It's now 1943 and their life in Copenhagen is filled with school, food shortages, and the Nazi soldiers marching through town. When the Jews of Denmark are "relocated," Ellen moves in with the Johansens and pretends to be one of the family. Soon Annemarie is asked to go on a dangerous mission to save Ellen's life.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    But what they find is that the owner, G.T., isn't quite ready to give up yet - in fact, he's decided to run for mayor against a corrupt candidate. And as Hope starts to make her place at the diner, she also finds herself caught up in G.T.'s campaign - particularly his visions for the future. After all, as G.T. points out, everyone can use a little hope to help get through the tough times... even Hope herself.Filled with heart, charm, and good old-fashioned fun, this is Joan Bauer at her best.

    Tom lives with his Aunt Polly, half-brother Sid, and cousin Mary in the quaint town of St. Petersburg, just off the shore of the Mississippi River. St. Petersburg is described as a typical small-town atmosphere where the Christian faith is predominant, the social network is close-knit, and familiarity resides. Unlike his brother Sid, Tom receives "lickings" from his Aunt Polly; ever the mischief-maker, would rather play hooky than attend school and often sneaks out his bedroom window at night to adventure with his friend, Huckleberry Finn ­ the town's social outcast. Tom, despite his dread of schooling, is extremely clever and would normally get away with his pranks if Sid were not such a "tattle-tale." As punishment for skipping school to go swimming, Aunt Polly assigns Tom the chore of whitewashing the fence surrounding the house. In a brilliant scheme, Tom is able to con the neighborhood boys into completing the chore for him, managing to convince them of the joys of whitewashing. At school, Tom is equally as flamboyant, and attracts attention by chasing other boys, yelling, and running around. With his usual antics, Tom attempts to catch the eye of Becky Thatcher, a new girl in town, and persuades her to get "engaged" by kissing him. But their romance collapses when she learns Tom has been "engaged" previously to Amy Lawrence. Shortly after Becky shuns him, he accompanies Huckleberry Finn to the graveyard at night, where they witness the murder of Dr. Robinson.Excerpt:"TOM!" No answer. "TOM!" No answer. "What's gone with that boy,  I wonder? You TOM!" No answer. The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: "Well, I lay if I get hold of you I'll—" She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat. "I never did see the beat of that boy!"

    A popular boy has asked Jane out -- and she's never even dated before. Stan is tall and good-looking, friendly and hard-working -- everything Jane ever dreamed of. But is she ready for this? Does she have the right clothes? Will he like her?Suppose her parents won't let her go? What if she's nervous and makes a fool of herself? Maybe he'll think she's too young. If only she knew all the clever things to say. If only she were prettier. If only she were ready for this...With her usual warmth, perceptiveness, and humor, Beverly Cleary creates the joys and worries of a young girl's first crush.

    Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket's kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you're a veteran of the Battle of Lexington, and you've helped whip the King's best soldiers...

    She doesn’t like playing with dolls, she can hold her own in a fight, and she loves to work in the stables. Charlotte has a way with horses and wants to spend her life training and riding them on a ranch of her own. The problem is, as a girl in the mid-1800s, Charlotte is expected to live a much different life – one without freedom. But Charlotte is smart and determined, and she figures out a way to live her dreams with a plan so clever and so secret – almost no one figures it out.

    The first time Juli Baker saw Bryce Loski, she flipped. The first time Bryce saw Juli, he ran. That's pretty much the pattern for these two neighbors until the eighth grade, when, just as Juli is realizing Bryce isn't as wonderful as she thought, Bryce is starting to see that Juli is pretty amazing. How these two teens manage to see beyond the surface of things and come together makes for a comic and poignant romance.

    He has become fascinated with the potter’s craft; he wants nothing more than to watch master potter Min at work, and he dreams of making a pot of his own someday. When Min takes Tree-ear on as his helper, Tree-ear is elated–until he finds obstacles in his path: the backbreaking labor of digging and hauling clay, Min’s irascible temper, and his own ignorance. But Tree-ear is determined to prove himself–even if it means taking a long, solitary journey on foot to present Min’s work in the hope of a royal commission . . . even if it means arriving at the royal court with nothing to show but a single celadon shard.

    Instead, it sets off a chain reaction that results in the smashing of the press and the murder of his master. Caught on the wrong side of the law, Theo must flee the city. Soon, he has teamed up with the traveling showman Count Las Bombas (who is actually a con artist) and his servant. The trio is soon joined by Mickle, a clever, strong-willed girl with a mysterious past. Performing feats that astound and amaze, the motley crew falls into a trap set by Chief Minister Cabbarus, who is determined to wrest power from the grief-stricken king. Now they must not only save themselves-they must save the kingdom...

    Until the morning he wakes up and can't see himself in the mirror. Not blind, not dreaming. Bobby is just plain invisible... There doesn't seem to be any rhyme or reason to Bobby's new condition; even his dad the physicist can't figure it out. For Bobby that means no school, no friends, no life. He's a missing person. Then he meets Alicia. She's blind, and Bobby can't resist talking to her, trusting her. But people are starting to wonder where Bobby is. Bobby knows that his invisibility could have dangerous consequences for his family and that time is running out. He has to find out how to be seen again before it's too late.

    Will the children be able to withstand the interrogation and harassment?

    The great house is empty, his father is fighting the Scots in the north, his mother is traveling with the Queen, and the servants have fled. He calls for help but only the stones hear his cries. Suddenly someone else is in the house, coming towards Robin. It is Brother Luke, a wandering friar, who takes Robin to St. Mark's Monastery, where he will be cared for until his father sends for him.At last, a message comes--Robin is to meet his father at Castle Lindsay. The journey is dangerous, and the castle is located near the hostile Welsh border. Perched high in the hills, the castle appears invincible. But it is not. Under the cover of a thick fog the Welsh attack the castle. And Robin is the only one who can save it...

    His white father has acknowledged him and raised him openly—something unusual in post-Civil War Georgia. But as he grows into a man he learns that life for someone like him is not easy. Black people distrust him because he looks white. White people discriminate against him when they learn of his black heritage. Even within his own family he faces betrayal and degradation. So at the age of fourteen, he sets out toward the only dream he has ever had: to find land every bit as good as his father's, and make it his own. Once again inspired by her own history, Ms. Taylor brings truth and power to the newest addition to the award-winning Logan family stories.

    Long ago, the hero Gammage led them in war against the horrible Hairless Ones. But now -- Bravery? Forgotten. Courage? No more. Heroes? The stuff of storybooks.Yet sometimes heroes turn up when they are least expected....Muggles, Gummy the poet, and Walter the Earl are not like the other Minnipins. They dress differently, speak their minds, and -- when Walter the Earl finds a package of old scrolls and swords -- dare to disagree with the Minnipin leaders. For their troubles, they are banished from their village.But Walter the Earl found the weapons for a reason: The Hairless Ones have returned. And this time there is no Gammage to protect the Minnipins. This time there are only Muggles and her friends, outlaws who must rescue the very people who have cast them out.