In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

    A deadly enchantment. And only Merlin can destroy it. A meteorite brings a mysterious black stone whose sinister power ensnares everyone except Merlin, the blind son of a swordsmith. Soon, all of Britain will be under its power, and he must destroy the stone—or die trying.MERLIN'S BLADE won the 2014 Silver Moonbeam Award in the YA Fantasy/Sci-Fi category, as well as the 2013 Grace Award.

    Publius Varrus is the last legionnaire in Britain, and The Skystone is in many ways his story. He is a common man with aristocratic friends, and successful both as a soldier and an ironsmith. As the Roman world slowly crumbles around them, and Publius becomes involved in a political and personal vendetta, he and his friends seek to establish a refuge, a valley where the old Roman virtues will be kept alive and the empire's many faults be avoided. A finely crafted historical novel, The Skystone pays close attention to the details of everyday life in fourth-century Britain. As the first book in Whyte's Camulod Chronicles, it makes few allusions to the usual details of the Arthurian legends until Publius comes into contact with a sword, a stone, a lake, and a Celtic tribe who name themselves Pendragon. Greg L. Johnson

    This first installment of a trilogy describes Arthur's education by Merlynn, his gathering of followers to campaign against theocratic tyranny in his homeland of Keltia and his turbulent, jealous relationship with cousin Gweniver.

    It's like thinking the unthinkable. After all, the farm population is dwindling. It takes too much capital to start. The pay is too low. The working conditions are dusty, smelly and noisy: not the place to raise a family. This is all true, and more, for most farmers. But for farm entrepreneurs, the opportunities for a farm family business have never been greater. The aging farm population is creating cavernous niches begging to be filled by creative visionaries who will go in dynamic new directions. As the industrial agriculture complex crumbles and our culture clambers for clean food, the countryside beckons anew with profitable farming opportunities. While this book can be helpful to all farmers, it targets the wannabes, the folks who actually entertain notions of living, loving and learning on a piece of land. Anyone willing to dance with such a dream should be able to assess its assets and liabilities; its fantasies and realities. "Is it really possible for me?" is the burning question this book addresses.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    Technically brilliant, using strict, classical prosody, yet entirely modern in sensibility, Virginia Adair's poetry will play a central role in the ongoing American poetry renaissance.

    Eggers’ irreverent approach included a pioneering design that incorporated chapbooks, drawings, and all manner of cultural confetti previously unseen in the lit-mag format. McSweeney’s became an instant hit, showcasing the work of major new voices as well as literary luminaries such as William T. Vollman and Joyce Carol Oates. Long out of print and available only in the pricey collectors’ market, the first three issues appear in this omnibus, reproduced precisely as they first appeared. Longtime fans can revisit some of the best of the early McSweeney’s, while those new to the journal will see what all the fuss was about. A bracing range of topics include John Hodgman writing on the topic of cavemen, Jon Langford on Lester Bangs, Gary Greenberg on the Unabomber, and much more.

    Drawn from the author's own mystical illumination, this book reveals the truth buried within the stories of the old and new testaments alike. Briefly, the book states that consciousness is the one and only reality, that consciousness is the cause and manifestation is the effect. It draws the reader's attention to this fact con�stantly, that the reader may always keep first things first. Having laid the foundation that a change of consciousness is essential to bring about any change of expression, this book explains to the reader a dozen different ways to bring about such a change of consciousness. Freedom for All outlines a realistic and constructive principle that works. The revelation it contains will, if applied correctly, set you free.

    This retelling brings to life King Arthur and the adventures of his Knights, from the quest for the Holy Grail to the final tragedy of the Last Battle.

    "After his father's death, young Galwyn Varianus is apprenticed to his uncle, who puts the boy to work on the high seas. But horses, not ships, are Galwyn's passion. Luckily, a passenger aboard, Lord Artos (later to rule as the legendary King Arthur), is bound for the great horse fair at Septimania. Risking his life, Galwyn abandons his uncle to serve the gallant leader. Galywn's calming way with horses quickly impresses Lord Artos and his men. But what no one expects is how crucial Galwyn will be to their upcoming battles--as he masters the secrets of the iron shoes that will protect the exotic horses' delicate hooves. . . .

    An imaginative recreation of the Arthurian world, a retelling of some of the stories from Geoffrey of Monmouth.

    The fragile peace imposed by the conquerors has been shattered, compelling Artoria Argantel -- Lady of the Lake and Druid priestess -- to call upon the Spirit of War and Justice to deliver a champion who will unite the broken land. It is from Argantel's ancient and royal blood that the hero will spring; his sword will be forged from star-steel by ancient spells, carried by soldier-priests from the steppes of Asia to the edges of the Empire. Only one man can wield this holy steel, aided by the wizard Merlin, whose heritage is a magic wilder still. Only one man can free the sword from its prison of stone.Artor, a fosterling of unknown parentage. The promised High King.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Meet a daring damosel from the Golden Age, a brave, fearless woman of whom stories were told and legends woven. Vivian is the fifteen year old grand-niece of the Lady Morgan le Fay, whose tale is inextricably linked with that of Sir Gawain le Jeune, the nephew of that great Gawain, one of King Arthur's most stalwart Knights... Knightly chivalry is beset by Dark Age barbarity in this richly woven tapestry of heroes and heroines, monsters and saints, temptresses and magicians.