouse’s world is constrained by a number of factors: her mother is dead, her father – the admired country doctor – is emotionally distant, her housekeeper Sal is prejudiced and narrow, and her grandmother and aunt, Big Louie and Little Louie, the only life-affirming presences in her life, live in another city. Enter Gentleman John Pilkie, the former NHL star who’s transferred to the mental hospital in Madoc's Landing, where he is to serve out his life-sentence for the murder of his wife and daughter. John becomes a point of fascination for young Mary, who looks to him for the attention she does not receive from her father. He, in turn, is kind to her – but the kindness is misunderstood. When Mary figures out that the attention she receives from the Hockey Killer is different in kind and intent from the attention her Aunt Little Louie receives, her world collapses. Set against the beautiful and dramatic shore of Georgian Bay, the climax will have readers turning pages with concern for characters they can’t help but love.Praise"Mouse Bradford is a unique and luminous creation... Gentleman John Pilkie, the hockey killer with a heart of gold, is dressed and ready to become a legend." — Paul Gross

    Harry Boyd, a hard-bitten refugee from failure in Toronto television, has returned to a small radio station in the Canadian North. There, in Yellowknife, in the summer of 1975, he falls in love with a voice on air, though the real woman, Dido Paris, is both a surprise and even more than he imagined. Dido and Harry are part of the cast of eccentric, utterly loveable characters, all transplants from elsewhere, who form an unlikely group at the station. Their loves and longings, their rivalries and entanglements, the stories of their pasts and what brought each of them to the North, form the centre. One summer, on a canoe trip four of them make into the Arctic wilderness (following in the steps of the legendary Englishman John Hornby, who, along with his small party, starved to death in the barrens in 1927), they find the balance of love shifting, much as the balance of power in the North is being changed by the proposed Mackenzie Valley gas pipeline, which threatens to displace Native people from their land.Elizabeth Hay has been compared to Annie Proulx, Alice Hoffman, and Isabel Allende, yet she is uniquely herself. With unforgettable characters, vividly evoked settings, in this new novel, Hay brings to bear her skewering intelligence into the frailties of the human heart and her ability to tell a spellbinding story. Written in gorgeous prose, laced with dark humour, Late Nights on Air is Hay’s most seductive and accomplished novel yet.

    After Jerome, a young artist on a remote island retreat, discovers Andrew Woodman's dead body frozen in the ice, he meets the elderly man's former lover, Sylvia, who is curious about the circumstances surrounding Andrew's death. Together, Jerome and Sylvia uncover both the secrets of their own pasts and the breathtaking story of Andrew's ancestors.

    Eliot Gordon would do anything for her family. A 38-year-old working mother, she lives an ordinary but fulfilling life in suburban Atlanta with her partner, Grant Delaney, and their three daughters. The two older girls are actually Eliot's stepdaughters, a distinction she is reluctant to make as she valiantly attempts to maintain a safe, happy household . . . Then Finn Montgomery, Eliot's long-lost first love, appears, triggering a shocking chain of events that culminates in a split-second decision that will haunt her beloved family forever. How Eliot survives-and what she loses in the process-is a story that will resonate with anyone who has ever loved a child. With hilarious honesty, wrenching depth, and a knockout twist, I COULDN'T LOVE YOU MORE illuminates the unbreakable bonds of family and reveals the lengths we'll go to save each other, even as we can't save ourselves.

    The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even as their minds hitchhike, dream, and soar. Some appear in different times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians.From the cobblestones of Montreal’s Old Port through the foliage of a South American rainforest; from a basement in wartime Paris to a metro in Montreal during the October Crisis; Kellough’s fierce imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, even when here.

    Then her blackouts begin, as do the visits from a mysterious customer who offers help for Maggie's blackouts and her project of investigating her mother's past in the American South. Is Maggie breaking down in the way her mother did, or is her "madness" a distinctive show of grief? Nobody really knows, not her father, her boyfriend or her psychiatrist, and especially not Maggie, who has to make some crazy decisions in order to work to feel sane again. A vivid look at the various confusions that can set in after a trauma and an insightful, gently funny portrait of a woman in her early twenties, especially relatable to readers who grew up in the eighties and nineties, Magnified World dramatizes the battle between the head and the heart and the limitations of both in unlocking something as complicated as loss.

