An offer to join the struggling West Coast Ballet Theatre as a principal dancer seems like the perfect opportunity for a fresh start—a new life in San Francisco, an exciting step up in her career, and the hope of a redefined sense of family. But the other dancers are wary, clannish and tight-lipped, particularly about an incident that hastened the departure of their beloved artistic director, leading to the arrival of his replacement, the young, inexperienced Anders Gunst. And no one wants to talk about Jana, a former company member who defiantly walked out rather than work under Anders. It is Jana herself who offers April hints, and even friendship, where she reveals a loneliness and hunger to belong that newly orphaned April well understands. But there is something troubling about Jana, and what April doesn’t know could prove deadly. A prequel to the Ballet Theatre Chronicles, BALLET ORPHANS explores the work and sacrifices required to arrive at the highest tiers of the professional ballet world, coupled with the primal, universal desire to belong, to love and be loved, and the lengths we’ll go to protect those we call family.

    She simply wants to fulfill her promise to Jack to visit their cabin in the West Virginia mountains, where their long love affair was safely hidden. Instead, her emotionally reminiscent trip becomes crowded with the two Sebring women, a grief counselor, and the massive role Callie assumes. She must speak for Jack in order to protect his four-year old grandson Chad from his stubbornly manipulative and blame-passing grandmother and his recently widowed and power-usurping mother. Callie understands both women grieve the loss of Chad’s father. He died when a raging storm split the tree that crushed him. Grief isn’t the only common thread running between the four women. One by one, their secrets are revealed on the West Virginia mountaintop.

    His life no longer in his hands, he fears an uncertain future where the only certainty is a life of servitude to the kingdom. Fortunately for Seth, he is not alone. His brother Garret too attends the choosing ceremony where their fates will be decided. Together the twins make their way to the castle city of Valdadore for the choosing ceremony but along the way Seth notices a strange new trend in his life. Time after time strange circumstances befall him in what others might call a coincidence, but Seth knows something else is amiss and begins mentally cataloging each new and strange event. Learning his past is all a lie, Seth begins to fear more for his future as a dark goddess vies for his service to her cause. Seths loyalties and responsibilities begin to stack up as he makes friends and allies and even falls in love, but with the choosing ceremony growing ever nearer will he be forced to flee the kingdom into a life of exile, or choose to serve the goddess who swears that only through her will he find peace.

    When the Cookson Estate discovered the unpublished manuscript of Saint Christopher and the Gravedigger in the attic of her home, they unearthed a gem for Cookson’s many fans.Gravedigger John Gascoigne lives in Downfell Hurst with his wife, Florrie, their three children and his mother, Gran. John is a deep thinker but extremely taciturn—a man of few words and many grunts. Which is why everyone is alarmed when he’s hit on the head by a cricket ball, and it suddenly seems as if the words won’t stop. What’s more, he says he is talking to Saint Christopher—only no one else can see the saint, and they’re beginning to worry John’s not quite right in the head…Mad or not, John has some secrets he’s been keeping. But if he can’t stop talking, they won’t stay secret for long.