It’s 1946 in New Zealand, and Alice Holden has fallen for the woman delivering her milk every morning. Jean has a way about her, a swagger, honey-sweet and low voice, and a wink with an easy smile that lights up Alice’s world, stirring her in ways she’s never known before, and Alice with blinders on, wants to choose this feeling over all else. Jean has been head over heels in love with the sparky and adorable single mother since the first time she saw her. She’s even drawn to Alice’s two fatherless children, and family life has never looked so good. Jean’s deep desire to have more than a life spent looking in from the outside seems more than she should hope for, and now Alice has her tossing the dice for it against all odds. But there are two people in town who believe they have the prior claim to Alice, in duty and affection, and they’ll do almost anything to get what they want. Alice and Jean have discovered that each is what the other has always longed for, each other’s missing link. Now they need to find a way to be together, despite the obstacles.

    Eloquence is only a grasping in the space of ineffable air. There are few words or phrases that do justice to the soul singing its own revelations. That place is where Last Psalm at Sea Level lives, where it is as solid as gold burning itself into light. --Afaa Michael Weaver

    A distinguished evolutionary biologist, Roughgarden takes on the medical establishment, the Bible, social science—and even Darwin himself. She leads the reader through a fascinating discussion of diversity in gender and sexuality among fish, reptiles, amphibians, birds, and mammals, including primates. Evolution's Rainbow explains how this diversity develops from the action of genes and hormones and how people come to differ from each other in all aspects of body and behavior. Roughgarden reconstructs primary science in light of feminist, gay, and transgender criticism and redefines our understanding of sex, gender, and sexuality. Witty, playful, and daring, this book will revolutionize our understanding of sexuality.Roughgarden argues that principal elements of Darwinian sexual selection theory are false and suggests a new theory that emphasizes social inclusion and control of access to resources and mating opportunity. She disputes a range of scientific and medical concepts, including Wilson's genetic determinism of behavior, evolutionary psychology, the existence of a gay gene, the role of parenting in determining gender identity, and Dawkins's "selfish gene" as the driver of natural selection. She dares social science to respect the agency and rationality of diverse people; shows that many cultures across the world and throughout history accommodate people we label today as lesbian, gay, and transgendered; and calls on the Christian religion to acknowledge the Bible's many passages endorsing diversity in gender and sexuality. Evolution's Rainbow concludes with bold recommendations for improving education in biology, psychology, and medicine; for democratizing genetic engineering and medical practice; and for building a public monument to affirm diversity as one of our nation's defining principles.

    Exploring his past with humor and astounding insight, Connor reminded his fans of why they first fell in love with him on YouTube—and revealed to newcomers how he relates to his millions of dedicated followers.Now, two years later, Connor is ready to bring to light a side of himself he’s rarely shown on or off camera. In this diary-like look at his life since A Work In Progress, Connor talks about his battles with clinical depression, social anxiety, self-love, and acceptance; his desire to maintain an authentic self in a world that values shares and likes over true connections; his struggles with love and loss; and his renewed efforts to be in the moment—with others and himself.Told through short essays, letters to his past and future selves, poetry, and original photography, Note to Self is a raw, in-the-moment look at the fascinating interior life of a young creator turning inward in order to move forward.

    Reprint. 14,000 first printing.

    But what did he expect? Joey was born with an addiction to toxic jerks—something he inherited from his lovably messy, wisecracking, Italian-American spitfire of a mom (and best friend): 34-year-old Gia Rossi.When Gia’s latest non-relationship goes up in flames only a day later, the pair’s Bayonne, New Jersey apartment can barely contain their rage. In a misguided attempt at revenge, Joey and Gia inadvertently commit a series of crimes and flee the state, running to the only good man either of them has ever known—Gia’s ex, Marco. As they hide out from the law at Marco’s secluded lake house, Joey and Gia must confront all the bad habits and mistakes they’ve made that have led them to this moment—and find a way to take responsibility for what they’ve done.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    An artist with schizophrenia tries to survive hatred and indifference in small-town India by turning to the beauty of sculpture and dance. Orphans in India get pulled into a strange “rescue” mission aimed at stripping their mysterious powers. A brief but intense affair between two women culminates in regret and betrayal. A boy seeks memories of his sister in the legend of a woman who weds death. And fragments of history, from child brickmakers to slaves in Renaissance Portugal, are held up in brief fictions, burnished, made dazzling and unforgettable.In sixteen remarkable stories, Chaya Bhuvaneswar spotlights diverse women of color—cunning, bold, and resolute—facing sexual harassment and racial violence, and occasionally inflicting that violence on each other. Winner of the 2017 Dzanc Short Story Collection Prize, White Dancing Elephants marks the emergence of a new and original voice in fiction and explores feminist, queer, religious, and immigrant stories with precision, drama, and compassion.

    It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist.Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O'Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future.In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.

    The book is an urgent recall of heartbreak, a stark portrait of an identity in crisis.

    this impressive debut has established Hera Lindsay Bird as a good girl………with many beneficial thoughts and feelings………with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is………juxtaposing many classical and modern breezesBird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog………or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert………this is at once an intelligent and compelling fantasy of tenderness………heartbreaking and charged with trees………without once sacrificing the forest………Whether you are masturbating luxuriously in your parent’s sleepout………………or pushing a pork roast home in a vintage pram………this is the book for you………………………heroically and compulsively stupid………………………………………………………………………………whipping you once again into medieval sunlight.

    O'Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara’s conviction that to write poetry, indeed to live, "you just go on your nerve.”

    These poems are honest, vulnerable, and unflinching in their ability to look into the speaker's complications. The poems trace the author's childhood, adulthood, and hopeful future, all of them asking the central question of how a person continues to love themselves, even as all they know evolves and vanishes.

    Finding the young royal delirious and on the verge of death, Keziah saves her life. But while Esdelot regains her health, betrayal comes from an unlikely source: her brother has taken the throne in her absence and declared himself king. As the two women travel to the capital city to stop a false ruler’s coronation, they form a friendship that seems poised to turn into something more. But Esdelot has promised herself in marriage to a woman she barely knows... and Keziah knows she’s fallen too deeply for a woman whose betrothed waits for her along with her throne. When an enemy from Keziah’s past resurfaces, a mere conflict of politics becomes something that threatens to upend the gods themselves. Will love win out?

    Lois Lenz was like any other wholesome former cheerleader with a knack for office skills--until she took a job at Sather & Sterling in bustling Bay City. Spending her days in the cut-throat typing pool and her nights at the all-women's residence of Magdalena Arms, Lois had no idea she was entering a world of working girls whose passionate desires--and fabulous fashion sense--could lead any innocent lamb astray. . .Netta--serious and smart, she's unlike any woman Lois has known. . .Maxie--The height of society fashion, and girls are so very in style. . .Pamela--Lois's old high school Pep Squad pal certainly has changed. . .Miss Gill--the office manager has secrets and plenty of file cabinets to keep them in. . .Dolly--an actress whose martini shaker is as busy as her love life. . .Mrs. Pierson--"The hyena," Lois's boss, her office is a place of hard work and private dictation. . .And many more!Lois Lenz--she was a good girl a long way from home about to discover that not everything is what it seems, navy is a bad suit choice, and love can bloom in the strangest of places. . .