    She’s never had a boyfriend and doesn’t know how to do laundry. She joins the Film Society and hangs out in the library. She drifts away from boring Bethany, her best friend from high school, and starts to trail after Allegra, the caffeine-addicted, dish-throwing artist in the dorm room next to hers. And, most of all, she thinks about how she’s still a virgin and how she’ll never figure it all out.And then she meets Nellcott Ragland, a 23-year-old who works at Basement Records and wears black eyeliner, and he asks her on a date.Alice tries to hide out in the Film Society office. She spies on Nellcott at the record store. She gets advice from Walker, her filmmaking, womanizing friend from Toronto. But sooner or later her parents are going to visit and watch her cry. She won’t admit it to them, but Nellcott has become her darling.

    Her guilt-plagued mother cannot accept her daughter's deafness. Grania's saving grace is her grandmother Mamo, who tries to teach Grania to read and speak again. Grania's older sister, Tress, is a beloved ally as well-obliging when Grania begs her to shout words into her ear canals and forging a rope to keep the sisters connected from their separate beds at night when Grania fears the terrible vulnerability that darkness brings. When it becomes clear that she can no longer thrive in the world of the hearing, her family sends her to live at the Ontario School for the Deaf in Belleville, where, protected from the often-unforgiving hearing world outside, she learns sign language and speech.After graduation Grania stays on to work at the school, and it is there that she meets Jim Lloyd, a hearing man. In wonderment the two begin to create a new emotional vocabulary that encompasses both sound and silence. But just two weeks after their wedding, Jim must leave home to serve as a stretcher bearer on the blood-soaked battlefields of Flanders.During this long war of attrition, Jim and Grania's letters back and forth-both real and imagined-attempt to sustain their young love in a world as brutal as it is beautiful. Frances Itani's depiction of a world where sound exists only in the margins is a singular feat in literary fiction, a place difficult to leave and even harder to forget. A magnificent tale of love and war, Deafening is finally an ode to language-how it can console, imprison, and liberate, and how it alone can bridge vast chasms of geography and experience.

    Days later, when tests confirmed what Alicia already knew--that Chloe had Down syndrome--she didn't falter. Her ex-husband wanted a child who would grow to be a scholar. For Alicia, it's enough that Chloe just is.Now twenty-five, Chloe is sweet, funny, and content. Alicia brings her to adult daycare while she teaches at a local college. One day Chloe arrives home thrumming with excitement, and says the words Alicia never anticipated. She has met someone--a young man named Thomas. Within days, Chloe and Thomas, also mentally challenged, declare themselves in love.Alicia strives to see past her misgivings to the new possibilities opening up for her daughter. Shouldn't Chloe have the same right to love as anyone else? But there is no way to prepare for the relationship unfolding, or for the moments of heartbreak and joy ahead.With grace and warmth, Colleen Faulkner tells an unflinching yet heartrending story of mothers and daughters, and of the risks we all take, both in loving and in letting go.

    His childhood friend, Chaz, a small-time gangster, loans him an apartment and finds him a job selling hotdogs. But instead of getting his act together, Mason drinks too much, does too many drugs and loses too much money at poker, digging himself even more deeply in debt to Chaz, who also happens to be his drug dealer. Talk about a vicious circle.  Then Mason has a bright idea. He'll find the cash to pay Chaz back by becoming a ghostwriter of suicide notes, a fitting use of his talents. The trouble is that Mason is hard-wired to rescue people, and no one needs rescuing more than the suicidal. Except maybe the woman he is falling in love with — Willy, a wheelchair-bound, heroin-smoking beauty.  What happens when someone already wrestling with his own demons immerses himself in the tragedies of other people's lives? In this case, a lot: a hotdog cart is totalled, a convict sprung, a funeral faked, a head scalped, a horse stolen. Terrible secrets are brought to the light and suicide morphs into murder. Then, just when it looks like Mason is finally going down, he faces the biggest test of all. He'll either become the death-defying hero of his own dreams or lose everything and everybody he's ever loved.

