in this off-kilter, coming-of-age romantic comedy.Abbie, a twenty-something free spirit who is dreading her looming parent-mandated enrollment in graduate school, makes a semi-annual pilgrimage to visit her perfectly well meaning and perfectly boring grandfather, Henry. But Abbie is roused out of her quarter-life crisis when she meets her grandfather's persnickety, oddball friend, Johnson. With his cane and elderly clothing, he is the very picture of a bitter old man. The problem is, Johnson is 23 years old, and apparently completely delusional. Also a problem: Abbie is falling in love with him. The first novel from screenwriter Andrew Kevin Walker, OLD MAN JOHNSON is for the old (and young) at heart.Cover design by Kristen Radtke.Cover painting by Mark Allison.

    

     Geneva Snow commits the unforgivable Southern sin. No longer the apple of her father’s eye, she is a pariah, defying her society's most sacrosanct rule. To protect her—and hoping for a change of heart—her shattered yet steadfast father hides her at Cairnaerie, his mountain estate. But his iron-willed daughter is unrepentant. After years of solitude, an older and wiser Geneva is finally mellowing, and she is desperate to leave a legacy worthy of the father she loved and lost. To that end, she engages an unwitting young history professor for help to escape Cairnaerie long enough to attend the wedding of her granddaughter—a girl dangerously unaware of her lineage. But when a postman’s malevolence and a colleague’s revenge converge, Geneva's long-kept secret is exposed. For a second time, she faces a calamity of her own making. Only this time, there is no place to hide.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    But Captain John Murrell’s H.M.S. Hecate was towing a crippled tanker whose cargo was as dangerous as it was precious — four million gallons of high-octane gas!The U-boat commander was desperate: his career depended on sinking the tanker. If he failed, the Luftwaffe would send new long-range Heinkels to destroy the Hecate and her tow.Murrell’s cunning fight against incredible odds soon became a nightmarish eternity of cat-and-mouse moves and countermoves. His agonizing duel to the death makes this one of the most brilliant and memorable sea sagas to come out of World War II.About the author: Denys Arthur Rayner was a Royal Navy officer who fought throughout the Battle of the Atlantic. After intensive war service at sea, Rayner became a writer, a farmer, and a successful designer and builder of small sailing craft.

    A former resident of St. Louis, where he founded the Observable Poetry reading series, he now lives in Hillsborough, North Carolina.

    But with the help of Jonty - a young misfit who soon became her best friend - she managed to escape, running away with the fairground folk. She became a horserider and acrobat, travelling all around the country. Her friends became the circus people, and her home the caravans and travellers' tents. Meanwhile, in a great house in Yorkshire, old Mrs Winthrop has never given up hope of finding her daughter Madeleine, who eloped with a handsome gypsy and was never seen again. When her young neighbour sets out to find Madeleine, he discovers the colourful world of the fairs. And there, in the midst of it all, Polly Anna - once the waif from the workhouse, now a fully-fledged gypsy girl. Previously published as The Romany Girl.

    While his courtiers were jealous of Birbal, the emperor was quick to notice his agile mind. While the two men loathed hypocrisy and deceit; they also relished a good joke.

     When the million-dollar stock prediction startup of Lakshya and Naman (two brilliant IIT-grads) tanks; they are taken in by Manav, their college friend who makes a living out of selling drugs. Debt-ridden and homeless, the two decide to help their friend in selling ‘The Holy Grail’, the newest drug in the Indian markets which is sold for margins never heard before, and the three end up making the quickest money they have seen. Lured and intrigued, they decide to sell and make as much as possible in two months before leaving the drug trade for good, and in that time, they expand their drug enterprise under Lakshya’s guidance by applying their startup strategies. Unknown to them though, they cross paths with the five infamous historical gangs of Bombay, who’ve survived and thrived since the British occupation of the city. Artavardiya, the powerful boss of the Parsi gang Surtis, takes interest in Lakshya and his drug enterprise after being charmed by his brilliance and vision. He takes him under his guidance and that is when Lakshya is able to gauge the extent to which the criminal underbelly of Mumbai is spread, spiralling down and knowing in his heart that he’d never be able to escape. In a tale of gang-wars and blood, love and loss, loyalty and betrayal, and mind-numbing revelations spread amidst brutal action and insane twists— explore the crime of the city that never sleeps. Will Lakshya and his friends expand their drug business like a startup? Will they succeed in dealing with mind-games and bullets of the five historical gangs of Mumbai? Will they survive the trials of their personal lives while the demons of their pasts try to catch up with them? And will these brilliant minds fall against the richest crime syndicates of the country? Read the crime-thriller that would keep you on the edge of your seats, about a few brilliant minds who lost their million-dollar startup and turned their skills to create a criminal empire.

    Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    Dan Callahan doesn’t know why he landed this coveted assignment or what to expect from 112-year-old Owen Trimbel, currently living with his daughter on a rural Minnesota farm even now beyond the reach of pervasive tech. But he sensed that it might be one of those rare opportunities to capture something singular: living memories from the last of a resilient, resourceful, and determined generation, a veteran from a war and a time encased in sepia tones in the minds of a distracted public. He finds his subject waning but still humored by life and surprisingly keen of mind. Dan spends the next three days riveted to Owen’s adventures as a young gunner with a night-flying crew, transported with him from New Guinea to the Mariana Islands on harrowing rescue missions to remote river outposts, and long flights over endless black seas broken only by sightings of enemy ships far below. And finally, the sweet homecoming, complicated by the challenges Owen faces while navigating a new life of unfamiliar circumstances and some very old secrets. Although fictionalized, The Last Word is an amalgam of stories and characters shaped and informed by filmed interviews with ten, real-life squadron members who served in the Pacific during World War II and who graced the author with their time, narratives, and importantly, their wisdom and good friendship.

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    Translated in Kannada by: Ravi BelagereOne of the best pieces of historical fiction. A very existential novel about the revolt of 1857 in British India.

    Not for long. By 1919, White Russians were fighting the Bolsheviks (Reds) for control of their country, and Winston Churchill (then Minister for War) wanted to see Communism 'strangled in its cradle'. So a volunteer R.A.F. squadron, flying Sopwith Camels and DH9 bombers, went there to duff up the Reds. 'There's a splendid little war going on,' a British staff officer told them. 'You'll like it.' Looked like fun. But the war was neither splendid nor little. It was big and it was brutal, a grim conflict of attrition, marked by cruelty, betrayal and corruption. Before it ended, the squadron wished that both sides would lose. If that was a joke, nobody was laughing. "A Splendid Little War" tests the pilots' gallows humour in a world of armoured trains and elegant barons, gruesome religious sects and anarchist guerrillas, unreliable allies and pitiless enemies. The comedy of this war, if it exists, is very bleak. Derek Robinson is at once our finest living comic novelist and a master of military fiction. Biggles was never like this.