Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    Parisian seamstress Estella Bissette is forced to flee France as the Germans advance. She is bound for Manhattan with a few francs, one suitcase, her sewing machine, and a dream: to have her own atelier.2015. Australian curator Fabienne Bissette journeys to the annual Met Gala for an exhibition of her beloved grandmother's work - one of the world's leading designers of ready-to-wear. But as Fabienne learns more about her grandmother's past, she uncovers a story of tragedy, heartbreak and secrets - and the sacrifices made for love.Crossing generations, society's boundaries and international turmoil, The Paris Seamstress is the beguiling, transporting story of the special relationship between a grandmother and her granddaughter as they attempt to heal the heartache of the past.

    but perhaps some things are not in our power to stop.1989: Jess's daughter, Jamie, dreams of a simple life - marriage, children, stability - then she meets a struggling musician and suddenly the future becomes wilder and complex.2017: When Jamie's daughter, CJ, brings home trouble in the form of the coolest boy at school, the worlds of these three women turn upside down ... and the past returns to haunt them.Spanning the trauma of the Vietnam War to the bright lights of Nashville, the epidemic of teenage self-harm to the tragedy of incurable illness, Love and Other Battles is the heart-wrenching story of three generations of Australian women, who learn that true love is not always where you seek it.If you loved The Notebook, this is a novel for you.PRAISE FOR LOVE AND OTHER BATTLES'Emotional, compelling' Carina Bruce, Herald Sun'A warm and affecting tale about love and family conquering all' Who Weekly'Compulsively readable' Kate Cuthbert, Books + Publishing'Utterly unputdownable, Love and Other Battles is equal parts heartwarming and heart-wrenching. Featuring stunningly real multilayered characters, Tess Woods weaves a bittersweet story of family secrets, epic love and heartache in this absolutely gorgeous new novel' Nicola Moriarty, author'I loved these strong, flawed and totally relatable women. The way their decisions, past and present, hooked in the reader, is a testament to Tess Woods' writing' Melina Marchetta, author'Tess Woods has written a timeless story of love's strength and endurance. A must-read for all fiction lovers' Cheryl Akle, Director, Better Reading'Tess Woods has done it again with emotionally engaging Aussie fiction. Smiling with tears - five stars' Renee Conoulty, Hey Said Renee'This is contemporary fiction at its finest and I am so grateful to Tess Woods for her bravery in writing a novel that takes readers right into the crux of current social and medical issues, things that so many of us are dealing with but keep quiet about for fear of judgment and contempt' Theresa Smith Writes'a writer who is a clear figurehead and spokeswoman of our times' Mrs B's Book Reviews

    While she′s grown up surrounded by Lebanese friends, Lebanese neighbours and Lebanese shops, she knows there′s more to life than Samboosik and Baklawa, and she desperately wants to find it.Unfortunately, her father has antiquated ideas about women, curfews and the Lebanese ′way′. Bad news for Sophie, who was hoping to spend Year 12 fitting in and having fun - not babysitting her four younger siblings, or studying for final exams that will land her in an Accounting course she has no interest in.Just when it looks like Sophie′s year couldn′t get any more complicated, Shehadie Goldsmith arrives at school. With an Australian father and a Lebanese mother, he′s even more of a misfit than Sophie. And with his arrogant, questioning attitude, he also has a way of getting under her skin...But when simmering cultural tensions erupt in violence, Sophie must make a choice that will threaten her family, friends and the cultural ties that have protected her all her life.Are her hates and complaints worth it? Or will she let go ... and somehow find her place?

    Lizzie is a part-time midwife with four kids and a secret past. Sam is an ex-chef and stay-at-home dad with an absent, high-flying corporate wife. Megan is an ex-model single mum with a thriving online business and no time for loneliness. None of them have much interest in their school community, but when tragedy deals Bayside Primary's reputation a potentially crippling blow, this unlikely trio have to step up. Forced out of their respective comfort zones, Lizzie, Megan and Sam learn more about each other, the school and themselves than they thought possible.And it all begins at The Drop-Off.

    A mysterious death on New Year’s Eve 1989 leads to a shocking murder investigation 32 years later...A desert highway. A remote town. A murder that won’t stay hidden.New Year’s Eve, 1989. Eighteen-year-old Ingrid Mathers is hitchhiking her way to Alice Springs. Bored, hungover and separated from her friend Joanne, she accepts a lift to the remote town of Cutters End.July 2021. Detective Sergeant Mark Ariti is seconded to a recently reopened case, one in which he has a personal connection. Three decades ago, a burnt and broken body was discovered in scrub off the Stuart Highway, 300km south of Cutters End. Though ultimately ruled an accidental death, many people - including a high-profile celebrity - are convinced it was murder.When Mark’s interviews with the witnesses in the old case files go nowhere, he has no choice but to make the long journey up the highway to Cutters End.And with the help of local Senior Constable Jagdeep Kaur, he soon learns that this death isn’t the only unsolved case that hangs over the town...

