Over the course of her life, she gathered those who needed her special brand of love. Nine years after her death, Celia's puppies are facing themselves and their lives. Exciting, heart-warming, and always fun, Celia's Puppies is the second installment of the Denver Cereal. An Internet sensation, Denver Cereal is a serial fiction grounded in Uptown Denver, Colorado. "I am completely addicted to this series." - P. Cooper "Claudia Hall Christian brings life to each of these characters, a life that you long to be a part of, that you just can't get enough of." - C. Sund "I love Denver Cereal." - L. Richards Crunchy, sweet and always addicting - you deserve a little Denver Cereal in your life. DenverCereal.com

    . .When Mama announced to our family that she had dementia, my brother and sisters insisted they couldn't help. They had their own lives elsewhere, after all. So, I gave up my dreams and spent the next nine years caring for Mama alone, losing her bit by bit, and nearly losing myself in the process.I, Gracie, started over . . .After Mama finally let go of this world, I let go of that world, too. I left the nightmare of my life with Mama, my family, and West Texas to start over in a new place, far away. It took some doing, but I have a new job, a safe place to live, and even new friends and a man who loves me, broken as I am. But . . .I, Gracie, am scarred . . .Until my past is buried like Mama, I keep my man waiting--struggling with what was and not trusting what is or could be.I, Gracie . . .Am on hold . . .still trying to let go.Praise for New York Times and USA Today-bestselling author Sharon Sala "Sharon Sala is a consummate storyteller." --Debbie Macomber, #1 New York Times bestselling author"Sala hooks you from the first page." --Fresh Fiction

    These notes take us behind the scenes, and at the same time brings us into a private world of exhilaration, pain and dramatic conflict.

    From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient."Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried."

    In Poetics of Cinema, Ruiz takes a fresh approach to the major themes haunting our audio-visual civilization: the filmic unconscious, questions of utopia, the inter-contamination of images, the art of the copy, the relations between artistic practices and institutions. Based on a series of lectures given recently at Duke University in North Carolina, Poetics of Cinema develops an acerbically witty critique of the reigning codes of cinematographic narration, principally derived from the dramatic theories set forth by Aristotle's Poetics and characterized by Ruiz as the -central-conflict theory.- Ruiz's impressive knowledge of theology, philosophy, literature and the visual arts never outstrips his powerful imagination. Poetics of Cinema not only offers a singularly pertinent analysis of the seventh art, but also shows us an entirely new way of writing and thinking about images.

    Featuring all new, never before published material, Crows, Papua New Guinea, and Boats is the latest release by David Thorne, author of The Internet is a Playground and 27bslash6.com

    Intimately penned by pioneering Analrapist Dr. Tobias Fünke, Inside Me takes the reader on an incredible journey of self discovery. Through a series of divulgent anecdotes, Fünke plumbs the dark depths of his psyche, recounting his family's struggle with addiction while touring in a pharmaceutically-themed folk music act, and exploring to his own ongoing battle with never-nudity.

    Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.

    Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”

    With equal parts cynicism and humor, Puzo recounts the book deal and his experiences in Hollywood while writing the screenplay for the movie. Francis Ford Coppola, Robert Evans, Peter Bart, Marlon Brando, and Al Pacino all make appearances-as does Frank Sinatra, in his famous and disastrous encounter with Puzo. First published in 1972, the essay is now available as an ebook for the first time. A must-have for every Godfather fan!Featuring a foreword by Ed Falco, author of The Family Corleone.

    Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include: * auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

    The former is a psychological thriller set in the Hollywood of the 1940s, while the latter reinvents the 1930s gangster film.

    Beginning with a helpful introduction that places each essay in context, specially commissioned chapters examine the following topics:philosophical issues surrounding love, friendship, affirmation and repetitionthe role of memory (and the emotions) in personal identity and decision-makingthe morality of imagination and ethical importance of memoryphilosophical questions about self-knowledge and knowing the minds of othersthe aesthetics of the film considered in relation to Gondry's other works and issues in the philosophy of perceptionIncluding a foreword by Michel Gondry and a list of further reading, this volume is essential reading for students interested in philosophy and film studies.

    He discovers a quiet village deep in the countryside and settles there. He makes new friends and finds a new love, but there are undercurrents; events that threaten his newfound peace. Then a murder occurs and he finds himself drawn into the investigation, unsure of who among his new friends he can trust. How will he overcome this without losing all he has gained?

    Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.