What does that do to the spirit of individuals and community? Drawing on his decades of experience, Alex Kotlowitz set out to chronicle one summer in the city, writing about individuals who have emerged from the violence and whose stories capture the capacity--and the breaking point--of the human heart and soul. The result is a spellbinding collection of deeply intimate profiles that upend what we think we know about gun violence in America. Among others, we meet a man who as a teenager killed a rival gang member and twenty years later is still trying to come to terms with what he's done; a devoted school social worker struggling with her favorite student, who refuses to give evidence in the shooting death of his best friend; the witness to a wrongful police shooting who can't shake what he has seen; and an aging former gang leader who builds a place of refuge for himself and his friends. Applying the close-up, empathic reporting that made There Are No Children Here a modern classic, Kotlowitz offers a piercingly honest portrait of a city in turmoil. These sketches of those left standing will get into your bones. This one summer will stay with you.

    A sandhog, he burrows beneath the East River, digging the tunnel that will carry trains from Brooklyn to Manhattan. In the bowels of the riverbed, the sandhogs—black, white, Irish, Italian—dig together, the darkness erasing all differences. Above ground, though, the men keep their distance until a spectacular accident welds a bond between Walker and his fellow sandhogs that will both bless and curse three generations.

    McKinney, Western Carolina University.   "This is a fine book. . . . It is mostly about community and interrelationships, and thus it refutes much of the literature that presents Southern Mountaineers as individualistic, irreligious, violent, and unlawful."—Loyal Jones, Appalachian Heritage.  "Dunn . . . has written one of the best books ever produced about the Southern mountains."—Virginia Quarterly Review.  "This study offers the first detailed analysis of a remote southern Appalachian community in the nineteenth century.  It should lay to rest older images of the region as isolated and static, but it raises new questions about the nature of that premodern community."—Ronald D Eller, American Historical ReviewNot only is his book a worthy addition to the growing body of work recognizing the complexities of southern mountain society; it is also a lively testament to the value of local history and the variety of levels at which it can provide significant enlightenment."—John C. Inscoe,LOCUS

    Ephram Jennings has never forgotten the beautiful girl with the long braids running through the piney woods of Liberty, their small East Texas town. Young Ruby, "the kind of pretty it hurt to look at," has suffered beyond imagining, so as soon as she can, she flees suffocating Liberty for the bright pull of 1950s New York. Ruby quickly winds her way into the ripe center of the city--the darkened piano bars and hidden alleyways of the Village--all the while hoping for a glimpse of the red hair and green eyes of her mother. When a telegram from her cousin forces her to return home, thirty-year-old Ruby Bell finds herself reliving the devastating violence of her girlhood. With the terrifying realization that she might not be strong enough to fight her way back out again, Ruby struggles to survive her memories of the town's dark past. Meanwhile, Ephram must choose between loyalty to the sister who raised him and the chance for a life with the woman he has loved since he was a boy.Full of life, exquisitely written, and suffused with the pastoral beauty of the rural South, Ruby is a transcendent novel of passion and courage. This wondrous page-turner rushes through the red dust and gossip of Main Street, to the pit fire where men swill bootleg outside Bloom's Juke, to Celia Jennings's kitchen where a cake is being made, yolk by yolk, that Ephram will use to try to begin again with Ruby. Utterly transfixing, with unforgettable characters, riveting suspense, and breathtaking, luminous prose, Ruby offers an unflinching portrait of man's dark acts and the promise of the redemptive power of love.

    It is the beginning a journey that will change their lives irrevocably.Unlikely friends from vastly different backgrounds, the trio has been inseparable since freshman year. Zelda, serious and unyielding, the heir of rebellious slaves and freedom riders, sees the world in black versus white. Veronica, the privileged daughter of a refined, wealthy family, strongly believes in integration and racial uplift. Daphne lives with a legacy of loss—when she was five years old, her black mother committed suicide and her white father abandoned her.Because they will be going their separate ways after graduation, Zelda, Veronica, and Daphne intend to make lasting memories on this special trip. Though they are young and carefree, they aren’t foolish. Joined by Veronica’s family friend Daniel, they rely on the Motorist Green Book to find racially friendly locations for gas, rest, and food. Still, with the sun on their cheeks, the wind in their hair, and Motown on the radio, the girls revel in their freedom. Yet as the miles fly by, taking them closer to the Mason-Dixon line, tension begins to rise and the conversation turns serious when Daphne shares a horrifying secret about her life.When they hit Washington, D.C., the joyous trip turns dark. In Virginia they barely escape a desperate situation when prison guards mistake Daniel for an escapee. Further south they barely make it through a sundown town. When the car breaks down in Georgia they are caught up in a racially hostile situation that leaves a white person dead and one of the girls holding the gun.