    In the first half of the book, we learn of Termen’s early days as a scientist in Leningrad during the Bolshevik Revolution, the acclaim he receives as the inventor of the theremin, and his arrival in 1930s New York under the aegis of the Russian state. In the United States he makes a name for himself teaching the theremin to eager music students and marketing his inventions to American companies. In the second half, the novel builds to a crescendo as Termen returns to Russia, where he is imprisoned in a Siberian gulag and later brought to Moscow, tasked with eavesdropping on Stalin himself. Throughout all this, his love for Clara remains constant and unflagging, traveling through the ether much like a theremin’s notes. Us Conductors is steeped in beauty, wonder, and looping heartbreak, a sublime debut that inhabits the idea of invention on every level.

    Kit Smallwood, hiding a painful secret and exhausted from nursing soldiers during the Second World War, escapes to Wickam Farm where her friend is setting up a charity sending midwives to the Moonstone Home in South India. Then Kit meets Anto, an Indian doctor finishing his medical training at Oxford. But Kit’s light-skinned mother is in fact Anglo-Indian with secrets of her own, and Anto is everything she does not want for her daughter. Despite the threat of estrangement, Kit is excited for the future, hungry for adventure, and deeply in love. She and Anto secretly marry and set off for South India—where Kit plans to run the maternity hospital she’s helped from afar. But Kit’s life in India does not turn out as she imagined. Anto’s large, traditional family wanted him to marry an Indian bride and find it hard to accept Kit. As their relationship begins to fray, Kit’s job becomes fraught with tension as they both face a newly independent India, where riots have left millions dead and there is deep-rooted suspicion of the English. In a rapidly changing world, Kit’s naiveté is to land her in a frightening and dangerous situation... Based on true accounts of European midwives in India, Monsoon Summer is a powerful story of secrets, the nature of home, the comforts and frustrations of family, and how far we’ll go to be with those we love.

    She spends her childhood and adolescence traveling constantly and changing identities. In adulthood, she finds it impossible to stop. Haunted by an inability to remember her early childhood, she moves restlessly from city to city, abandoning lovers along with way, possibly still followed by a private detective who has pursued her for years. Then her latest lover follows her from New York to Montreal, determined to learn her secrets and make sure she s safe. Last Night in Montreal is a story of love, amnesia, compulsive travel, the depths and the limits of family bonds, and the nature of obsession. In this extraordinary debut, Emily St. John Mandel casts a powerful spell that captures the reader in a gritty, youthful world charged with an atmosphere of mystery, promise and foreboding where small revelations continuously change our understanding of the truth and lead to desperate consequences. Mandel's characters will resonate with you long after the final page is turned.

    Through decades of quiet dedication and single-minded devotion he has achieved the successes one strives for in life, both with his family and career. Close to retirement and to sitting back and enjoying the fruits of a successful career and marriage, a malicious spurious complaint at work should have no material consequences on his life, but it starts a domino effect, and before long he finds himself shockingly dismissed, divorced, without a home, and with a criminal record. This story explores a convoluted tragic journey of divorce, rich with emotion, loss, betrayal, revenge and confusion. Along the way it explores the dynamics of what makes a relationship weak and vulnerable, or strong and resolute. It’s not a miserable story, but one of resilience, hope, and true love. It is told with an immense depth of feeling, insight, humour and faith, and there are many truly surprising twists and turns as the story unfolds.

    After his exasperated wife, Victoria, leaves him, Ed finds consolation where he has always found it, in his own rich and eccentric imagination. Pursued by the demons of his own obsession, Ed embarks on a quixotic quest to find Victoria. As he prowls the city’s parking garages and motel strips, Ed begins a journey back into his past and is forced – most reluctantly – to confront the web of lies and self-deceptions he has woven to keep reality at bay – until even his fantasies start to turn against him. Keenly observant, humane, and darkly comic, My Present Age is an irresistible story about what happens when an Everyman becomes a casualty of modern life.