    In my dreams it's as if the house itself has sinister intentions. But in real life it wasn't the house that was responsible for what happened. It was the people who did the damage ...' When Tim Ellison finds a cheap room to rent in the perfect location in Sydney it looks like a huge stroke of luck. In fact the room comes with a condition, and the owner of the house, the mysterious Anna London, is unfriendly and withdrawn. When strange and terrifying things start happening in the house at night, Tim wonders if taking the room is a mistake. But then his feelings for Anna start to change, and when her past comes back with a vengeance, Tim is caught right in the middle of it.A thrilling rollercoaster of a story - read it with the lights on!

    Others you don’t dare let out … Twin Peaks meets The Dry in a deliciously dark and twisted tale that unravels a small town Ambitious young journalist Marlowe ‘Lo’ Robertson would do anything to escape the suffocating confines of her small home town. While begrudgingly covering the annual show for the local paper, Lo is horrified to discover the mutilated corpse of Lily Williams, the reigning showgirl and Lo’s best friend. Seven strange symbols have been ruthlessly carved into Lily’s back. But when Lo reports her grisly find to the town’s police chief, he makes her promise not to tell anyone about the symbols. Lo obliges, though it’s not like she has much of a choice – after all, he is also her father. When Lily’s murder makes headlines around the country and the town is invaded by the media, Lo seizes the opportunity to track down the killer and make a name for herself by breaking the biggest story of her life. What Lo uncovers is that her sleepy home town has been harbouring a deadly secret, one so shocking that it will captivate the entire nation. Lo’s story will change the course of her life forever, but in a way she could never have dreamed of.

    Margie is prickly, demanding and a stickler for convention. Stella has exciting dreams for the future. Margie has only bitter memories of the past. When Margie needs help recovering from a major operation, Stella offers her a place to stay. With no other options, Margie returns to the family farm where for decades, until Stella's arrival, she was the one in charge. Margie has never made life easy for her daughter-in-law, and that's not going to change now she's been made a guest in her former home. But as the dry summer turns to a beautiful autumn, the two women gradually form an unlikely bond, as the ambitions, secrets, and tragedies that have shaped their lives are slowly uncovered...

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.

    But her perfect sanctuary is shattered with the arrival of hand-delivered threatening notes. Someone has discovered her secret.When the notes escalate to vandalism, Jasmine's anxiety rises. But in such a small place, telling the police would mean the whole town finding out.Digby Wallace-Jones is stumbling through the motions of life, wrapped in a fog of grief since his fiancee Felicity died. Withdrawn from his family, Digby doesn't care about anything beyond his loss. But in a chance meeting with Jasmine, his sister's best friend who he's known forever, even he can see the tension she carries. Worried and feeling protective, he continues to drop by, but it's more than that. Jasmine soothes him; and, unlike the rest of his family, he can talk to her about his pain without fear of judgement. But as much as he likes Jasmine, Digby's enduring love for Felicity means he has nothing left to give and he pushes Jasmine away.Jasmine knew they were supposed to stay friends 'with excellent benefits' but she can't help her wayward heart from falling for this tortured, kind and sexy man. How can she ever loosen the grip Felicity's memory has on Digby's soul and remind him he still has a life ahead of him?

    Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian ***2021 ARA HISTORICAL NOVEL PRIZE SHORTLIST*** ***2022 INDIE BOOK AWARDS LONGLIST*** ***2022 VICTORIAN PREMIER'S LITERARY AWARDS HIGHLY COMMENDED*** _______________________________________________ Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache?Set on timeless Wiradyuri country, where the life-giving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging.Praise for Bila Yarrudhanggalangdhuray (River of Dreams) 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' – Saturday Paper 'Tells a powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.’ – Canberra Times ' A profoundly moving showcase of Heiss’ skill ... Intimate, reflective, and impossible to put down.’  – The AU Review ‘Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.’ – Melissa Lucashenko ‘A powerful story of family, place and belonging.’ – Kate Grenville ‘A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page.’ – Tony Birch'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' – Terri Janke ‘Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.’ – Larissa Behrendt 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.’ – Kate Forsyth

    The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing – behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.

    Hope Farm sticks out of the ragged landscape like a decaying tooth, its weatherboard walls sagging into the undergrowth. Silver's mother, Ishtar, has fallen for the charismatic Miller, and the three of them have moved to the rural hippie commune to make a new start. At Hope, Silver finds unexpected friendship and, at last, a place to call home. But it is also here that, at just thirteen, she is thrust into an unrelenting adult world — and the walls begin to come tumbling down, with deadly consequences. Hope Farm is the masterful second novel from award-winning author Peggy Frew, and is a devastatingly beautiful story about the broken bonds of childhood, and the enduring cost of holding back the truth.

    His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.